American Popular Music
This series seeks brief, well-written, classroom-friendly books that will be useful to students and teachers and accessible to general readers. Although the series is open to a diverse range of approaches, including interdisciplinary studies, the editors are particularly interested in manuscripts and proposals in the following areas: critical biographies of figures in American popular music; analytical institutional histories; crucial moments in music history; music as it is experienced and appropriated.
Manuscript Submissions
Please direct manuscript inquiries to the series editors or to:
Brian Halley, Editor
UMass Press, Boston Office
Provost Office / Quinn Building
100 Morrissey Boulevard
Boston, MA 02125-3393
617-287-5610
brian.halley@umb.edu
Series Editors
Rachel Rubin
American Studies
University of Massachusetts Boston
rachel.rubin@umb.edu
Jeffrey Melnick
American Studies
University of Massachusetts Boston
jeffrey.melnick@umb.edu
Editorial Advisory Board
Robert Cantwell
University of North Carolina, Chapel Hill
Gena Caponi-Tabery
Independent Scholar
Michael Denning
Yale University
Gerald Early
Washington University in Saint Louis
Simon Frith
University of Stirling
Maria Herrera-Sobek
University of California, Santa Barbara
Charles Keil
Independent Scholar
W. T. Lhamon, Jr.
Florida State University
Books in the Series (arranged by year of publication)
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The Village Voice and the Birth of Rock Criticism |
Devon Powers | 2013 | |
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The Mistakes of Yesterday, the Hopes of Tomorrow The Story of the Prisonaires |
John Dougan | 2012 | |
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Rap Music and Local Identity in New Orleans |
Matt Miller | 2012 | |
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Race, Nostalgia, and Vocal Harmony |
John Michael Runowicz | 2010 |
