| Women's Studies Program American Studies Anthropology & Sociology Art History Asian Studies Earth and Environment English Department German Department History Department Jewish Studies Philosophy Spanish and Italian |
4th Floor, Williston Memorial Lib. 50 College Sreet 103 Merrill House Art Building ?? 320 Clapp Lab 201 Clapp Lab Ciruti 309 Skinner Hall 205 Skinner Hall 213 Skinner Hall 211 Ciruti Center |
538-2257 538-3226 538-2283 538-2200 538-2885 538-2814 538-2146 538-2377 538-2233 538-2249 538-2283 538-2347 |
This course offers an overview of women's position in society and culture by examining women's lives from
a variety of experiential and theoretical perspectives. The first section examines works by women that
illuminate both the shared and the diverse social, psychological, political, and economic realities of
their experience; the second section introduces analyses of sexism and oppression, with a focus on
different frameworks for making and evaluating feminist arguments. The course concludes with visionary
feminist views of women recreating their lives.
How did religious images of goddesses, saints, and women affect the lives of real women in the
Greco-Roman world and medieval Europe? We explore how the ideas about what women are and which traits are
"feminine" that developed in ancient Greece and classical Rome came to define women's roles in those
cultures, and consider how Christianity introduced new perceptions of women. Did the Eve/Mary dichotomy
of Christianity take away other possible definitions of what women could be? Did those changes benefit
women or not? We will trace how religious beliefs and social organization shaped images of idealized
women and affected the lives of real ones.
An exploration of the roles and values of Chinese women in traditional and modern times. Topics will
include the structure of the family and women's productive work, rules for female behavior, women's
literature, and the relationship between feminism and other political and social movements in
revolutionary China. Readings from biographies, classical literature, feminist scholarship, and modern
fiction.
What is globalization? What are its positive and negative effects on different regions, cultures, social
classes, ethnic groups, the sexes, and the environment? How are women resisting against poverty,
militarism, and the environmental and cultural destruction accompanying globalization? What alternative
visions and models of development are offered by women's movements working for peace, justice, and
environmental stability?
This course examines different approaches to understanding the nature of scientific practices. Of central
interest will be the diverse accounts offered by feminist studies of science. We will pay particular
attention to notions of evidence, methods, cultural and material constraints and the heterogeneous nature
of laboratory and theoretical practices. We will consider the ways in which gender, race, and sexuality
are constructed by science and how these factors influence both scientific practices and our conceptions
of science. We will also examine the feminist commitment to taking account of the multifaceted dynamics
between science and society without forfeiting the notion of objectivity.
Questions of power, agency, structure, materiality, bodies, subjectivities and discursive practices have
been central to both feminist and queer theories. We will focus on these issues, exploring the tension
between poststructuralist, Marxist, and materialist approaches. In analyzing contemporary theories of
gender and sexuality, we will pay particular attention to issues of race, class, ethnicity, nationality,
and globalization. Key problematics include the nature and operation of power, the relationship between
materiality and discourse, and the relationship between between theory and practice.
The worsening problems of global environmental and social destruction, including the oppression of women,
are frequently attributed either to economic and cultural globalization or ethnoreligious fundamentalism.
However, in what ways do globalization and fundamentalism reinforce each other? What theories and social
movements provide more balanced alternatives to the extreme models of psychological and social
development represented by both these forces? This course will seek answers to these questions in
relation to case studies of ethnoreligious as well as gender, race, and class struggles from both the
Northern industrialized and impoverished Southern countries.
This course will examine the sudden rise of women rulers in sixteenth-century Europe and the male
reaction to it. What happened that led to both France and England being ruled by women during the
upheaval of the sixteenth century, and why was the idea of female rule so threatening to men? What steps
did men take to limit women's political power, and how did women evade those restrictions? We will
explore how women who were excluded from official power could nevertheless play an important political
role while Europe coped with the turmoil of the Reformation, the evolution into modern nation states, and
the challenges of Enlightenment.
In case studies, this seminar explores the directions women pushed photography in the twentieth century.
How did women view and manage the proposals of early modernist photography? How did they interpret the
social documentary? Was there a relationship between their access to the once-elitist profession of
journalism and the kinds of pictures they were said to take? In addressing these and other questions,
this seminar meditates on the art historical tools we use to answer them, and is therefore also a seminar
about theory and methods. Among key photographers to be studied are Lange, Modotti, and especially Arbus,
who will be the subject of a major exhibition at our Museum in the Fall.
Students enrolled in this class will participate in all aspects of organizing an exhibition scheduled to
be on view at the Mount Holyoke College Art Museum in the spring of 2004. Focusing on images of the
sporting woman in American culture, the exhibition will present a rich array of visual materials
including prints, photographs, and paintings that document the social history of women's participation in
exercise and sport, from the mid-nineteenth century to the present. Clothing for sport and physical
education, a rich site for examining sexual and cultural identity, will also be included in the
installation.
Arab women novelists' works that address issues such as arranged marriage, divorce, child rearing and
custody, rights and opportunities to work, national and religious identity, political and social freedom
will be surveyed and discussed. The aim is to offer an alternative view presented in a balanced and fair
approach.
