DEFA's Rumpelstiltskin differs from the Grimms version in that it broadens the cast of characters to include many additional minor characters as well as a kingdom of extras. These new figures act as go-betweens and create a more complicated system of transgressors instead of the traditional division between good and evil. Rumpelstiltskin creates contrasts between hard-working Hans and the lazy Miller, as well as the treasurer who craves gold and Rumpelstiltskin who craves things of emotional rather than monetary value. This version also allows for character growth and development, as the King learns to treasure his family above his riches and Marie learns to assert herself in times of stress.  

The most telling difference between the Grimm Brothers and DEFA, however, is the newly-sympathetic portrayal of Rumpelstiltskin himself. He is no longer a strange and devious creature who desires a human child for an undisclosed reason. Rather, he wants to save the child from the corruption of money. Indeed, money is the true villian in the DEFA version and all those who are deemed "good" in the end must be those who value money less than family, friends, and the welfare of those in the kingdom.