Administration

Department Chair
Matthew Westgate sitting with hands clasped.
Conductor Matthew Westgate “leads with a combination of expressivity and crispness” (San Francisco Chronicle). His performances are praised as “dramatic, incisive, and passionate” (Audiophile Audition) and full of “verve and swagger” (MusicWeb International).
Matthew Westgate sitting with hands clasped.

Dance Program Director, Professor

A black and white headshot of Thomas Vacanti.
Thomas Vacanti (BS in Dance, Skidmore College ‘02. MFA in Dance, Smith College ’04) is Professor of Ballet and Director of the Dance Program at UMass Amherst. In 2012, Tom received one of UMass Amherst’s highest honors, The Distinguished Teaching Award.
A black and white headshot of Thomas Vacanti.
Graduate Program Director
A headshot of Erinn Knyt.
Knyt specializes in nineteenth- and twentieth-century music, aesthetics, music history pedagogy, performance practice issues, and Bach reception, and has written extensively about Ferruccio Busoni. Her articles have appeared in numerous journals, including American Music, Eighteenth Century Music, Journal of Musicology, Journal of Music History Pedagogy, Journal of Musicological Research, Journal of the Royal Musical Association, Musicology Australia, Music and Letters, 19th-Century Music, Nineteenth-Century Music Review, and Twentieth Century Music.
A headshot of Erinn Knyt.

Undergraduate Program Director & Director of Undergraduate Advising

Staff

Graduate Program Coordinator

Assistant to the Department Chair

Undergraduate Program Coordinator

Undergraduate Program Director & Director of Undergraduate Advising

Director of Recruitment, Admissions & Career Planning

Director of Marketing and Publicity

Administrative Coordinator, Dance Program

Business Manager

Music Education-Student Teaching

Website Manager; Publicity/Marketing Assistant

Program Directors

Choral Studies
Lindsay Pope.
Lindsay Pope is Director of Choral Studies at UMass Amherst, where she directs the Chamber Choir and teaches conducting. Previously, she directed the programs at Mount Holyoke College and Williams College. She was also Assistant Conductor of the Dallas Symphony Chorus, for which her work was praised as “exemplary and well-prepared” (Texas Classical Review). Pope’s research interests include early music performance practice, the ethics of choral programming, and the intersection of women and gender studies with choral music.
Lindsay Pope.
Dance Program
A black and white headshot of Thomas Vacanti.
Thomas Vacanti (BS in Dance, Skidmore College ‘02. MFA in Dance, Smith College ’04) is Professor of Ballet and Director of the Dance Program at UMass Amherst. In 2012, Tom received one of UMass Amherst’s highest honors, The Distinguished Teaching Award.
A black and white headshot of Thomas Vacanti.
Jazz & African American Music Studies
Jeffrey W. Holmes.
Holmes plays keyboards with the Paul Winter Consort, leads the Jeff Holmes Big Band featuring his wife, vocalist Dawning Holmes, and plays lead trumpet with the New England Jazz Ensemble. Recent recordings as performer and/or composer/arranger include the Jeff Holmes Quartet release "Of One's Own," the New England Jazz Ensemble’s “Peter and The Wolf“, HGTS’s “…and then they played…” and projects by Paul Winter, colleague Felipe Salles, and Earl MacDonald. He continues to appear as a guest conductor/clinician/adjudicator and performer/composer/arranger.
Jeffrey W. Holmes.
Minuteman Marching Band
Timothy Anderson directing in front of a basketball game.
Timothy Todd Anderson has been at the University of Massachusetts Amherst since 2011. He is the director of the over-370-member, award-winning Minuteman Marching Band. Under Anderson's direction, the Minuteman Band has performed in both the 2013 Macy's Thanksgiving Day Parade in New York City and the 2018 Tournament of Roses in Pasadena, CA. Both performances were televised internationally.
Timothy Anderson directing in front of a basketball game.
Orchestral Studies
(open)
Wind Studies
Matthew Westgate sitting with hands clasped.
Conductor Matthew Westgate “leads with a combination of expressivity and crispness” (San Francisco Chronicle). His performances are praised as “dramatic, incisive, and passionate” (Audiophile Audition) and full of “verve and swagger” (MusicWeb International).
Matthew Westgate sitting with hands clasped.