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Quia ibi est
Without the dedication and expertise of our systems analyst, Theodore J. Seward, of the Northrop Grumman Corporation, there would be no Adelphi Calendar. His selfless hours of brilliant labor have produced the Adelphi Calendar in its current form.
The completion of the task was made possible by a highly motivated team of theatre historians. Franklin Case and Frank McHugh worked tirelessly as co-general editors, assisting the general editors with the hundreds of problems that arise in a project of this size and complexity. Alfrida Lee, our editor "across the water," assisted us on those innumerable occasions when we needed someone to look after our interests in England. Equally dedicated were Paul Buczkowski and Ambrose Wilbanks, Jr., associate general editors, who assisted us on their own time. We express our thanks to Joseph Donohue and James Ellis of The London Stage 1800-1900 project. It was they who began the initial labors ultimately leading to this calendar and who wrote the invaluable "Handbook for Compilers." The abbreviations listed below are from the "Handbook." Not all were used in this Calendar.
The following libraries and museums have assisted us most generously: The Folger, New York Public, Lilly, Westminster Public, British, and, of course, the Victoria and Albert Museum. Our especial gratitude goes to the late George Nash who was particularly helpful in his role as Curator of the Enthoven Collection.
Four of our colleagues at Eastern Michigan University have supported us morally and financially throughout the years. To Ira Wheatley and the late Donald Drummond, Deans of the College of Arts and Sciences, Ronald Collins, Provost of the University, and Gary Keller, former Dean of the Graduate School, our sincerest thanks.
We have been helped by many staff members of University Computing at Eastern Michigan University, especially its past director, E. Leon Daniel, Manuel J. Norman, senior systems programmer, and Bethann L. Welch, senior user consultant.
The American Philosophical Society and the American Council of Learned Societies gave us much-needed financial support in the lean years and made it possible to hire typists and purchase microfilms and other vital supplies.
We express our heartfelt thanks to senior editor Peggy Russo of the Pennsylvania State University at Mont Alto for making an annual pilgrimage to Ypsilanti to assist the general editors with the endless task of checking incoming data. She was assisted in her own research on the 1880s decade by two Penn State students: Ronald L. DeLauter and Jason Weller.
We are indebted to special consultants, Joan Reilly and Patricia Tatspaugh, for their extensive assistance in checking details and compiling data.
Throughout the years numerous students, undergraduate and graduate, have worked with us. We are most grateful to those geniuses of the keyboard (and coffee machine): Mary Fettes, Sharon Gleason, Jerry Montague, and Melissa Watkins, as we are to Mary Beth Kukucka, Pietra Abbulone, Nina Bernier, John Grose, Dale Detroit, Francene Harris, Keri Krick, Sandy Mathews, Andrea Shaw, and last, but certainly not least, Scott Harrison, who supplied a final push. To these, and all who supported this project, we offer our heartfelt thanks.
The data entry and checking for the period 1806-1900 and the seasonal chronologies were divided among a team of editors. They are listed below. These scholars worked unstintingly to produce ninety-nine daily calendars. The results speak for themselves.
