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Anya Klepikov is a scenic and costume designer for theater, opera, and dance. Born on the Crimean Peninsula, Anya arrived on the shores of Boston as a teenage refugee from the former USSR. After earning her MFA in Design from the Yale School of Drama, she formed long-standing collaborations with directors Preston Lane (The Glass Menagerie, Kingdom of Earth, Dial M for Murder, A Doll’s House, Radiunt Abundunt, Midsummer Night’s Dream and Who’s Afraid of Virginia Woolf at Triad Stage, NC), Mike Donahue (collaborations include Moscow, Cheryomushki! , Uncle Vanya, Who’s Afraid of Virginia Woolf, The Who’s Tommy, Bacchae, Recess, God is a DJ, Electronic City, Brandt, and As You Like It), and the late Tim Vasen (Troy: After and Before, Alice: A New Play, Der Bourgeois Bigwig, Eugene Onegin, Eyes Up High in the Redwood Tree, and Great Expectations).
Anya has collaborated on devised work with Tei Blow (recently ENTRY at the Baryshnikov Arts Center), Laurel Atwell, Tea Alagic, Anna Jones, Steven Bogart, and Amanda Palmer, also production-designing Amanda’s live statue TRUTH & CONSEQUENCES in front of the NY Public Library.
A background in classical piano also brought Anya to opera design where her work has been seen in An American Tragedy (Glimmerglass), Mourning Becomes Elektra (Florida Grand Opera), The Cradle Will Rock (Saratoga Opera) as well as productions in non-traditional spaces and configurations: Hydrogen Jukebox (Fort Worth Opera), Empty The House (Curtis Music School), and Orpheus & Euridice (Vermont Marble Museum, National Gallery of Art). Anya is currently collaborating with photographer Cig Harvey on a production of Bluebeard’s Castle for the Atlanta and Austin Operas. Her set and costume designs will be seen in a new production of Balanchine’s Firebird for the Miami City Ballet in winter of 2019.
Anya’s approach to teaching scenic design is influenced by her training with Ming Cho Lee at the Yale School of Drama, as well as by her time as a teaching artist with the Roundabout Theater Company and their philosophy of interactive and creative pedagogy. Other significant mentors include Jane Greenwood, Wendall Harrington, and Jean-Guy Lecat.
Inspired by the teachings of Josef Albers, Anya has developed an approach to teaching color to theater practitioners from different disciplines. Color as a tool of design is currently at the heart of her research.
Before coming to UMass, Anya lectured on scenic design and color at Princeton, where she designed fourteen productions between 2009 and 2017, as well as Brown, Colgate and the Yale School of Drama.