READINGS IN AMERICAN MATERIAL CULTURE

 

 

Professor Miller                                                                                      Spring 2003

Herter 609                                                                                              Herter 400

545-4256                                                                                               Tuesdays, 2-5

mmiller@history.umass.edu

 

 

ÒA method based on the document is prejudiced; fated to neglect the majority of people, for they were non-literate, and, within the bounds of literacy, to neglect the majority of people, for they did not write.

 

                                                                                                Henry Glassie

                                                                                                Folk Housing in Middle Virginia

 

 

Our Shared Purpose

 

The aim of this course is to introduce graduate students to study of Òhistory from things,Ó or material culture. Throughout the semester, we will attend both to the methods by which material culture can be harnessed for historical analysis and to significant genres or avenues of inquiry undertaken by scholars working with material culture sources.  Each week, we will look closely at one work, selected either because it is, or may become, a classic work in American material culture studies. Here we will consider the careers of the authors themselves, and how the work at hand fits into the larger trajectory of their careers as well as the larger trajectory of the field.  Secondly, we will try to situate the work among others that have tackled similar sources or asked similar questions.  Along the way, students will gain familiarity with the most significant literature in material culture studies, major trends in material culture historiography and methodology, and the leading figures who have given the field its shape and direction.

 

Assignments: Readings, Writings, Discussions

 

The readings, as I indicate above, are selected in order to introduce you to the most significant scholars and scholarship in this field.  We will read a set of core books (the first work assigned each week) over the course in the semester in fairly chronological order, so that you will develop a sense of how the field has developed over time.  At the same time, these works can also be situated thematically; secondary readings allow the class to survey a range of approaches to a similar problem, e.g., the development of an America middle class, or the relationship between things and gender.

 

Each week, in order to organize your thinking for our discussion, you will prepare a short response paper (2-3 pages) summarizing and synthesizing the readings and suggesting what you see to be the most interesting issues or questions raised.  These writings should attend to questions of both method (that is, how each author tackled his or her subject) and content (that is, what understanding has emerged about a given subject area from the work of several historians over time).  

 

A team of two students will lead each weekly discussion.  They will be responsible for a short report reviewing the biography of the weekÕs primary author(s) [marked with an * in the syllabus],  for framing questions to guide our class conversation, and for directing discussion.

 

A final paper –12-15 pp – will be due on the last day of class.  In it you will, by responding to an important essay assessing the Òstate of the field,Ó convey your own sense of the state of material culture study.

 

Fieldwork  Project

 

Students in this course will contribute to the Barn Preservation Project currently underway in Massachusetts.  In order to gain skills in observation, analysis and documentation, students will catalog agricultural buildings in Hampshire County.  In order to successfully complete this project, ATTENDANCE IS REQUIRED at three workshops designed to help you obtain the skills you will need to assess these structures (since this fieldwork project replaces the more typical thirty-page final paper but should consume less time, these structured hours should be considered equivalent to the time students would otherwise have necessarily spent developing an independent project). YOU MUST CLEAR YOUR CALENDARS FOR THE FOLLOWING DATES AND TIMES:

 

            Workshop on cataloguing historic barns, Thursday March 4, 3:00-5:00, Herter 601

            Workshop on photographing historic buildings with Stan Sherer: Friday, Feb 13, 1-4, Lederle 100A

Workshop on wood identification with Bruce Hoadley: Friday February 27th, 1:00-5:00 p.m.  105 Holdsworth Hall

 

Alternative Option: In order to serve the different needs student bring to this course, in a limited number of cases a second option will be available (with consent of instructor) for an alternate final project designed for historians pursuing an ongoing and at present methodologically-traditional project.  Students choosing this project must demonstrate that their project is underway and ongoing; i.e., a thesis or dissertation in progress.  In order to help you incorporate a larger variety of sources into this larger research, you may elect to write a 30-page historiographical essay on the state and promise of material culture study in your field of inquiry, and propose ways that this literature will inform and improve your project as originally conceived.  Students choosing this option must still attend two of the three special workshops listed above.

 

Readings

 

Most of the articles and book chapters assigned below are available via RESERVE and E-RESERVE.  These required books are also available for purchase at the Jeffrey Amherst Bookstore (and are on RESERVE):

 

Ames, Death in the Dining Room

Deetz, In Small Things Forgotten  

Finnegan, Selling Suffrage Consumer Culture and Votes for Women

Glassie, Folk Housing in Middle Virginia   

Heneghan, Whitewashing America Material Culture and Race in the Antebellum Imagination

Cummings, Framed Houses of Massachusetts Bay

Upton, Holy Things and Profane

 

 

In order to help you with your group field project, the following titles are recommended and also available both at the bookstore and RESERVE):

 

James OÕGorman, Connecticut Valley Vernacular: The Vanishing Landscape and Architecture of the New England

Tobacco Fields (Philadelphia: University of Pennsylvania Press, 2002)

