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Rachel Young

Rachel Young *17 at the Arthur F. Kinney Center for Interdisciplinary Renaissance Studies

Saturday, November 25, 2017

Rachel Young, who received her MA last year, was a featured speaker at the Renaissance Center on Wednesday, November 1st as part of the Center's Wednesday Lecture Series. The lecture was titled ...
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Paul Staiti

Mount Holyoke Professor Paul Staiti's expertise tapped by the New York Times

Sunday, October 29, 2017

Paul Staiti, Professor of Fine Arts at Mount Holyoke College, was quoted in a recent New York Times article on the National Gallery's comission of Amy Sherald to paint the offical portrait of...
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Timothy M. Rohan and Gülru Çakmak before plaster casts from Hatshepsut's mortuary temple at the Yale Art and Architecture Building

Professor Timothy M. Rohan's recent lecture at the Yale Center for British Art

Sunday, October 29, 2017

Professor Timothy M. Rohan lectured about postwar American architect Paul Rudolph's use of 19th century plaster casts of antique monuments at the Yale Center for British Art on Oct. 25, 2017. His...
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Gallery Talk: Intimate Looking in Sculpture from Auguste Renoir to Niki de Saint Phalle

Wednesday, October 18, 2017

Gülru Çakmak, Assistant Professor of Nineteenth-Century European Art at UMass and Guest Curator of A Very Long Engagement: Nineteenth-Century Sculpture and Its Afterlives, will discuss her...
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Pictured is  Ben Smith, Karen Kurczynsk, Diana Blanco, Chris Albert, and Aleesha Ast.

Professor Karen Kurczynsk at the opening of the "Human Animals: The Art of Cobra" exhibition at NSU Art Museum in Fort Lauderdale

Friday, September 22, 2017

On July 9th, Professor Karen Kurczynski attended the opening of the "Human Animals: The Art of Cobra" exhibition at NSU Art Museum in Fort Lauderdale. Professor Kurczynski guest curated the...
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Alumni Maureen McVeigh MacLure's article published in Rutgers Art Review

Monday, September 18, 2017

Maureen McVeigh MacLure's article entitled "The Allure of Artifice: Titian's Half-Lengths and the Courtesan as Masquerader" is now available online in this year's edition of Rutgers Art Review. 
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