Five College Faculty Seminar in Book History
As compilations of discrete, fragmentary images and texts in codex format, Mughal albums lend themselves to ocularcentric analysis. How else, if not by sight, would one read a book? Yet the Mughals' word for album, muraqqa'—Arabic for "patched" or "mended"—, foregrounds other modes of sensory engagement, namely touch. While the term clearly evokes the tactile processes of trimming and pasting together employed in the production of such albums, it also suggests the frequent episodes of repair that any excessively handled book would demand. Following this linguistic cue, this talk situates the Mughal album at the center of a complex matrix of both visual and tactile practices. It examines how physical touch and haptic perception factored in the organization, construction, and use of seventeenth- and eighteenth-century albums both within and beyond the Mughal court. It furthermore places these materials within a broader constellation of stitched textiles and gardens with and in which albums were used.
Yael Rice is associate professor of art history and of Asian languages and civilizations at Amherst College. She specializes in the art and architecture of South Asia, Central Asia, and Iran, with a particular focus on manuscripts and other portable arts of the fifteenth through eighteenth centuries. She is the author of the recently published The Brush of Insight: Artists and Agency at the Mughal Court (Seattle: University of Washington Press, 2023), and she was co-editor, with Dipti Khera, of Readings on Painting from 75 Years of Marg (Mumbai: Marg, 2023).