Art
Reception for the exhibit, "Global Perspectives through Student Eyes."

March 6, 2018
4:00 pm-6:00 pm

Science and Engineering Library

Color in Containment examines the use of color within a group of works to ask a difficult question: can color be controlled? 

March 22—April 27, 2018, Tue/Wed/Thu/Fri 11:00 am-4:30 pm
March 24—April 29, 2018, weekends 2:00 pm-5:30 pm
This event does NOT occur on:
March 10—March 18

University Museum of Contemporary Art

"Color in Containment" examines the use of color within a group of works.

March 22, 2018 4:30 pm-6:30 pm
March 23, 2018 11:00 am-4:30 pm
March 27—March 30, 2018 11:00 am-4:30 pm
April 3—April 6, 2018 11:00 am-4:30 pm
April 10—April 13, 2018 11:00 am-4:30 pm
April 17—April 20, 2018 11:00 am-4:30 pm
April 24—April 27, 2018 11:00 am-4:30 pm
March 24—March 25, 2018 2:00 pm-5:00 pm
March 31—April 1, 2018 2:00 pm-5:00 pm
April 7—April 8, 2018 2:00 pm-5:00 pm
April 14—April 15, 2018 2:00 pm-5:00 pm
April 21—April 22, 2018 2:00 pm-5:00 pm
April 28—April 29, 2018 2:00 pm-5:00 pm

University Museum of Contemporary Art

Opening Reception for Color in Containment 11th Annual Curatorial Fellowship exhibitionThursday, March 22, 4:30–6:30 p.m.

March 22, 2018
4:30 pm-6:30 pm

University Museum of Contemporary Art

Prizes will be given for Best in Show, Most Creative, and Best Pun

April 5, 2018
12:00 pm-4:00 pm

Library, W.E.B. Du Bois

Watch as millions of grains of sand are painstakingly laid in place on a flat platform over a period of four days. Tibetan Sand Mandala painting is an abiding phenomenon of art and construction, emanating spiritual and healing power for all who experience it.

April 17—April 20, 2018 1:00 pm-6:00 pm
April 17—April 20, 2018 10:00 am-12:00 pm

Old Chapel

The photographs featured in this exhibition are part of Katrin Bahr’s dissertation on everyday life experiences of East German citizens in Mozambique during the 1980's. They offer insights into the lives of those citizens and the development aid work they did while they were there. These images serve as a counter-narrative to official images published by the East German government, which mostly portrayed the successful labor of the experts. The current photo series aims to portray all aspects of everyday life and they provide insight into ongoing colonial structures that were further supported by the concept of solidarity. 

May 3—May 10, 2018

Augusta Savage Gallery

Pages