Franklin D. Case
15 Sep 1932 - 31 Mar 2014
His master said to him, 'Well done, good and faithful
servant; because thou hast been faithful over a few things, I will
set thee over many; enter into the joy of thy master.' |
General Editors: | Alfred L. Nelson Gilbert B. Cross |
System Analyst: | Theodore J. Seward, Jr. |
Co-General Editors: | Franklin Case Frank McHugh |
Associate General Editors: | Paul Buczkowski Ambrose Wilbanks, Jr. |
Senior Editor: | Peggy Russo |
Contributing Editors: | John Brokaw Gayle Harris Thirza Cady Mary Case Meredith Klaus Alicia K. Koger Alfrida Lee |
Special Consultants: | Joan Reilly Patricia Tatspaugh |
Director London Stage 1800-1900 Project: | Joseph Donohue |
Years | Editor | Affiliation |
---|---|---|
1806-1810 | John Brokaw | University of Texas, Austin |
1810-1815 | Frank McHugh | Eastern Michigan University |
1815-1820 | Franklin Case | Eastern Michigan University |
1820-1825 | Alfred Nelson Gilbert Cross |
Eastern Michigan University |
1825-1830 | Alfrida Lee | King Edward's Camp Hill School for Girls, England |
1830-1840 | Alicia Kae Koger | University of Oklahoma |
1840-1845 | Mary Case Franklin Case |
Eastern Michigan University |
1845-1850 | Gayle Harris | Library of Congress, Washington DC |
1850-1860 | Alicia Kae Koger | University of Oklahoma |
1860-1870 | Alfrida Lee | King Edward's Camp Hill School for Girls, England |
1870-1880 | Frank McHugh Gilbert Cross |
Eastern Michigan University |
1880-1890 | Peggy Russo | Pennsylvania State University, Mont Alto |
1890-1895 | Meredith Klaus | Eastern Michigan University |
1895-1900 | Thirza Cady | University of Michigan |
BL | British Library |
---|---|
BrSt | British Stage and Literary Cabinet |
Cornell | Cornell University Library |
CtY | Yale University Library |
DFo | Folger Shakespeare Library |
HTC | Harvard Theatre Collection |
ISD | Illustrated Sporting and Dramatic News |
ISN | Illustrated Sporting News |
Lilly | Lilly Library, Indiana University |
LTM | London Theatre Museum |
NjP | Princeton University |
NN | New York Public Library |
OxD | Oxberry's Dramatic Biography |
STD | Stage Directory |
Scr | Winston scrapbooks (LTM) |
Th Ob | Theatrical Observer |
Th | Theatre |
Times | The London Times |
TxU | Texas University Library |
und | Undetermined |
unk | Unknown |
WLS | J. Peter Wearing, London Stage 1890-1900 et seq . |
WPL | Westminster Public Library |
a | After (Usually followed by an act or scene ref) |
---|---|
am | Morning |
b | Before (Usually followed by an act or scene ref) |
d | During (Usually followed by an act or scene ref) |
dw | During the week |
e | Every |
eday | Every day |
eeve | Every evening or night |
eve | Evening or night |
feve | Following evening |
feves | Following evenings |
mat | Matinee or morning or afternoon |
p | Performance |
pm | Afternoon or evening |
rep | Repeated, repetition |
TR | Theatre Royal |
ufn | Until further notice |
und | Undetermined, undesignated |
unk | Unknown |
w | Week |
we | Week ending |
x | Except |
acc | Accompanist, accompanied (by) |
---|---|
adpt | Adapter, adapted (by) |
arr | Arranger, arranged (by) |
asst | Assistant, assisted (by) |
au | Author, written (by), words (by) |
chor | Choreographer, choreographed (by) |
comp | Composer, composed (by), music (by) |
const | Constructor, constructed (by) |
cont | Contriver, contrived (by) |
dec | Decorator, decorations (by) |
des | Designer, design (by), designed (by) |
dir | Director, directed (by), superintended (by) |
eng | Engineer, engineered (by) |
exe | Executer, executed (by) |
furn | Furnisher, furnished (by), supplied (by) |
inv | Inventor, invented (by) |
lib | Librettist, libretto (by) |
mach | Machinist, machinery (by) |
mgr | Manager, managed (by) |
perf | Performer, performed (by) |
