Kathryn M. Lachman
326 Herter Hall
Professor Kathryn Lachman is Graduate Program Director in Comparative Literature. She joined the faculty of French and Comparative Literature at the University of Massachusetts Amherst in the fall of 2008. A native of South Africa, she holds a Ph.D. in French from Princeton University (2008), and earned simultaneous B.A. and M.A. degrees in French from Yale University (1998).
Contemporary French and Francophone literature, literary theory, intermedial relations between music and literature, African and Caribbean studies, the Maghreb, migration and diaspora studies, Holocaust literature and literatures of testimony, critical race theory, translation, contemporary world cinema.
Professor Lachman is the author of Borrowed Forms: The Music and Ethics of Transnational Fiction (Liverpool: Liverpool University Press, 2014), an edited volume entitled Feasting on Words: Maryse Condé, Cannibalism and the Caribbean Text (Princeton: PLAS, 2006), articles in Yale French Studies, Research in African Studies and Music, Sound and the Moving Image, and numerous book chapters on African and Francophone literatures. She has translated works by Ghislaine Dunant and Assia Djebar. Her current project is the translation of Dunant's award-winning biography of Auschwitz survivor and major French literary figure Charlotte Delbo.
Feasting on Words: https://plas.princeton.edu/about/publications
“The Meursault Investigation: Literature and the Disappeared.” In Yale French Studies. Special Issue on Existentialism. Edited by Julie Elsky, Lauren Du Graf, and Clémentine Fauré Bellaïche. January 2020.
“Teaching Assia Djebar's Work in an Age of Fundamentalism.” In Teaching Approaches to Assia Djebar. Edited by Anne Donadey. Modern Language Association (MLA) Press, 2017.
“The Transalantic Poetics of Fatou Diome.” In Francophone Afropean Literature. Dominic Thomas and Nicki Hitchcott, eds. Liverpool: University of Liverpool Press, 2014.
“Music and the Production of Cinematic Space in Karin Albou’s Le Chant des mariées.” In Music, Sound, and the Moving Image 7.1 (Spring 2013): 1-18.
“Echo’s Legacy: Autobiography and Intertextuality in Assia Djebar’s Nulle part dans la maison de mon père.” In Susanne Gehrmann and Flora Veit-Wild, eds. Conventions and Conversions: Generic Innovations in African Literatures/ Innovations génériques dans les littératures africaines. Trier: WVT, 2012.
“The Allure of Counterpoint: History and Reconciliation in the Writing of Edward Said and Assia Djebar.” Research in African Literatures 41.4 (November 2010): 162-186.
“Charlotte Delbo: Writing the Deportation.” Translation of Ghislaine Dunant’s “Charlotte Delbo: une autre voix.” In The Massachusetts Review. Fall 2019.
“An Inner Switzerland.” Translation of Ghislaine Dunant’s short story, “Une Suisse intérieure.” The Massachusetts Review 60.1. Spring 2019.
“Camus: The First Man, the Last Book.” Translation of Assia Djebar’s essay “Camus: le premier homme, le dernier livre” (from Ces voix qui m’assiègent, Paris: Albin Michel: 1998). The Massachusetts Review. Winter 2018.
Review of Contemporary Cinema of Africa and the Diaspora by Anjali Prabhu. (New York: Wiley Blackwell, 2014). In African Studies Review. Fall 2017.
Review of The New Tunisian Cinema: Allegories of Resistance by Robert Lang. (New York: Columbia University Press, 2014). In African Studies Review. Summer 2017.
Review of Locating the Destitute: Space and Identity in Caribbean Fiction by Stanka Radovic. (Charlottesville: University of Virginia Press, 2014). In Comparative Literature Studies. Winter 2018.
Review of The Postcolonial Short Story: Contemporary Essays. Ed. Maggie Adwalla and Paul March-Russell. Palgrave-Macmillan. (London and New York: Palgrave, 2012). In Canadian Review of Comparative Literature 43.2 (June 2016).
Review of Conflict Bodies: The Politics of Rape Representation in the Francophone Imaginary by Régine Michelle Jean Charles. (Columbus: Ohio State UP, 2014). In Research in African Studies 46.2 (Spring 2015): 160-164.
Music Criticism for The Daily Star, Beirut, Lebanon, 1998-2001. (See Author’s Page for Links to Articles: http://www.dailystar.com.lb/Kathryn-Lachman.ashx)
Awards and Accolades
Kahn Liberal Arts Institute Fellow, War, Smith College 2017-18
Interdisciplinary Studies Institute Fellow, Dissent, University of Massachusetts Amherst 2017-18
Research Intensive Semester Grant, University of Massachusetts Amherst, Spring 2013
Institute for Interdisciplinary Studies in the Humanities and Fine Arts (ISHA) Fellowship, University of Massachusetts Amherst, 2010-11
Georges Lurcy Fellowship, Paris, France, 2005-06
Ecole normale supérieure Fellowship, Paris, France, 2005-06
Dean’s Fund for Scholarly Travel, November 2004
Armstrong Award for Graduate Study, 2001-03
Princeton Institute for International and Regional Studies, Research Awards, 2002-05
Henry Hart Rice Fellowship, Yale University, 1998-99Premier Prix in Violin Performance, May 1995, Conservatoire National de Région, Paris, France
Premier Prix à l’unanimité in Chamber Music, May 1995, Conservatoire National de Région, Boulogne, France
Premier Prix à l’unanimité in History of Music, May 1995, Conservatoire National de Région, Paris, France
Assistant Concertmaster of Yale Symphony Orchestra, 1995-97
Courses Recently Taught
COMPLIT 752 The Theory and Practice of Comparative Literature
COMP LIT 355 Modern African Literature
COMPLIT 231 Comedy
COMPLIT 891, Writing in the Discipline
COMPLIT 691ML, Testimony and Resistance in African Literature
COMPLIT 382 Cinema and Psyche
FRENCHST 290L Americans in Paris
FRENCHST 497F French Women Writers
FRENCHST 497PL/697PL Critical Approaches to North African Literatures from Independence to the Arab Spring
FRENCHST 397/597 MN Literature, Film and Fundamentalism
COMPLIT 691A Literature and Music
FRENCHST 597O The Postcolonial Thriller
FRENCHST 350 French Film
FRENCHST 597K Paris, New York, L.A.: Literature of the Francophone Diaspora
COMP LIT 693 Critical Approaches to North African Literature