Trip to Mass MoCA and Williamstown
Contemporary Art Circle is pleased to present its winter tour, "Trip to Mass MoCA and Williamstown." Leaving from Amherst or Northampton, the tour will make its stops at the architecturally influential Clark's Stone Hill Center, the Sol Le Witt Exhibition at Mass MoCA, and Williamstown. All ages are welcome.
Contact Eva Fierst to reserve a seat. The tour costs $13.50 per person, plus a $60 tour fee. Groups are required to purchase seats in one transaction.
Schedule:
8:30 a.m.: Bus departure from Amherst
9:00 a.m.: Departure from Northampton
10:15 a.m.: Tadao Ando: Clark's Stone Hill Center
12:00 p.m.: Leave for North Adams
1:30 p.m.: MASS MoCA tour of Sol LeWitt Exhibition with University Gallery's Education assistant/coordinator Kim Carlino
3:30 pm: Docent guided tour of MASS MoCA’s exhibitions
5:00 p.m.: Departure from North Adams
6:00 p.m.: Approximate arrival time to Northampton
6:30 p.m.: Approximate arrival time to Amherst
Lunch:
Sign up for a box lunch ($8-$10) at Lickety-Split, or bring your own. Please call Lickety-Split at (413) 663-3372 at least two business days in advance to let them know if you plan to utilize their services.
Clark's Stone Hill Center:
Built on a grassy hillside a short hike through the woods from the Clark's main buildings, it is a two-story, 32,000-square-foot gray box of steel, cedar and glass. Outside, angled concrete walls imprinted with wood-grain textures visually break up the monolithic boxcar form of the main structure and support a triangular porch that juts out over the hill. Because the building is set into the hill — its lower half buried on one side and fully exposed to northern light on the other — and because of its low profile, it seems gently integrated into the landscape. It is a blessed departure from the kind of showy architectural statements many art museums have been prone to in recent years.
Sol LeWitt was born in Hartford, Connecticut, in 1928, and attended Syracuse University. After serving in the Korean War as a graphic artist, he moved, in 1953, to New York, where he worked as a draftsman for the architect I. M. Pei came into prominence in the 1960s, termed his work conceptual art, emphasizing that the idea or concept that animates each work is its most important aspect. He is probably the artist most often linked with the conceptual art movement. Reflecting his study of mathematics, LeWitt reduced the contents of his art to the most basic shapes, colors, and lines, creating modular cubes and grid structures, geometric "wall drawings," and serial graphics. Sol LeWitt, one of the most prominent American artists of the later 20th century, died on April 8, 2007 in New York City.
Sol LeWitt:
A Wall Drawing Retrospective consists of one hundred works - covering nearly an acre of wall surface - that LeWitt created from 1968 to 2007. The works in the retrospective are on loan from numerous private and public collections worldwide, including the Yale University Art Gallery, to which LeWitt donated a number of wall drawings.
Conceived by the Yale University Art Gallery, New Haven, Connecticut, in collaboration with the artist before his death in April 2007, the project has been undertaken by the Gallery, MASS MoCA, and the Williams College Museum of Art in Williamstown, Massachusetts. The installation has remained on view for the past twenty-five years, occupying a 27,000-square-foot historic mill building in the heart of MASS MoCA's campus. Architects Bruner/Cott and Associates in close collaboration with LeWitt designed the three-story building for this exhibition to create a complex sequence of new interior walls.
