Spring Semester 2005
Professor Joyce Avrech Berkman
Office: 605 Herter Hall:
Phone: 545-6759
Home: 66 Cottage Street,
Amherst, MA 01002: Phone: 549-0659, 549-0089 (between 9 AM and 9 PM)
Email: jberkman@history.umass.edu
The overarching goal of this Research Seminar is your
completion of a major research paper or project in U.S. WomenÕs History. This requires your command of the intellectual
and scholarly background as well as research and writing skills required of your
topic for scholarly publication. To meet this end, we will study the craft of
historical research and writing through close reading of periodical articles
and of each class member's first draft of their seminar paper. I envision this
Research Seminar as a collaborative scholarly community in which each
individual has a stake in the intellectual and scholarly growth of each
other. Although your paper or
project is individual in nature, you will have a partner with whom to try out
ideas, to troubleshoot, and to critique closely your paper or project first drafts.
I have tried to keep assigned
readings light, so that most of your effort can be devoted to your research and
paper or project. I look forward
to regular discussion with each of you about your work. In addition to
pre-arranged conferences in my office, I welcome your stopping by my office for
informal conversation.
Please know that I regard
this syllabus as a provisional document. IÕm open to adjustments as we travel
along.
COURSE SCHEDULE
Week One: January 26:
Introduction to the Seminar (examining Acknowledgments for insight into
historical research)
Week Two: February 2: What
makes for effective Journal Articles?
Assignment:
1. Gunja Sengupta, "Elites, Subalterns, and American Identities: A
Case Study in African-American Benevolence," American Historical
Review, 109,4 (October 2004): 1104-1139.
2. Daniel E. Bender, "'Too Much of Distasteful Masculinity':
Historicizing Sexual Harrassment in the Garment Sweatshop and Factory," Journal
of Women's History, 15, 4(Winter 2004): 91-116.
Week Three: February 9: No Class: Dennis McNally,
Five College History Program Lecture, 7:30 PM Memorial Hall
Assignment:
We will meet for individual conferences. Bring your proposal and
complete bibliography of primary and secondary sources
Week Four: February 16: Visit
to University of Massachusetts Archives, meet at the Archives with Director of
Archives Robert Cox and with Curator of Manuscripts and Archives Danielle
Kovacs.
Weeks Five and Six: February
23 and March 2: No Class
Assignment:
Research on your paper: see me for appointment, as needed, and meet with
your partner to determine how you can best assist each other.
Week Seven: March 9: Workshop
Assignment:
1. Your provisional paper thesis and chief questions
(prepare copies for each class member).
2. Bring a basic writing manual.
3. Bring the essays handed out for February 2 discussion.
We will examine style elements very very closely.
SPRING BREAK
Week Eight: March 23:
Exorcising the Demons: yours and others
Assignment:
1. Interview a faculty
member, preferably one of the relatively new faculty members in our department,
about the tough and tricky and frustrating aspects of their research and
writing and about the lucky finds and rewards along the way.
2. Self-reflection on your
own research experience in the past and currently
Week Nine: March 30: Examine
another periodical article
Assignment:
1. Phyllis Mack, "Religion, Feminism, and the
Problem of Agency: Reflections on Eighteenth-Century Quakerism," SIGNS,
29, 1(Autumn 2003): 149-177.
Week Ten: April 6: No class:
Individual Conferences
Week Eleven: April 13:
Presentations
Assignment:
1. Provide me with a hardcopy of your paper and place
three or four hardcopies of your paper by Monday morning, April 11th
in the manilla envelope on my office door. If seminar students prefer
electronic versions, they can let you know.
Ditto above for Weeks Twelve
(April 20), Thirteen (April 27), Fourteen(May 4) -- see that hardcopies are in
my envelope by the Monday of the week of your presentation.
During this period of time I
will schedule to meet with each of you subsequent to your presentation.
Week Fifteen: May 11: Seminar
Wrap-up and Potluck
NOTE: FINAL DRAFT due no
later than Friday, May 20.
COURSE READINGS:
1. I plan to provide copies
of each of the journal articles for you.
2. Although I have not
ordered a writing manual, I strongly recommend that you purchase one or take
one out of a library for the entire semester. You should have a more
substantial work than Strunk and White or Terabian, which are barebones
presentation of elements of style. Perhaps too detailed, the Bible for history
scholars and editors, The Chicago Manual of Style, is a worthy investment. Diane Hacker's writing manuals typify
many that occupy a reasonable middle ground. Finally, regarding research,
Jacques Barzun and Henry Groff, THE MODERN RESEARCHER, remains a reliable resource.
COURSE REQUIREMENTS: (Rough
breakdown of grading percentages)
1. Completion of two drafts of a publishable paper. (70%)
2. Active and informed participation in class discussion
of assigned work. (10%)
3. Assisting your partner at different stages of the research
and writing process and leading the seminar's discussion of your partner's
first draft.(10%)
4. Providing at least two members of the Seminar with a
critique of the content and style of their first draft (and providing me with a
copy of that critique).(10%) One of these two members can be your partner.
GUIDELINES FOR CRITIQUE OF
ESSAYS:
Consider the following:
1. What were the authorÕs thesis statement and goals: strengths and
shortcomings in meeting these?
2. What were the authorÕs
chief arguments and conclusions? Examine the adequacy of supporting
evidence/documentation, illustrative details, logical reasoning. What were the
most convincing arguments and conclusions and why?
3. Did the author acknowledge
the nature and possible impact of her/his subjective engagement with the topic.
4. Did the author exercise
critical analysis and empathic sensitivity in conveying an individualÕs or
groupÕs experience?
5. In what ways did the
author sufficiently/insufficiently ground their study in womenÕs history of the
period under study?
6. Ditto: existing
scholarship on the topic? Did the author explain her/his contribution to
existing scholarship?
7. Writing style: clarity,
concision, and precision of statement, tight organization overall and within
paragraphs, fluent transitions from paragraph to paragraph, variety of word
choice and sentence syntax, fluid integration of quotations (only as long as
necessary), grammar, and punctuation.
TEACHERLY ALERT: Except in
extraordinary circumstances (computer problems donÕt qualify), I do not permit
extensions on deadlines for work. I recommend that you aim to complete work
several days before the deadline.
Since we meet only once a week, regular attendance is crucial. If weather or car conditions or a virus prevent your coming (and please don't attend if you are contagious), let me know and arrange with another class member to find out what took place on that seminar meeting.
SMILING NOTE: I keenly look
forward to this Seminar. I welcome your suggestions for ways to make your and
other seminar participants' experience more satisfying.