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Our auditions are open to everyone, including all members of the greater UMass community, the Five Colleges, and all local performers. You need not be a theater major or minor to be cast in our shows. See our casting policy at the bottom of the page for more details.

UMass Theater productions are cast throughout the year; check here for audition information.

Time and place maybe subject to change; updates will be posted as they become available.

Read-only scripts and other relevant information for productions will be posted in a shared folder online


Oct. 29 & 30, 6:30-10:30 p.m.
RAND Theater
Fine Arts Center 
Callbacks Oct. 31, 6-10:30 p.m.

We seek a diverse cast of actors and singers with a facility with heightened language and full-body physical commitment! 
ALL students & ALL community members of any age, race, ethnic origin, ability, sexual orientation or gender identification are welcome. We encourage trans or nonbinary actors as well as cis-gender women to audition for the lead role of Gila.

What to prepare

Please prepare any heightened language monologue. This includes the option of choosing a monologue from Wild Thing. We are also open to Shakespeare, Lope de Vega, Moliere, Mac Wellman, Suzan-Lori Parks, etc.
If you are a singer, please also prepare a section from "Serrana" (a recording and sheet music are in our audition folder). You will have the opportunity to go over the music with the composer, Eric Sawyer, before you sing. Half the roles in Wild Thing include singing and half do not. It is completely fine to audition without singing.
Please read the entire script before the audition. (It is also accessible in the audition folder.)

Sign up for an audition slot at SignUpGenius.

IMPORTANT CASTING NOTE: We are applying for Wild Thing to go to the Chamizal Festivla in El Paso, TX. It would involve travel around April 10-14, which overlaps with Sweat performances. We will know by December 14 if we are accepted, but people who are cast in Wild Thing are making a commitment that may prevent them from being in Sweat.

Wild Thing
Translated by Harley Erdman from La Serrana de la Vera by Luis Vélez de Guevara
Directed by Gina Kaufmann
The original script of Wild Thing was written in 1613 by Luis Vélez de Guevara, yet it confronts gender in a way that feels astonishingly of-the-moment.  Gila, a peasant girl who calls herself a man, furiously rejects the rules set out for her, preferring the life of a fierce warrior outlaw over subjugation to a husband and society. This first-ever English-language production of an extraordinary and constantly surprising play has everything from slapstick comedy to intense drama. 

General Casting Policies

The Department of Theater is committed to racial, cultural and individual diversity.
Casting for all department-sponsored productions is open to any student, staff, or faculty member of the Five College Consortium, any member of the community, or any invited guest artist regardless of race, ethnic origin, abilty, sexual orientation or gender identification.
Equal-opportunity casting is encouraged.

All Theater majors are welcomed and strongly encouraged to audition. The Department chooses plays each year with the intention of using as many majors as possible, but casting of any individual theater major student is not guaranteed.
Most casting will be determined by open auditions.
You are expected to sign up for a given audition appointment, and to arrive at the audition site well ahead of the scheduled time. Performers who arrive after their scheduled time may not be allowed to audition.
After open auditions have been completed, the director will post call back announcements. If you are called back, you are expected to initial next to your name to acknowledge the call back.

Auditioning for multiple shows

Our experience has shown that having cast members in shows with overlapping rehearsal and/or performance schedules is complicated and disruptive to both shows. 
Cast members are still welcome to be in multiple shows whose rehearsal schedules do not overlap; please check with stage managers or production staff if you have questions about scheduling.
Please note: This does NOT mean that actors cannot audition for all the shows -- just that they will have to consider their options and limitations wisely. Casting decisions will result in the production's exclusive service of the actor when rehearsal/performance periods overlap.

Thank you and break a leg!