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Prof. Howard is on the editorial board of Shakespeare Studies and Renaissance Drama. She has published essays on Shakespeare, Pope, Ford, Heywood, Dekker, Marston, and Jonson, as well as on aspects of contemporary critical theory including new historicism, Marxism, and issues in feminism. 

Her books include Shakespeare's Art of Orchestration (1984); Shakespeare Reproduced: The Text in History and Ideology, edited with Marion O'Connor (1987); The Stage and Struggle in Early Modern England (1994); with Phyllis Rackin, Engendering a Nation: A Feminist Account of Shakespeare's English Histories (1997); Marxist Shakespeares, edited with Scott Shershow (2000); and four generically organized Companions to Shakespeare, edited with Richard Dutton (2001). 

She is a co-editor of The Norton Shakespeare (3rd ed. 2015) and General Editor of the Bedford Contextual Editions of Shakespeare. Theater of a City: The Places of London Comedy 1598-1642 (University of Pennsylvania Press, 2007) won the Barnard Hewitt award for Outstanding Theater History for 2008. 

She published, with Crystal Bartolovich, a monograph on Shakespeare and Marx in the Great Shakespeareans series for Continuum Press (2012) and is currently completing a book entitled Staging History that examines the different trajectories of the history play in contemporary Britain and the US. 

In 2021 she published a short monograph, King Lear: Language and Writing, with Bloomsbury Press.

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