Any UMass or Five-College student wishing to take a course at another campus should first check with their respective Registrar's Office and then check with the department offering the course. In some cases enrollment is limited, instructor permission is needed and many courses require prerequisites.
|
Women's Studies Afro-American Studies American Studies Anthropology Classic Languages and Literature Comparative Literature English Languages and Literature French Language & Literature Government History Interdisciplinary Studies Jewish Studies Music Religion and Biblical Literature Sociology Spanish and Portuguese |
24 Hatfield 130 Wright Hall 12 Wright Hall 15 Wright Hall 102 Wright Hall 101 Wright Hall 101 Wright Hall 206 Pierce 15 Wright Hall 13 Wright Hall 207b Seelye Hall 106 Wright Hall Sage Hall Dewey II 12 Wright Hall Hatfield Hall |
585-3390 585-3572 585-3582 585-3500 585-3491 585-3382 585-3302 585-3360 585-3530 585-3726 585-3390 585-3390 585-3190 585-3662 585-3520 585-3450 |
By way of close reading of cultural texts on overseas migration, e.g. fiction, non-fiction, visual and
performance art and through an analysis of social documents, this course plots the narrative(s) of
Philippine overseas labor migration from the 1960s onwards; it examines Filipina contract workers'
experiences and representations of their migrant conditions. Particular emphasis will be placed on
analyzing how the regulation of migration extends to the personal and the sexual, including sexuality and
sexual practices. We will interrogate the official narrative of overseas workers as the bagong bayani -
or the new hero - in relation to workers' narratives and underscore the intersections of migration, state
interests and demands of the global economy. Prerequisite: WST 150 and one other Women's Studies course.
Permission of the instructor required.
This course will examine constitutional interpretations and statutory innovations affecting women's legal
status and gender justice. Using case law as our starting point, we will consider the interaction between
law and gender relations; the achievements and limitations of women's rights victories; and the impact of
gender-conscious law and legal reform on women of different races, classes, and sexualities. Readings and
lectures will focus on legal aspects of the following problems: women's constitutional citizenship;
discrimination in the labor market; educational equity; poverty law and women's social rights; and
sex/gender violence.
This course examines the corporate sales pitch to young consumers as well as low budget cultural
productions to ask what constitutes "youth culture" in the U.S. We will discuss a wide range of
mainstream and subcultural material for and by American youth, from movies and music to body politics,
Riot Grrls and DIY (do it yourself) publications. We will explore their additions to (and transformations
of) national, regional, and local conversations about gender and feminism in the U.S. today.
All too often, women are discouraged from listening to the voices within, the voices which critique,
redefine, and affirm their lived experience and acquired knowledge. But it is only in listening to those
voices that they can begin to change and transform the world which would want to silence or ignore those
voices al together. It can easily be argued that personal narrative, as a form, has provided the raw
material for much of feminist theory. Not surprisingly, memoir and autobiographical writing have enabled
women to acquire a hard-won visibility. The memoir, both personal and political, has become the most
accessible and potentially revolutionary genre of writing in print today. This curse proposes to examine
the revolutionary aspects of the genre primarily (though not exclusively) through women's voices of
varied backgrounds, and proposes to engage students in the political and healing journey of writing their
own life stories. Themes addressed will include: childhood, violence, survival, memory, death, race,
spirituality, generational difference, sexuality, class, and migration.
This seminar will explore how law and policy distinguish among mothers based on class, race, culture and
sexuality. Simultaneously considered will be various feminist policy-theoretical perspectives on and
remedies for intersectional inequalities among mothers in family and child welfare law as well as in
social policy. Throughout, we will examine when and why the law has or does set up antagonism between
mothers and children as well as when and why mothers' rights and children's rights might be at odds.
Specific topics may include child care and caregiving provision in social policy; trans-racial
/cultural/national adoption; child custody and child removal; marriage/fatherhood promotion and maternal
regulation in welfare and related social policies; fertility control and pregnancy regulation; among
others.