We begin with a reading of Woolf's A Room of One's Own and a consideration of Mount Holyoke as such a
"room" as an introduction to thinking about some of the ways in which women have been traditionally
represented (or not represented) in Western culture. After working with a variety of short fictions by
men as well as women, we will focus on one particularly notable literary representation of women, Edith
Wharton's House of Mirth (both the novel and the recent film). Through John Berger's Ways of Seeing we
will extend our discussion to the tradition of oil painting, contemporary advertising, and the media.
Writing intensive; brief weekly exercises; research paper.
A study of Austen's six novels through the lenses of Regency culture and of twentieth-century filmmakers.
How do these modest volumes reflect and speak to England at the end of world war, on the troubled verge
of Pax Britannica? What do the recent films say to and about Anglo-American culture at the millennium?
What visions of women's lives, romance, and English society are constructed through the prose and the cinema?
This course will investigate how representations of gender and class serve as a structuring principle in
the development of the genre of the Victorian novel in Britain. We will devote significant attention to
the construction of Victorian femininity and masculinity in relation to class identity, marriage as a
sexual contract, and the gendering of labor. The texts chosen for this course also reveal how gender and
class are constructed in relation to other axes of identity in the period, such as race, sexuality, and
national character. Novelists will include Austen, Dickens, Eliot, C. Bronte, and Hardy. Supplementary
readings in literary criticism and theory.
Colonial American witchcraft, especially Salem 1692, has animated the American literary imagination for
well over three centuries. This course looks at the ways in which American writers have responded to the
history of witchcraft. Why do writers find witchcraft themes so compelling? What metaphors of culture,
gender, and the imagination does witchcraft provide? In this course we read several primary and secondary
materials about colonial witchcraft and explore writers such as Winthrop, Mather, Franklin, Hawthorne,
Dickinson, Forbes, Miller, and Updike, among others. Films screened include Three Sovereigns for Sarah,
The Witches of Eastwick, and The Crucible.
This seminar will focus on how women writers in the nineteenth and early twentieth century told their
life stories in the context of the islands, prairies, forests, and deserts of the United States. Readings
will include works by such writers as Thaxter, Freeman, Jewett, Stewart, Zitkala-Sa, Austin, Cather, and
Hurston; genre will include autobiographical essays, narratives, biography, fiction, and poetry. Some
visual works (paintings, photographs, film) may also be added to the list of texts.
Offers a forum for the critical study of controversial issues confronting education. Focuses on the
interplay of race, class, culture, and gender in the schools and how that interplay influences the lives
of students, teachers, and the quality of the educational experience for all. Topics include racism in
the educational system, gender inequities in schools, homophobia in education, the effects of poverty on
educational opportunity, and education that is multicultural. Requires a prepracticum in a school or
community-based setting.
Major forms of literary texts from the 18th century to the present are analyzed, orally and in writing,
within their social, political, and cultural context and from multiple critical perspectives. We study
diverse voices of male and female authors from German-speaking countries, including immigrant writers, on
themes important to their and our times: the power and mystery of nature; science and ethics; freedom and
social oppression; art and reality; aesthetics and the Holocaust; gender, nation, and identity. Music,
films, art, historical and philosophical documents complement literary readings. Each student is
encouraged to contribute to the course according to her individual interests.
This course examines sites of sexual intimacy between colonizers and colonized in the Americas, South
Asia, and Africa from the seventeenth century onward. By examining communities that were produced out of
interracial sex, the readings address how racial, familial, and national affiliations were created in
response to sexual transgressions. The course examines how social, racial, and political differences were
represented and constructed in the first moments of cultural contact between Europe and the rest of the
world. Themes include perceptions of the marvelous, the exotic and the erotic, and colonial policies to
maintain gender and racial boundaries.
This survey of Western monasticism from its origins in the Egyptian desert to the mendicant orders of
fourteenth-century Europe seeks to understand what motivates men and women to define perfection as
abnegation of food, sex, wealth, success, and even laughter - all that we now consider valuable in life.
Topics: fasting, virginity, voluntary poverty; monastic rules and reform movements (e.g., Celtic,
Benedictine, Cistercian, Franciscan, etc.). Also various saints' lives, mysticism, and women's
spirituality. Course includes a stay at the Abbey of Regia Laudi.
This course examines the representations and roles of women in Jewish culture, from the literature of the
Hebrew Bible to the contemporary period. What were the distinctive ways in which women's religious life
expressed itself by way of prayer and ritual practice? Were there women mystics and visionaries? How did
women exert their influence as mothers and wives? There will be significant focus on the dramatic
developments taking place among contemporary Jewish women: innovative rituals and experimental liturgies,
opportunities to become rabbis, new approaches to God, theology, and social issues, the Jewish lesbian
movement, women's writing and documentary filmmaking.
Do we all dress in drag? Should women strive to be less emotional? Is sexuality socially constructed? Is
popular culture harmful to women? This course focuses on philosophy that explores women's understanding
of reality. By studying the work of various twentieth-century feminist philosophers as well as films and
stories, we shall explore a number of crucial philosophic concerns including truth, the self, and
morality. Our aim is to become philosophers ourselves, thinking deeply about issues of fundamental
importance to our lives.
