Graphics, Image for The <I>Mysterious Stranger;</I> founded upon <I>Satan; ou, Le Diable  à Paris</I>
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Graphics, Image for The Mysterious Stranger; founded upon Satan; ou, Le Diable à Paris
THE   ADELPHI   THEATRE   CALENDAR
A Record of Dramatic Performances at a Leading Victorian Theatre
Formerly the Sans Pareil (1806-1819), later the Adelphi (1819-1900)
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Title:The Mysterious Stranger; founded upon Satan; ou, Le Diable à Paris check.png
Description:The Mysterious Stranger, founded upon Satan; ou, Le Diable à Paris.  Written by Charles Selby.  Mme. Céleste played the Mysterious Stranger.  James Hudson played the Count.  Mlle. de Nantelle was Miss Emma Harding. space.gif
1st Performance:Oct 29, 1844 space.gif
Theatre:Adelphi space.gif
Source:The Illustrated London News, Nov 9, 1844, p. 300 space.gif
See Source:Go to Source Images (9.1 MB) space.gif
Review:The Illustrated London News, Nov 9, 1844, p. 300 space.gif
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SCENE FROM THE "MYSTERIOUS STRANGER."

The accompanying sketch embodies one of the most effective scenes of this spirited piece.  The Satanic tormenter of the puzzled Count Beausoleil (Mr. Hudson) has fully performed all his predictions.  The Count has lost his fortune, and with his fortune his friends and his mistress.  On a rumour, however, that his runaway banker has been arrested, his mistress returns, for there is then a chance of the fortune being recovered, explains away her desertion, and renews her vows of fidelity.  At this nick of time his mysterious persecutor enters, declares all the lady has said to be false, and proves it by putting the Count into a closet, declaring that the banker has escaped beyond the possibility of arrest, that the fortune is lost, and that he himself, being rich beyond calculation, will marry the lady himself; and she consents, to the great horror of the Count, who rushes forward maddened, seizes the pistols from the case his visitor has brought, with an offer of being his second in the duel that must inevitably take place with his dearest friend, for whom his mistress has deserted him, and fires!  As the weapons had probably been prepared for such a catastrophe, by the agent who brought them, he stands in the doorway harmless, thus again turning a natural cause into a proof of his supernatural power; the cleverness with which this is done throughout is the great merit of the piece.

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To top of page Home page Editor’s page Daily calendar Authors and titles Actors and actresses Composers, Music and Song Musicians and singers Dance, entertainment and spectacles Management and back stage All-Inclusive Index Bibliography Graphics gallery Theatre research Adelphi today Book version Site map

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OF PAGE

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PAGE

EDITORIAL
PAGE

DAILY
CALENDAR

AUTHORS
& TITLES

ACTORS &
ACTRESSES

COMPOSERS,
MUSIC & SONG

MUSICIANS
& SINGERS

DANCE,
ENTERTAINMENT
& SPECTACLES

MANAGEMENT
& BACK STAGE

All-INCLUSIVE
INDEX

BIBLIOGRAPHY

GRAPHICS
GALLERY

THEATRE
RESEARCH

ADELPHI
TODAY

BOOK
VERSION

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MAP

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Copyright © 1988, 1992, 2013 and 2016 by Alfred L. Nelson, Gilbert B. Cross, Joseph Donohue.
Originally published by Greenwood Press as The Sans Pareil Theatre 1806-1819, Adelphi Theatre 1819-1850: An Index to Authors, Titles, Performers, 1988, and The Adelphi Theatre 1850-1900: An Index to Authors, Titles, Performers and Management, 1992.
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The Adelphi Theatre Calendar revised, reconstructed and amplified.  Copyright © 2013 and 2016  by Alfred L. Nelson, Gilbert B. Cross, Joseph Donohue.  This work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License, with the exception of graphics from The Clip Art Book, edited by Gerard Quinn and published by Crescent in 1990.  These images are reproduced in accord with the publisher’s note, which states "The Clip Art Book is a new compilation of illustrations that are in the public domain.  The individual illustrations are copyright free and may be reproduced without permission or payment.  However, the selection of illustrations and their layout is the copyright of the publisher, so that one page or more may not be photocopied or reproduced without first contacting the publishers."