The course will examine constructions of lesbian, gay, queer, bisexual, and transgender at the levels of
individual and collective identities, communities of various forms, and social protest, with a focus on
the interplay between resistance and accommodation at each of these levels of analysis. Drawing on
historical, theoretical, narrative, and ethnographic sources, we will examine multiple sites of queer
resistance including local communities, academic institutions, media, the state, social movement
organizations, and the Internet. We will pay explicit attention to queer identities, communities, and
movements as racialized, shaped by class, gendered, and contextual. We will examine the consequences of
various theories of gender, sexuality, and resistance for how we interpret the shapes that queer,
lesbian, gay, bisexual and transgender identity, community, and social movements take. Readings will
include primary source documents from diverse groups, including published newsletters, organizational
position papers, individual narratives, and material from organizational and personal Web sites and
discussion groups, and students will conduct their own research using such primary sources.
This seminar will examine how feminists in the United States have addressed the interaction of sex/gender
subordination with racial and ethnic inequality through their theoretical work, political movement, and
expressive culture. Our focus will be on the work of women of color who have foregrounded the ways in
which this intersection of social identities has profoundly shaped the meaning of sex/gender as well as
what is considered feminist theory and practice in the U.S. today. We draw on a wide range of texts as
the starting point for an exploration of how race/ethnicity makes a difference in the understanding of
and action around issues that are thought of as "women's." One important goal will be to facilitate a
dialogue over the course of the semester about questions of "difference" and power between and among
women and the meaning this makes in our own lives.
See Department for description.
Ida B. Wells (1862-1931) was a black investigative journalist who began, in 1892, the nation's first
anti-lynching campaign. In her deconstruction of the reasons for, and response to, violence--and
particularly lynching--she also uncovered the myriad components of racism in a formative period of race
relations that depended on ideas of emerging social sciences, gender identity, and sexuality. The course
will follow Wells's campaign, and in the process study the profound intersections of race, class, gender
and sexuality which have shaped American culture and history.
This seminar will focus on the impact that Toni Morrison has had on American arts and letters through her
roles as the editor, author and public scholar. As an editor, Morrison single-handedly ensured the
publication of significant contemporary African American texts. Morrison the author, continues to create
a canon that centers on and celebrates the complexities of African American life. As a public scholar
Morrison scrutinizes the ways in which the American literary canon fails to acknowledge the cultural
contributions of African Americans. Works will include all of Morrison's novels as well as Playing in the
Dark: Whiteness and the Literary Imagination in addition to other short readings.
With the help of the Sophia Smith Collection and the Smith College Archives, this writing intensive
course looks at a number of 19th and 20th century American women writers. All wrestled with specific
issues that confronted them as women; each wrote about important issues in American society.
The course surveys U.S. women's history from the colonial period to the present as depicted in
documentaries. The class proceeds along two lines of inquiry, content and form. Through screenings of
historical documentaries supplemented by lectures, readings, and discussion, the course moves
chronologically through an examination of major themes in women's experience: family, community, work,
sexuality, and politics. At the same time, the class develops a critical assessment of documentary as a
form, with attention to its effectiveness in portraying the past as historical sources and technical
methods change, its importance as means of transmitting history to the general public, and the funding
and political constraints on its production, broadcast, and distribution.
See department for description.
A study of the transformation of Cleopatra, a competent Hellenistic ruler, into a historical myth, a
staple of literature, and a cultural lens through which the political, aesthetic, and moral sensibilities
of different eras have been focused. Roman, Medieval, Renaissance, Orientalist, Postcolonial, Hollywood
Cleopatras; reading from, among others, Plutarch, Virgil, Boccaccio, Shakespeare, Dryden, Gautier, Shaw,
historical novelists; some attention to Cleopatra in the visual arts.
An exploration of changes in the concept of the self and of literary techniques devised to empower that
self as a public figure, whether outsider, social critic and innovator, or defender of a principle or
tribe. Texts by Margery Kempe, Harriet Jacobs, Rigoberta Menchù, Maxine Hong Kingston, Sara Suleri.
Some cultures give the murdering mother a central place in myth and literature while others treat the
subject as taboo. How is such a woman depicted -- as monster, lunatic, victim, savior? What do
the motives attributed to her reveal about a society's assumptions and values? What difference
does it make if the author is a woman? Authors to be studied include Euripides, Seneca, Ovid,
Anouilh, Papadiamandis, Atwood, Walker, Morrison. Prerequisite: at least one college-level
course in literature.
