Any UMass or Five-College student wishing to take a course at another campus should first check with their respective Registrar's Office and then check with the department offering the course. In some cases enrollment is limited, instructor permission is needed and many courses require prerequisites.
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This course offers an overview of women's position in society and culture by examining women's lives from
a variety of experiential and theoretical perspectives. The first section examines works by women that
illuminate both the shared and the diverse social, psychological, political, and economic realities of
their experience; the second section introduces analyses of sexism and oppression, with a focus on
different frameworks for making and evaluating feminist arguments. The course concludes with visionary
feminist views of women recreating their lives.
White and black magic were practiced in Europe for centuries before the high Middle Ages saw an important
shift in the definition of witchcraft. Instead of magicians as healers with herbal lore, in the late
medieval period the Church defined them as witches whose power came from the devil. We will explore how,
from being a necessary if frightening aspect of life in a magical world, witchcraft became a heresy based
on Satanic pacts and rituals, and how the persecution of witches culminated in a violent witchcraze at
the same time that many Enlightenment philosophers were advocating rationality as the human ideal.
The Querelle des Femmes was a centuries-long debate over the nature of women that began by questioning
whether women were inherently good or evil before shifting the focus to whether women were capable of
rational thought. As education became more important for the ruling aristocracy, the issue of educating
women came to the fore. Heavily influenced by both the Querelle and the Enlightenment, early feminist
movements in Europe shifted the argument away from rationality to women's ability to contribute to
society. How did this intellectual dispute redefine women's political roles? We will use a variety of
primary and secondary sources to answer this question.
Introduces students to literature of modern Ireland beginning with Swift and ending with writers of the
Irish literary revival and Irish modernists. The syllabus will also focus on Irish women writers and
their literary interventions concerning colonial history, nationalism, and Unionism. We will pay
particular attention to representations of ideas of Irishness through the categories of religion, race,
gender, and culture. The course encourages students to think about how the genres, styles, and forms of
Irish writing are determined by the experience of colonial trauma and the imperative to imagine national
identity.
Examination of the work of a variety of 20th-century women writers in the United States, focusing on the
genre of prose fiction and the themes of gender, race, and sexuality. Particular attention will be paid
to developments in African American women's writing, to Southern writers, and lesbian literary
representation. Gwendolyn Brooks, Willa Cather, Kate Chopin, Zora Neale Hurston, Nella Larsen, Carson
McCullers, Flannery O'Connor, Gertrude Stein, Alice Walker, Edith Wharton, and Hisaye Yamamoto.
This course is an introduction to feminist theories, including an exploration of liberal, radical,
socialist, Marxist, materialist, and poststructuralist approaches. Emphasis is on the relationship of
gender to race, class, nationality, ethnicity, and other social variables.
People's interactions with their environments are socially constructed. In this seminar, some of the ways
in which women and girls interact differently with the environment are examined. Topics include: women
and nature, women in agricultural systems, women and environment/health/disease, women in earth and
environmental movements, and fieldwork and researcher-informant relations.
This course will examine scientific discourses on the body as well as feminist, queer, and antiracist
approaches and interventions. Drawing on the literatures from cultural studies of science, technology and
medicine, gay and lesbian and queer studies, the history of science and medicine, anthropology, biology,
and feminist theory, we will consider such topics as scientific constructions of raced-sexed-gendered
bodies, (homo)sexualities, intersexualities, transgendered and cyborg bodies, disease and disabilities,
as well as reproductive technologies, AIDS, lesbian health issues, and environmental racism.
This course will examine the ways in which British colonialism is represented in and shaped by Victorian
literature and popular culture. We will investigate the politics of gender and colonialism in nineteenth
century cultural production, suggesting that British imperialist discourse cannot be understood unless we
use gender as a primary category of analysis. Alongside writings by Carlyle, C. Bronte, Haggard, Eliot,
Forster, political cartoons, scientific writing, and advertisements, we will read feminist postcolonial
theory by Spivak, Sharpe, McClintock and others.
This course examines social psychology and sociological theories and research addressing why
women do more housework and child care than men. It pays special attention to the situation of
dual-earner families and considers class and ethnic differences on the nature of this inequality and the
barriers to full equality at home.
This course focuses on the social production of gender relationships across a range of institutional,
interactional, intellectual, and cultural contexts. The syllabus is structured around selections from
major social, political, economic, and cultural theories of gender in addition to several exemplary
empirical studies. Weekly topics include kinship and socialization, the contemporary moral orders of
masculinity and femininity, family organization, legal systems and nation-states, war and rape, and the
gendered organization and deployment of "expert" authority in a range of social settings.
This course will examine the historical and cultural creation of the Shaker society, the religious vision
of an alternative society whose birth and development paralleled that of the new American nation. By
contrast and by imitation, the separate Shaker route thus offers an intriguing critique of American
society and its values and an unusual laboratory for examining a religious community based on a
dual-godhead.
This course is an assessment, in terms of political power, of how the legal order impinges on women in
American society, with an examination of the legal rights of women in a number of areas of substantive
law; equal opportunity in education, employment, and credit; selected aspects of the law governing
marital status, the family, and property.
A multicultural feminist analysis of women's lives. Emphasizing the diversity of women's experience
across ethnicity, social class, and sexuality, this course assesses the adequacy and scope of existing
psychological perspectives on women. Students will examine women's lives through essays,
autobiographies, memoirs, and fictional works.
