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THE   ADELPHI   THEATRE   CALENDAR
A Record of Dramatic Performances at a Leading Victorian Theatre
Formerly the Sans Pareil (1806-1819), later the Adelphi (1819-1900)
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Home page Editor’s page Authors and titles Actors and actresses Composers, Music and Song Musicians and singers Dance, entertainment and spectacles Management and back stage All-Inclusive Index Bibliography Graphics gallery Theatre research Adelphi today Book version

HOME
PAGE

EDITORIAL
PAGE

AUTHORS
& TITLES

ACTORS &
ACTRESSES

COMPOSERS,
MUSIC & SONG

MUSICIANS
& SINGERS

DANCE,
ENTERTAINMENT
& SPECTACLES

MANAGEMENT
& BACK STAGE

All-INCLUSIVE
INDEX

BIBLIOGRAPHY

GRAPHICS
GALLERY

THEATRE
RESEARCH

ADELPHI
TODAY

BOOK
VERSION

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Description:The New Standard Theatre, Shoreditch. space.gif
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Source:The Illustrated London News, May 17, 1845, p. 320 space.gif
Review:The Illustrated London News, May 17, 1845, p. 320 space.gif
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THE NEW STANDARD THEATRE.

The East-enders have now their Amphitheatre, or Cirque Olympique, for equestrian performances, which the proprietors of the New Standard Theatre have just provided for in a novel and ingenious manner.

This little Temple of the Drama was erected a few months since, on the site of twelve houses, adjoining "the Standard Theatre," by Mr. John Gibson, for the proprietors Messrs. Johnson and Nelson Lee.  It faces the Terminus of the Eastern Counties Railway in Shoreditch.  The interior is of the horseshoe form, and a domed roof, a construction peculiarly well adapted for the transmission of sound.  The proscenium is 30 feet wide by 30 feet in height; the auditory has a circle of ten private, and fourteen public boxes, which, with the pit and gallery, will accommodate 2200 persons.  It is lit by a cut-glass chandelier; the fronts of the boxes are coloured in two drabs, relieved with gold mouldings, pilasters, equestrian medallions, &c.

The equestrian performances were the holiday novelty of Monday last: they are not given in the area of the auditory but in the place of the stage; for which purpose the flooring is, by ingenious machinery removed upon a kind of railway, the proscenium boxes are made to recede, and a ring is presented 39 feet in diameter, wherein Mr. Cooke and his Stud first exhibited on Whit Monday.  Our illustration is a scene from an Equestrian Spectacle, also then produced, and entitled "The Conquest of Tartary; or, The Eagle Rider of Circassia, and her Monarch Steed of the Desert!" wherein a Mrs. R. B. Taylor's performance is very striking.

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The Illustrated London News, May 17, 1845, p. 319

 

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The Illustrated London News, May 17, 1845, p. 320

 

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To top of page Home page Editor’s page Daily calendar Authors and titles Actors and actresses Composers, Music and Song Musicians and singers Dance, entertainment and spectacles Management and back stage All-Inclusive Index Bibliography Graphics gallery Theatre research Adelphi today Book version Site map

TO TOP
OF PAGE

HOME
PAGE

EDITORIAL
PAGE

DAILY
CALENDAR

AUTHORS
& TITLES

ACTORS &
ACTRESSES

COMPOSERS,
MUSIC & SONG

MUSICIANS
& SINGERS

DANCE,
ENTERTAINMENT
& SPECTACLES

MANAGEMENT
& BACK STAGE

All-INCLUSIVE
INDEX

BIBLIOGRAPHY

GRAPHICS
GALLERY

THEATRE
RESEARCH

ADELPHI
TODAY

BOOK
VERSION

SITE
MAP

Space
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Copyright © 1988, 1992, 2013 and 2016 by Alfred L. Nelson, Gilbert B. Cross, Joseph Donohue.
Originally published by Greenwood Press as The Sans Pareil Theatre 1806-1819, Adelphi Theatre 1819-1850: An Index to Authors, Titles, Performers, 1988, and The Adelphi Theatre 1850-1900: An Index to Authors, Titles, Performers and Management, 1992.
Creative Commons License
The Adelphi Theatre Calendar revised, reconstructed and amplified.  Copyright © 2013 and 2016  by Alfred L. Nelson, Gilbert B. Cross, Joseph Donohue.  This work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License, with the exception of graphics from The Clip Art Book, edited by Gerard Quinn and published by Crescent in 1990.  These images are reproduced in accord with the publisher’s note, which states "The Clip Art Book is a new compilation of illustrations that are in the public domain.  The individual illustrations are copyright free and may be reproduced without permission or payment.  However, the selection of illustrations and their layout is the copyright of the publisher, so that one page or more may not be photocopied or reproduced without first contacting the publishers."