prod | Producer, produced (by) |
prop | Properties |
prov | Provider, provided (by) |
trans | Translator, translated (by) |
ever | On any stage, making debut |
---|---|
grat | gratis, appearing at no charge |
here | In this theatre |
Lond | In London, in this city |
perm | By permission of, courtesy of. |
time | In role, on stage, in London |
adv | Advertisement |
---|---|
ann | Announcement |
bill | Playbill |
col | Collection |
hb | Handbill |
ind | Indulgence slip, aegrotat |
ms | Manuscript |
pos | Poster |
pr | Printed |
priv | Private |
prog | Program |
pub | Published |
rv | Review |
pb | Promptbook |
ts | Typescript |
und | Undetermined |
unk | Unknown |
a | After |
---|---|
acc | Accompanist |
adpt | Adapter |
adv | Advertisement |
am | Morning |
ann | Announcement |
arr | Arranger |
asst | Assistant |
au | Author |
b | Before |
bill | Playbill |
chor | Choreographer |
col | Collection |
comp | Composer |
const | Constructor |
cont | Contriver |
d | During |
dec | Decorator |
des | Designer |
dir | Director |
dw | During the week |
e | Every |
eday | Every day |
eeve | Every evening |
eng | Engineer |
epil | Epilogue |
eve | Evening |
ever | On any stage |
exc | Executer |
F | Friday |
f | Following |
feve | Following evening |
feves | Following evenings |
furn | Furnisher |
grat | Kindly appearing |
hb | Handbill |
here | In this theatre |
ind | Indulgence slip |
inv | Inventor |
L | Last performance |
lib | Librettist |
Lond. | London |
M | Monday |
mach | Machinist |
mat | Matinee |
mgr | Manager |
ms | Manuscript |
N | Next performance |
p | Performance |
part | This role |
pb | Promptbook |
perf | Performer |
perm | By permission of |
pm | Afternoon, evening |
pos | Poster |
pr | Printed |
priv | Private |
prod | Producer |
prog | Program |
prol | Prologue |
prop | Properties |
prov | Provider |
pub | Published |
R | Reference performance |
rep | Repeated, repetition |
rv | Review |
S | Saturday |
Su | Sunday |
T | Tuesday |
tabl | Tableau |
Th | Thursday |
time | Appearance |
TR | Theatre Royal |
trans | Translator |
ts | Typescript |
ufn | Until further notice |
und | Undetermined, undesignated |
unk | Unknown |
W | Wednesday |
w | Week |
we | Week ending |
x | Except |
bao | Ballad opera |
---|---|
b | Ballet |
bo | Ballet opera |
bp | Ballet pantomime |
bq | Burlesque |
ba | Burletta |
cad | Canine drama |
ca | Comedietta |
c | Comedy |
cd | Comic drama |
ce | Comic entertainment |
ci | Comic interlude |
co | Comic opera |
coa | Comic operetta |
cp | Comic pantomime |
cr | Comic romance |
csk | Comic sketch |
csp | Comic spectacle |
di | Divertissement |
d | Drama |
df | Dramatic farce |
do | Dramatic opera |
dpl | Dramatic pastoral |
dp | Dramatic poem |
dr | Dramatic romance |
dsk | Dramatic sketch |
du | Duologue |
en | Entertainment |
eqd | Equestrian drama |
eqs | Equestrian spectacle |
e | Extravaganza |
f | Farce |
fa | Farcetta |
fc | Farcical comedy |
hd | Historical drama |
hr | Historical romance |
i | Interlude |
ld | Lyric drama |
msq | Masque |
m | Melodrama |
mon | Monologue |
mb | Musical burlesque |
mca | Musical comedietta |
mc | Musical comedy |
md | Musical drama |
men | Musical entertainment |
me | Musical extravaganza |
mf | Musical farce |
mi | Musical interlude |
mm | Musical monologue |
mur | Musical romance |
msk | Musical sketch |
o | Opera |
ob | Operatic ballet |
od | Operatic drama |
oen | Operatic entertainment |
oe | Operatic extravaganza |
of | Operatic farce |
op | Operatic pantomime |
or | Operatic romance |
oa | Operetta |
ora | Oratorio |
pg | Pageant |
p | Pantomime |
pb | Pantomimic ballet |
pc | Pantomimic comedy |
pf | Pantomimic farce |
pr | Pantomimic romance |
psk | Pantomimic sketch |
pl | Pastoral |
plo | Pastoral opera |
pd | Poetic drama |
