Graphics, Image for <i>The Christmas Carol; or, Past, Present, and Future</i>
Space
Graphics, Image for The Christmas Carol; or, Past, Present, and Future
THE   ADELPHI   THEATRE   CALENDAR
A Record of Dramatic Performances at a Leading Victorian Theatre
Formerly the Sans Pareil (1806-1819), later the Adelphi (1819-1900)
Space
  Daily Calendar Daily Calendars
Space
Home page Editor’s page Authors and titles Actors and actresses Composers, Music and Song Musicians and singers Dance, entertainment and spectacles Management and back stage All-Inclusive Index Bibliography Graphics gallery Theatre research Adelphi today Book version

HOME
PAGE

EDITORIAL
PAGE

AUTHORS
& TITLES

ACTORS &
ACTRESSES

COMPOSERS,
MUSIC & SONG

MUSICIANS
& SINGERS

DANCE,
ENTERTAINMENT
& SPECTACLES

MANAGEMENT
& BACK STAGE

All-INCLUSIVE
INDEX

BIBLIOGRAPHY

GRAPHICS
GALLERY

THEATRE
RESEARCH

ADELPHI
TODAY

BOOK
VERSION

Space

Title:The Christmas Carol; or, Past, Present, and Future
Description:The Christmas Carol; or, Past, Present, and Future was sanctioned by Charles Dickens and written by Edward Stirling.  O. Smith played Scrooge and R. Hughes was the Ghost of Old Jacob Marley.
1st Performance:Feb 5, 1844
Theatre:Adelphi
Source:The Illustrated London News, Feb 17, 1844, p. 109
Review:The Illustrated London News, Feb 17, 1844, p. 109
space.gif

ADELPHI THEATRE.

We have already given a slight sketch of this happy dramatic adaptation from Dickens's admirable "romance of real life;" we will now proceed to illustrate it, more through the graphical agency of our artist than by anything we could ourselves indite.  Of the production itself, from which the theatrical representation has emanated, we have nothing to say, but "plaudits" from beginning to end: it exhibits the author not only as a caricaturist, but a philanthropist, a satirist, and, unlike the censors of old, a moralist.  Neither Horace, Juvenal, nor Persius, could "touch the pitch" they wanted to make appear more black, "without defiling their own fingers," but Dickens is never corrupted by his subject; he stands aloof and "shoots Vice as well as Folly" when it obtrudes itself upon his universal surveillance, with--

An arrow shot by Virtue--barb'd by Wit.

image_18440217_109_ad_crop.jpg

 

The Illustrated London News, Feb 17, 1844, p. 109

 

image_18440217_109_orig.jpg



Space
To top of page Home page Editor’s page Daily calendar Authors and titles Actors and actresses Composers, Music and Song Musicians and singers Dance, entertainment and spectacles Management and back stage All-Inclusive Index Bibliography Graphics gallery Theatre research Adelphi today Book version Site map

TO TOP
OF PAGE

HOME
PAGE

EDITORIAL
PAGE

DAILY
CALENDAR

AUTHORS
& TITLES

ACTORS &
ACTRESSES

COMPOSERS,
MUSIC & SONG

MUSICIANS
& SINGERS

DANCE,
ENTERTAINMENT
& SPECTACLES

MANAGEMENT
& BACK STAGE

All-INCLUSIVE
INDEX

BIBLIOGRAPHY

GRAPHICS
GALLERY

THEATRE
RESEARCH

ADELPHI
TODAY

BOOK
VERSION

SITE
MAP

Space
Thank you for visiting this site.
Copyright © 1988, 1992, 2013 and 2016 by Alfred L. Nelson, Gilbert B. Cross, Joseph Donohue.
Originally published by Greenwood Press as The Sans Pareil Theatre 1806-1819, Adelphi Theatre 1819-1850: An Index to Authors, Titles, Performers, 1988, and The Adelphi Theatre 1850-1900: An Index to Authors, Titles, Performers and Management, 1992.
Creative Commons License
The Adelphi Theatre Calendar revised, reconstructed and amplified.  Copyright © 2013 and 2016  by Alfred L. Nelson, Gilbert B. Cross, Joseph Donohue.  This work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License, with the exception of graphics from The Clip Art Book, edited by Gerard Quinn and published by Crescent in 1990.  These images are reproduced in accord with the publisher’s note, which states "The Clip Art Book is a new compilation of illustrations that are in the public domain.  The individual illustrations are copyright free and may be reproduced without permission or payment.  However, the selection of illustrations and their layout is the copyright of the publisher, so that one page or more may not be photocopied or reproduced without first contacting the publishers."