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Classical saxophonist Jonathan Hulting-Cohen’s performances as soloist and chamber musician have been considered “impressive” with “exceptional facility” (Schenectady Daily Gazette), and “fun to watch” (Oregon Arts Watch). From a musical family in Philadelphia, his early training was as a concert violinist, Irish fiddler, and classical singer. He picked up the saxophone at age 12, continuing his classical training while studying the foundations of jazz. Early performances included a debut at the Kimmel Center for the Performing Arts at age 17 performing Alexandre Glazounov’s Concerto in Eb. At 21 he performed Luciano Berio’s Chemins IV and Roger Boutry’s Divertimento with the Philadelphia Classical Symphony.

Jonathan’s concerto engagements include standard repertoire and world premieres. With the Adrian Symphony Orchestra (MI) and Sequoia Symphony Orchestra (CA), he performed John Williams’ classical-jazz crossover concerto, Escapades. He has additionally performed concerti by Biedenbender, Lennon, Colgrass, Hartley, and Chatman. In 2017 he premiered Guggenheim-winning composer Felipe Salles’ double concerto, Sagrada Familia, with Dutch saxophone virtuoso, Arno Bornkamp. He made the world premiere recording of Stacy Garrop’s Quicksilver with the UMass Amherst Wind Ensemble in 2018, to be released on MSR Records in 2019. He is currently preparing Kenneth Fuchs’ Rush for performance with the Sequoia Symphony Orchestra in 2020.

As a soloist, Jonathan placed in the 2018 Classics Alive Competition, was twice a finalist in the Astral Artists Competition, and was a semi-finalist in the North American Saxophone Alliance Solo Competition. In recitals, he performs traditional and contemporary repertoire. In 2017, he toured Echoes of American Jazz, a program featuring classical works by jazz composers David Liebman, David Amram, Stephen Rush, and Jackson Berkey, which he presented at the Edinburgh Fringe Festival. He built upon this repertoire through six commissions that connect classical aesthetics with jazz and folk in his 2018 tour Timbre|ine. Notable among this repertoire are seven-time Downbeat Magazine International Critics’ Poll Alto Saxophonist of the Year, Rudresh Mahanthappa’s jazz-influenced duet, I Choose You, and Annika Socolofsky’s Norwegian folk-influenced Rise for alto saxophone and bowed piano. His current recital season pairs these works with classical music standards by Poulenc, Pascal, and Piazzolla.

Jonathan also enjoys a vibrant chamber music profile. He has performed with David Shifrin at Chamber Music Northwest. At Carnegie Hall’s 21st Century Ensemble he played under John Adams and David Robertson. He is co-founder of The Moanin’ Frogs saxophone sextet. Their debut self-titled album was released in 2017 on Teal Creek Music. The Admiral Launch Duo, co-founded by Jonathan and harpist Jennifer Ellis, commission and premiere new works for harp and saxophone nationwide. Their album, Launch debuted in 2018 on Albany Records.
 

Jonathan trained at the University of Michigan under Donald Sinta. He currently serves as Assistant Professor of Saxophone at the University of Massachusetts Amherst. He is a dedicated teacher whose current and former students win and place in regional and national solo and chamber music competitions, and who go on to further study and work in the music industry. He is a Conn-Selmer and D’Addario Woodwinds Artist, performing exclusively on their equipment and aiding in research and design.

 

Personal website: jonathanhultingcohen.com


A native of São Paulo, Brazil, Dr. Felipe Salles is an Assistant Professor at of Jazz and African-American Music Studies at the University of Massachusetts Amherst since 2010. An active musician in the US since 1995, he has worked and recorded with prominent jazz artists, including Randy Brecker, David Liebman, Lionel Loueke, George Russell, Gunther Schuller, Sam Rivers, Herb Pomeroy, Jerry Bergonzi, Jovino Santos Neto, Oscar Stagnaro, Duduka Da Fonseca, Maucha Adnet, Tony Lujan, Luciana Souza, and Bob Moses. Before coming to the U.S., Felipe Salles performed with numerous Brazilian artists such as Daniela Mercury, Paulo Moura and Wagner Tiso. He has toured extensively in Europe, North and South Americas, India and Australia, both as a sideman and as a leader of his own group.

Salles was a 2009-2010 winner of the French American Jazz Exchange Grant from the French American Cultural Exchange (FACE) and Chamber Music America, and a 2005-2006 winner of the Chamber Music America New Works: Creation and Presentation Grant Program, both grants sponsored by The Doris Duke Charitable Foundation. He was awarded First Place in the 2001 Concurso SGAE de Jazz "TETE MONTOLIU", 2001, with his composition The Return of The Chromo Sapiens.

Felipe Salles has had arrangements and compositions performed by The Metropole Orchestra, Westchester Jazz Orchestra, Cayuga Chamber Orchestra, Helsinki Philharmonic Violas, Meta4 String Quartet, University of Massachusetts Amherst Jazz Ensemble I and Studio Orchestra, Manhattan School of Music Jazz Orchestra, Manhattan School of Music Jazz Philharmonic Orchestra, New England Conservatory Jazz Orchestra, and New England Conservatory Jazz Band.

Felipe Salles’ fifth release, Departure, on the Capri/Tapestry Label, has received raving reviews. In its four star review, Downbeat Magazine calls Felipe’s music “crafting pieces that juggle intriguing complexity with buoyant rhythms and lush colors” and describes “his success in translating that approach to a more nimble small band without losing any of the richness or diversity.” A feature review on JazzTimes Magazine says “Felipe Salles blends the visceral and the cerebral on his fascinating fifth album, infusing classical modernist strains with the buoyant rhythms of his Brazilian homeland.” His sixth album, Ugandan Suite (Tapestry), has been described by jazz guitarist extraordinaire Lionel Loueke as follows: “This is one of the best progressive works I have heard in a long time. What a great blend of classical, African and Jazz music! The compositions and the arrangements are so well done, and in the most natural way. This music needs to be heard by the largest audience possible.” Both CDs made to DownBeat’s best albums of the year list in 2013 and again in 2014.

Dr. Salles is a D’Addario Woodwinds Select Reeds Artist/Clinician and an Andreas Eastman Saxophones Artist/Clinician. He currently works as a member of the New World Jazz Composers Octet, Kyle Saulnier's Awakening Orchestra, Alex Alvear's Mango Blue and Gonzalo Grau's (Grammy Nominated) La Clave Secreta. Salles holds a Master of Music Degree in Jazz Studies from New England Conservatory and is the first candidate ever to graduate with a Doctoral Degree in Jazz Advancement from the Manhattan School of Music.

Personal website: sallesjazz.com