pre | Prelude |
re | Revue (or review) |
r | Romance |
rba | Romantic burletta |
rc | Romantic comedy |
rcd | Romantic comic drama |
rd | Romantic drama |
ro | Romantic opera |
rsp | Romantic spectacle |
s | Satire |
sk | Sketch |
sp | Spectacle |
spc | Spectacular |
spd | Spectacular drama |
tv | Tableau vivant |
t | Tragedy |
tf | Tragic farce |
tc | Tragicomedy |
v | Vaudeville |
b | Ballet |
---|---|
ba | Burletta |
bao | Ballad opera |
bo | Ballet opera |
bp | Ballet pantomime |
bq | Burlesque |
c | Comedy |
ca | Comedietta |
cad | Canine drama |
cd | Comic drama |
ce | Comic entertainment |
ci | Comic interlude |
co | Comic opera |
coa | Comic operetta |
cp | Comic pantomime |
cr | Comic romance |
csk | Comic sketch |
csp | Comic spectacle |
d | Drama |
df | Dramatic farce |
di | Divertissement |
do | Dramatic opera |
dp | Dramatic poem |
dpl | Dramatic pastoral |
dr | Dramatic romance |
dsk | Dramatic sketch |
du | Duologue |
e | Extravaganza |
en | Entertainment |
eqd | Equestrian drama |
eqs | Equestrian spectacle |
f | Farce |
fa | Farcetta |
fc | Farcical comedy |
hd | Historical drama |
hr | Historical romance |
i | Interlude |
ld | Lyric drama |
m | Melodrama |
mb | Musical burlesque |
mc | Musical comedy |
mca | Musical comedietta |
md | Musical drama |
me | Musical extravaganza |
men | Musical entertainment |
mf | Musical farce |
mi | Musical interlude |
mm | Musical monologue |
mon | Monologue |
mur | Musical romance |
msk | Musical sketch |
msq | Masque |
o | Opera |
oa | Operetta |
ob | Operatic ballet |
od | Operatic drama |
oe | Operatic extravaganza |
oen | Operatic entertainment |
of | Operatic farce |
op | Operatic pantomime |
or | Operatic romance |
ora | Oratorio |
p | Pantomime |
pb | Pantomimic ballet |
pc | Pantomimic comedy |
pd | Poetic drama |
pf | Pantomimic farce |
pg | Pageant |
pl | Pastoral |
plo | Pastoral opera |
pr | Pantomimic romance |
pre | Prelude |
psk | Pantomimic sketch |
r | Romance |
rba | Romantic burletta |
rc | Romantic comedy |
rcd | Romantic comic drama |
rd | Romantic drama |
re | Revue (or review) |
ro | Romantic opera |
rsp | Romantic spectacle |
s | Satire |
sk | Sketch |
sp | Spectacle |
spc | Spectacular |
spd | Spectacular drama |
t | Tragedy |
tc | Tragicomedy |
tf | Tragic farce |
tv | Tableau vivant |
v | Vaudeville |
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|
Gilbert Cross |
Joseph Donohue |
|
Senior Editor, Adelphi Theatre Calendar |
Senior Editor, The London Stage 1800-1900 |
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Thank you for visiting this site. |
Copyright © 1988, 1992, 2013 and 2016 by Alfred L. Nelson, Gilbert B. Cross, Joseph Donohue. |
Originally published by Greenwood Press as The Sans Pareil Theatre 1806-1819, Adelphi Theatre 1819-1850: An Index to Authors, Titles, Performers, 1988, and The Adelphi Theatre 1850-1900: An Index to Authors, Titles, Performers and Management, 1992. |
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The Adelphi Theatre Calendar revised, reconstructed and amplified. Copyright © 2013 and 2016 by Alfred L. Nelson, Gilbert B. Cross, Joseph Donohue. This work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License, with the exception of graphics from The Clip Art Book, edited by Gerard Quinn and published by Crescent in 1990. These images are reproduced in accord with the publisher’s note, which states "The Clip Art Book is a new compilation of illustrations that are in the public domain. The individual illustrations are copyright free and may be reproduced without permission or payment. However, the selection of illustrations and their layout is the copyright of the publisher, so that one page or more may not be photocopied or reproduced without first contacting the publishers." |