In 2025, with a public art commission from the Belechertown Cultural Council, Kiran Jandu engaged in a year-long social practice and sculptural engagement project. The work focused on the Lake Wallace site and consisted of historical and geologic research, community engagement, art workshops, and sculptural construction.
The resulting bench is a commemoration, a seat of pause and reflection, grounded in the layered history of the site. Formed from materials gathered on site, it honors the quiet dignity of the land itself. It marks a recognition of Nipmuc land. It calls for the recognition of