A study of the literary fairy tale in Europe from the 1690s to the 1990s, with emphasis on the ways women
have written, rewritten, and transformed them. Some attention to oral story-telling and to related
stories in other cultures. Writers will include Aulnoy, Perrault, le Prince de Beaumont, the Grimms,
Andersen, Christina Rossetti, Angela Carter, Sexton, Broumas. Prerequisite: at least one college-level
course in literature.
A study of the pleasures and politics of fiction by women from English-speaking and French-speaking
cultures. How do women writers engage, subvert, and/or resist dominant meanings of gender, sexuality,
race and ethnicity and create new narrative spaces? Who speaks for whom? How does the reader participate
in making meaning(s)? How do different theoretical perspectives (feminist, lesbian, queer,
psychoanalytic, postcolonial, postmodern) change the way we read? Writers such as Woolf, Colette,
Schwarz-Bart, Morrison, Duras, Rule, Kingston, and Winterson.
A study of how literary texts written in a particular historical and cultural moment are revised and
transformed in new geographies, ideological frameworks, and art forms. Oedipus' daughter Antigone,
executed for buying her brother against the decree of the tyrant Creon, has been read as a sister
defending family bonds against state power, as a woman supporting private good over brutal law, and as a
feminist resisting male domination. Why has she been interpreted in such different ways in different
times and places? We'll analyze her transformations from ancient Greece to the 21st century in drama and
film from Sophocles to Anoulh, Brecht, the Congolese dramatist Sylvain Bemba, and Andrea Hairston; and in
theorists from Hegel to Levi-Strauss, Lacan, Derrida, Gayle Rubin, Seyla Benhabib and Judith Butler.
Consideration of a number of contemporary women writers, mostly British, some well-established, some not,
who represent a variety of concerns and techniques. Emphasis on the pleasures of the text and significant
ideas--political, spiritual, human, and esthetic. Efforts directed at appreciation of individuality and
diversity as well as contributions to the development of fiction. Authors likely to include Anita
Brookner, Angela Carter, Isabel Colegate, Eva Figes, Penelope Fitzgerald, Molly Keane, Penelope Lively,
Edna O'Brien, Barbara Pym, Jean Rhys, Muriel Spark, and Jeanette Winterson; some supplementary critical
reading.
An introduction to works by contemporary women writers from francophone Africa and the Caribbean. Topics
to be studied include colonialism, exile, motherhood, and intersections between class and gender. Our
study of these works and of the French language will be informed by attention to the historical,
political, and cultural circumstances of writing as a woman in a former French colony. Texts will include
works by Mariama Bâ, Maryse Condé, Gisèle Pineau, and Myriam Warner-Vieyra.
An examination of gender and sexuality as subjects of theoretical investigation, historically constructed
in ways that have made possible various forms of regulation and scrutiny today. We will focus on the way
in which traditional views of gender and sexuality still resonate with us in the modern world, helping to
shape legislation and public opinion, creating substantial barriers to cultural and political change.
A survey of European women's experiences during the twentieth century. Topics include the changing
meanings of gender, work, women's relationship to the State, motherhood and marriage, shifting population
patterns, and the expression and regulation of sexuality. Sources include novels, films, treatises, and
memoirs.
This course will historicize the phenomenon of globalization by investigating the significance of
im/migrant cultures and transnational cultural-political movements to the twentieth-century United
States. How have these movements challenged narratives of global capitalism as a positive process of
"investment," "progress" and "development"? What are the historical roots to such contemporary
cross-border movements as labor radicalism, Black Liberation, feminism, and anti-colonialism? How have
people historically responded to experiences of displacement and migration by redefining the meanings of
home and citizenship? How do contemporary diasporic and "post-colonial" movements in music, art, and
literature, emerge out of a long history of transnational activism?
See Department for description.
A study of topics and issues relating to women's health, including menstrual cycle, contraception,
sexually transmitted diseases, pregnancy, abortion, menopause, depression, eating disorders, nutrition
and cardiovascular disease. While the course focus will primarily be on the physiological aspects of
these topics, some social, ethical and political implications will be considered including the issues of
violence, the media's representation of women and gender bias in health care.