The course examines Buddhist representations of women and women's representations of Buddhism. We will
study materials by and about Buddhist women from Thailand, India, China, Tibet, Japan, and the U.S. Some
of the questions we will ask are: How are women portrayed in Buddhist literature? How do they portray
themselves? How have Buddhist women responded to sexism in their communities? How have Buddhist women
contributed to the development of new Buddhist institutions?
This course examines the various ways first- through fifth-century Christians addressed questions
regarding human sexuality. We will concentrate on the rise of sexual asceticism and pay particular
attention to the relationship between sexuality and issues of gender, culture, power, and resistance.
Primary readings will include letters, narrative accounts of female and male ascetics, monastic rules,
and "heretical" scriptures. These will be supplemented by modern scholarship in early Christian studies
and history of sexuality.
This class will examine how feminist theory has shaped theatre studies and practice. As such, the course
will interrogate and stage the relationship between theatre and performance, between text and the body,
between theory and praxis. We will engage the perils of performance for women, as well as the potential
for empowerment through feminist theatre. In addition to performance projects, course requirements will
include extensive theoretical reading and writing.
Kinship, marriage, and the family are cultural contexts (and constructs) within which the drama of human
life takes shape. To make sense of these complexities, we begin with early anthropological studies and
then move to present debates about the power of patrilines, the matrilineal puzzle, double descent,
monogamy, polygyny, and polyandry. Grounded in dialogue with feminist scholarship and using
cross-cultural ethnographic methods, we examine variations in families, kin systems, and marriage
patterns as well as the force of these institutions on individuals. Topics include: marital power,
strategies of resistance within families, love, families as they change, and the families we choose.
This course will consider the literary efforts and accomplishments of nineteenth-century African American
women writers. We will consider the representations of ante- and postbellum communities; conceptions of
womanhood, masculinity, femininity, and sexuality; and discussions of social, political, and racial
reform. Works will include novels, poems, slave narratives, autobiographies, travel narratives, essays,
speeches, and additional readings in literary criticism. Writers may include Harriet Jacobs, Sojourner
Truth, Nancy Prince, Ida B. Wells, Emma Dunham Kelley, Pauline Hopkins, and Frances Harper.
Study of this crucial and problematic relationship as presented in selected novels and films by
French-speaking women. We will analyze the mother-daughter bond as literary theme, social institution,
psychological dynamic, and metaphor for female creativity. Preliminary readings will examine conceptions
of motherhood and the family across time and diverse francophone societies. Principal texts will be
grouped cross-culturally by theme so that affinities and differences among them can emerge. Authors may
include: La Fayette, Charriere, Sand, Colette, Cardinal, Beauvoir, Ernaux, Darrieusecq, Roy, Hebert,
Chen; Schwarz-Bart, Pineau; Beyala, Biouraoui; and films.
WS 101s (01)
Introduction to Women's Studies
Tuesday, Thursday 2:40-3:55 p.m.
Martha Ackmann
WS 200s (01)
Hist 253s
Magicians, Witches & Demons
Monday, Wednesday 1:15-2:30
Barbara Stephenson
WS 200 (02)/
Hist 296
The Querelle des Femmes and Feminism
Tuesday, Thursday 1:15-2:30 p.m.
Barbara Stephenson
WS203s (01)/
Engl 246
Modern Irish Literature
Tuesday, Thursday 1:15-2:30
Amy Martin
WS 203s (02)/
Engl 271
Twentieth-Century American Women Writers
Tuesday, Thursday 1:15-2:30 p.m.
Elizabeth Young
WS 208
Introduction to Feminist Theory
Tuesday, Thursday 1:15-2:30 p.m.
Karen Barad
WS 270/ Geog 209s
Women and the Environment
Monday, Wednesday 11:00-12:15 p.m.
Giovanna Di Chiro
WS 333s (01)
Science and the Body
Wednesday 1:00-3:50 p.m.
Karen Barad
WS 333s (02)/
Engl 321
Gender and Colonialism in Victorian Culture
Wednesday 1:00-3:50 p.m.
Amy Martin
WS 333s (03)/
Psych 319
Gender and Domestic Labor
Wednesday 1:00-2:50 p.m.
Francine Deutsch
WS 333s (04)/
Soci 305
Sociology of Gender
Tuesday, Thursday 1:15-2:30 p.m.
Eleanor Townsley
WS 333s (05)/
Relig 332
The Shakers
Tuesday, Thursday 11:00-12:15 p.m.
Jane Crosthwaite
Polit 207
Women and the Law
Monday, Wednesday 11:00-12:15 p.m.
Walter Stewart
Psych 211
Psychology of Women
Tuesday 1:00-3:50 p.m.
Gail Hornstein
Relig 241
Women & Buddhism
Monday, Wednesday 2:40-3:55 p.m.
Susanne Mrozik
Relig 306
Component
Sex and the Early Church
M. Penn
Theat 315 (02)
Feminism & Theatre: Theory, History, and Practice
Tuesday 11:00-12:15
Thursday 10:00-12:15
Joyce Devlin
Anthr 316 (02)
The Anthropology of Kinship, Marriage, and the Family
Monday 1:00-3:50
Julia Jean
Engl 339
Race, Romance, and Reform: 19th C. African American Women's Literature
Tuesday 1:00-3:50 p.m.
Lois Brown
Fren 351
Mothers and Daughters
Wednesday 1:00-3:50 p.m.
Elissa Gelfand