What makes a body sexy? Is heterosexuality natural? What is "sex"? Feminist philosophy is in the midst of
a revolutionary transformation. Rather than remaining content with the task of indicating the
shortcomings of the philosophical canon, feminist philosophers are constructing their own distinctively
feminist version of philosophy. In this course, we shall explore what contemporary feminist philosophers
have written about the nature of sex and sexuality.
This seminar explores contemporary issues and perspectives in mass media studies. This course is designed
to provide students with a provocative look at mass media in order to begin to develop a critical
perspective on mass media and contemporary society. The first part of the course looks at the effects of
entertainment culture in contemporary mass media and society. The second and third parts of the course
address issues in the representation of gender and race in mass media. The fourth part of the course
takes a unique look at the impact of advertising and marketing on American culture. The final part of the
course addresses the future of mass media and globalization.
Taking desire on the Spanish stage as a point of departure, this course will address issues of politics,
gender and sexuality. We will examine the innovation of formal conceptions of art in 17th century Spain
and its connection with the revolutionary new themes introduced in this period. By examining a variety of
plays in their socio-historical context from an interdisciplinary approach, we will explore how some
playwrights open up new and distinctive perspectives in the cultural debates of both Early Modern Spain
and contemporary criticism. Authors to be studied will include Lope de Rueda, Lope de Vega, Tirso de
Molina, Calderon de la Barca, and Lanini y Sagredo.
WS 101
Introduction to Women's Studies
Tuesday, Thursday 2:40-3:50 p.m.
M. Ackmann
WS 200/Hist 296
Goddesses and Slaves, Mary and Eve: Women in the Ancient, Classical and Medieval West
Tuesday, Thursday 1:15-2:30 p.m.
Barbara Stephenson
WS 200/Hist 296
Women in Chinese History
Tuesday, Thursday 1:15-2:30 p.m.
Jonathan Lipman
WS 250
Global Feminism
Tuesday, Thursday 11:00-12:15 p.m.
Asoka Bandarage
WS 333 (01)
Gender, Race, and Science
Tuesday 1:00-3:50 p.m.
Karen Barad
WS 333 (02)/ Phil 350
Feminist and Queer Theories
Thursday 1:00-3:50 p.m.
Karen Barad
WS 333 (03)
Globalization and Fundamentalism
Wednesday 2:00-4:00 p.m.
Asoka Bandarage
WS 333 (06)/History 355
Female Power in Early Modern Europe
Wednesday 1:00-3:50 p.m.
Barbara Stephenson
AMST 301/
ARTHIS 342
Women's Camera Work
Monday 1:00-3:50
A. Lee
ARTHIS 301
Exhibiting the Female Athlete
Monday, Wednesday 11:00-12:15 p.m.
M. Doezema
ASIAN 320
Arab Women Novelists' Work
Tuesday 1:00-3:50 p.m.
M. Jiyad
ENGL 101
Component
Seminar in Reading, Writing, and Reasoning Some Cultural Representations of Women
Tuesday, Thursday 11:00-12:15 p.m.
W. Quillian
ENGL 320
The Eighteenth Century: Jane Austen: Readings in Fiction and Film
Monday 1:00-3:50 p.m.
J. Lemly
ENG 323
Gender & Class in the Victorian Novel
Tuesday, Thursday 11:00-12:!5 p.m.
Amy Martin
ENGL 327
Witchcraft in American Literature
Tuesday, Thursday 11:00-12:15 p.m.
C. Lee
ENGL 373
Nature and Gender: "A Landscape of One's Own"
Tuesday 1:00-3:50 p.m.
L. Glasser
EDUC 205
Component
Race, Class, Culture, and Gender in the Classroom
Monday, Wednesday 8:35 - 9:50 a.m.
B. Bell
GERM 221
Component
Pasts and Presences in German Culture
Monday, Wednesday 1:15-2:30 p.m.
TBA
HIST 101
Foundation Colonial Communities, Creole Lives: Interracial Sex, Miscegenation, and National
Desire
Monday, Wednesday 2:40 - 3:55 p.m.
D. Ghosh
HIST 351f
Component
The Middle Ages Medieval Monasticism
Monday 2:00-4:50 p.m.
C. Straw
JEWISH 222
Engendering Judaism: Women and Jewish Tradition
Tuesday, Thursday 2:40 - 3:55 p.m.
L. Fine
PHIL 249
Women and Philosophy
Monday, Wednesday 11:00-12:15 p.m.
Julie Inness
PHIL 374
Developments in Feminist Philosophy: Rethinking the World: Philosophy of Sex
Monday, Wednesday 1:15-2:30 p.m.
Julie Inness
SOC 316
Component
Mass Media Studies
Monday 7:00-10: 00 p.m.
P. Lopes
SPAN 332
Spanish Literature: Medieval, Renaissance, and Golden Age Staging Desire: Politics, Gender and
Sexuality in Early-Modern Spanish Comedias
Tuesday 1:00-3:50 p.m.
J. Gonzalez-Ruiz