This course explores the ways in which music functions in society to reflect or construct gender
relations and the degrees to which a society's gender ideology and resulting behaviors affect its musical
thought and practice. Using primarily non-western case studies as points of departure, particular
emphasis will be placed upon the ways scholars write about gendered musical lives. No musical background
is necessary for this course.
This course raises questions about gender, race, class and stereotype through narratives and images of
women's bodies in 19th and 20th century Brazil. Works by writers such as Jorge Amado, Clarice Lispector,
Ana Miranda and Marilene Felinto, and artists Tarsila do Amaral, Emiliano Di Cavalcanti, Lygia Clark, and
Rosana Paulino, among others, will be studied with the aim of addressing traditional cultural biases
about beauty, sexuality, and Brazilian national identity.
This course studies the mystical writings of Hildegard of Bingen, Hadewijch, Julian of Norwich, and
Teresa of Avila, and their relevance to contemporary spirituality. Focus on their life journeys in terms
of love, creativity, healing, and spiritual leadership. Occasional films and music.
An exploration of marriage and divorce as important moments in Jewish women's lives and as structured by
religion, law, and society. How were religious norms put into practice by Jewish societies in different
historical periods? How were Jewish women's private lives affected by public regulation, and how did
Jewish women negotiate the forces of community, family, religion, and the state? Examination of legal and
religious texts, case-studies, and fiction drawn from antiquity to the present.
This course will examine the African Diaspora to the Americas beginning in 1501 with the arrival of the
first Hispanicized African slaves (ladinos) to Hispaniola, and the diverse race ideologies and racial
institutions that developed around African slavery and emancipation. In this way, this course will
comparatively examine the African experience in both South and North American contexts, historically and
contemporarily. This course will provide an overview of the various African-based slave systems in Latin
America comparing these with the subsequent emergence of a political economy of slavery in the United
States. A relative consideration of the impact of these various hemispheric slave economics on domestic
and hemispheric race ideologies will be undertaken. Gender will be a key line of analysis, both in terms
of texts selected, lectures and assignments.
Globalization implies many things, including corporatization, privatization, and "Americanization." In
this course, we will explore how globalization affects the social construction of gender and how, in
turn, local gender regimes shape globalization. Globalization is a process that is at once economic,
political, and cultural; this course will explore globalization from these varying angles, always with
women and gender at the center of analysis.
An examination of the ways in which the social system creates, maintains, and reproduces gender
dichotomies with specific attention to the significance of gender in interaction, culture, and a number
of institutional contexts, including work, politics, families and sexuality.
The application of theory and research in contemporary sociology, with particular emphasis on the study
of loss, adversity, and courageous response. Case studies include the analysis of ordinary people and
extraordinary evil, women's involvement in the struggle to locate the disappeared in Argentina and
elsewhere, dissidents to the oppressive Communist society in Czechoslovakia, resistance in concentration
camps and ghettos and rescuers of Jews during the European Holocaust. Women's memoirs will serve as a
major source.
Theory and research on the construction of and change in gender categories in the United States, with
particular attention to social movements that seek to change gender definitions and stratification,
including both feminist and anti-feminist movements. Theoretical frameworks are drawn from feminist
theory and social movement theory. Readings examine historical shifts in gender relations and norms,
changing definitions of gender in contemporary everyday life, and politicized struggles over gender
definitions. Themes throughout the course include the social construction of both femininity and
masculinity, the intersection of race, class, and sexual orientation with gender, and the growth of a
politics of identity. Case studies include feminist, lesbian and gay, right-wing, self help,
anti-abortion, and pro-choice movements.
WST 212
Overseas Filipina Workers Sexualities, and the State
Monday, Wednesday, Friday 1:10-2:30 p.m.
Susan Van Dyne
WST 225
Women and the Law
Tuesday, Thursday 10:30-11:50 a.m.
Gwendolyn Mink
WST 235
Youth Culture and Gender
Tuesday, Thursday 9:00-10:20 a.m.
Elisabeth Armstrong
WST 302
New Autobiography: Power of Women's Memoir Writing
Tuesday 3:00-4:50 p.m.
Myriam Chancy
WST 311
Mothers in Law and Policy
Tuesday 1:00-2:50 p.m.
Gwendolyn Mink
WST 312
Queer Resistance: Identities, Communities, and Social Movements
Thursday 1:00-2:50 p.m.
Nancy Whittier
WST 320
Women of Color Feminist Movement in US
Tuesday 3:00-4:50 p.m.
Ann A. Ferguson
AAS 366 (5)
Seminar: Contemporary Topics in Afro-American Studies Readings in Black and Queer
Monday 7:30-9:30 p.m.
Kevin Quashie
AAS 366 (02)
Ida B. Wells and the Struggle Against Racial Violence
Thursday 3:00-4:50 p.m.
Paula Giddings
AAS 366 (04)
Toni Morrison
Tuesday 3:00 - 9:30 p.m.
Tracy L. Vaughn
AMS 120
Scribbling Women
Monday, Wednesday 1:10-2:30 p.m.
Sherry Marker
AMS 221
Women's History Through Documentary
Wednesday 9:00-10:50 a.m.
Joyce Follet
AMS 230
Asian Women Living in the Americas
Tuesday, Thursday 1:00-2:50 p.m.
Cathy Schlund-Vials
CLS 236
Cleopatra: Histories, Fiction, Fantasy
Monday, Wednesday 1:10-2:30 p.m.
Nancy Shumate
CLT 223
Women's Autobiography in Context
Monday, Wednesday 9:00 - 10:20 a.m.
Ann R. Jones
CLT 230
"Unnatural" Women: Mothers Who Kill Their Children
Monday, Wednesday 7:30 - 9:30 p.m.
Thalia Pandiri
CLT 235
Fairy Tales and Gender
Tuesday, Thursday 1:00-2:50 p.m.
Elizabeth Harries
CLT 272
Women Writing: 20th Century Fiction
Monday, Wednesday, Friday 1:10-2:30 p.m.
Marilyn Schuster
CLT 293
Writings and Rewritings: Antigone
Monday, Wednesday 2:40-4:00 p.m.
Ann Jones
ENG 376
Contemporary British Women Writers
Tuesday 1:00-2:50 p.m.
Robert Hosmer
FRN 230
Women Writers of Africa and the Caribbean
Tuesday, Thursday 10:30-11:50 a.m.
Dawn Fulton
GOV 269
Politics of Gender and Sexuality
Monday, Wednesday 1:10-2:30 p.m.
Gary Lehring
HST 253
Women in Contemporary Europe
Tuesday, Thursday 1:00-2:20 p.m.
Darcy Buerkle
HST 280
Component
Globalization, Transnational Politics and Im/migrant Cultures in U.S. History
Tuesday 1:00-3:40 p.m.
Jennifer Guglielmo
HST 383
American Women in the 19th and 20th Centuries
Wednesday 1:10-3:00 p.m.
Helen Horowitz
IDP 208
Women's Medical Issues
Tuesday, Thursday 10:30-11:50 a.m.
Leslie Jaffe
MUS 100
Music and Gender in Cross-Cultural Perspective
Tuesday, Thursday 10:30-11:50 a.m.
Margaret Sarkissian
POR 221
The Brazilian Body:
Representing Women In Brazil's Literature and Culture
Monday, Wednesday, Friday 1:10-2:30 p.m.
Marguerite Harrison
REL 110
Women Mystics' Theology
Tuesday, Thursday 9:00-10:20 a.m.
Elizabeth Carr
REL 335
Problems in Jewish Religion and Culture
Topic:
Tying and Untying the Knot:
Women, Marriage and Divorce in Judaism
Thursday 7:30-9:30 p.m.
Lois Dubin
SOC 222
Blackness in the Americas
Tuesday, Thursday 1:00-2:50 p.m.
Ginetta Candelario
SOC 228
Women, Gender and Globalization
Tuesday, Thursday 9:00-10:20 a.m.
Leslie King
SOC 229
Sex and Gender in American Society
Monday, Wednesday, Friday 10:00-10:50 a.m.
Alice P. Julier
SOC 310
The Sociology of Courageous Behavior:
Gender, Community and the Individual
Tuesday 3:00-4:50 p.m.
Myron P. Glazer
SOC 323
Gender and Social Change
Wednesday 1:10-3:00 p.m.
Nancy Whittier