Thomas Durant Visser, Field Guide to New England Barns and Farm Buildings (Hanover, NH: University Press of

            New England, 1997)

John Michael Vlach, Barns (NY: Norton, 2003)

ÒHow to Improve the Quality of Photographs for National Register Nominations,Ó

NPS publication available at: http://www.cr.nps.gov/nr/publications/bulletins/photobul/

 

 

SCHEDULE OF READINGS AND DISCUSSIONS:

 

Feb 3 Introduction: Methods, Manifestoes

 

Readings:           Henry Glassie, ÒMeaningful Things and Appropriate Myths: The ArtifactÕs Place in

 American Studies,Ó in Robert Blair St. George, ed., Material Life in America

[RESERVE]

Cary Carson, ÒDoing History with Material Culture,Ó in Ian Quimby, ed., Material

 Culture and the Study of American Life (New York: Norton, 1978)  [E-RESERVE]

 

 

ARTICLES ON METHOD:

E. McClung Fleming, ÒArtifiact Study: A Proposed Model,Ó Winterthur Portfolio  (1974) [E-

            RESERVE]

Prown, ÒStyle as Evidence,Ó Winterthur Portfolio  (1980) [E-RESERVE]

Zimmerman, ÒWorkmanship as EvidenceÓ Winterthur Portfolio  (1981) [E-RESERVE]

 

 

Tuesday, Feb 10: First Things First: Henry Glassie and the beginning of modern material culture studies

                       

 

Reading:            *Henry Glassie, Folk Housing in Middle Virginia: a Structural Analysis of Historic

Artifacts (Knoxville, U-TN, 1975) [ch 1-5, VIII]]

 

REVIEW COURSEPACK ARTICLES ON METHOD (above)

 

AND SKIM THROUGH, DEVELOPING A SENSE OF THE METHODOLOGY:

St. George, The Wrought Covenant: Source Material for the Study of Craftsmen and

 Community in Southeastern Massachusetts (Brockton: Brockton Art Center,

 1979) [RESERVE]

Robert Trent, Hearts and Crowns: Folk Chairs of the Connecticut Coast, 1720-1840

                                    [RESERVE]

 

 

Tuesday, Feb 17: Finding Sources Underground 

 

Reading:               * James Deetz, In Small Things Forgotten: the Archaeology of Early American life

(Garden City, N.Y. : Anchor Press/Doubleday, 1977)

                        Payner and McGuire, ÒThe Archaeology of Inequality: Material Culture, Domination and

                                    Resistance,Ó in The Archaeology of Inequality , 1-27. [E-RESERVE]

Patricia Samford, ÒThe Archaeology of African-American Slavery and Material

            Culture,Ó William and Mary Quarterly 53(1): 87-114. [E-RESERVE]

                        Donna Seifert, ÒWithin Site of the White House: The Archaeology of Working Women,Ó

                                    Historical Archaeology (1990) [E-RESERVE]

 

 

Wednesday, Feb 24: Dwellings

 

Reading:            *Abbot Cummings, The Framed Houses of Massachusetts Bay, 1625-1725 (Cambridge,

Mass. Belknap Press, 1979): Intro & chs 1-3, 8-10.

Lanier and Herman, Everyday Architecture of the Mid Atlantic, ÒIntroduction,Ó [RESERVE; for a

good overview of architectural styles in general, some of you may wish to consult the

chapter ÒPopular Architectural Styles.Ó]

Williams, Michael Ann, Homeplace: The Social Use and Meaning of the Folk Dwelling

in Southwestern  North Carolina (Athens: U-Georgia, 1991), Introduction,

Ch. 4 [E-RESERVE]

Annmarie Adams, ÒThe Eichler Home: Intention and Experience in Postwar Suburbia,Ó in

Cromley and Hudgins, ed., Gender, Class and Shelter (Knoxville: U-Tennessee,

1995): 164-178.  [E-RESERVE]

 

 

Tuesday, March 2 Discovering the Vernacular Landscape

 

Reading:            *J.B. Jackson, Discovering the Vernacular Landscape (New Haven: Yale University

                                                     Press, c1984), 1-70, 147-57

                        J. Ritchie Garrison, Landscape and Material Life in Franklin County, Massachusetts, 1770-1860,

                                    Intro , ÒFarmsteads,Ó Conclusion [RESERVE]

Lanier and Herman, Everyday Architecture of the Mid Atlantic, Ch. 7: ÒLandscape EnsemblesÓ  [  RESERVE]

Dell Upton, ÒBlack and White Landscapes in Early VirginiaÓ in St. George, Material Life

            in America [RESERVE]

                        John Michael Vlach, ÒSearching for Barns in the Archive of Folk CultureÓ  Folklife Center News

                                    Fall 2003, 3-6.

 

 

 

Tuesday, March 9: Ghosts in the Machine: The Material Culture of Belief 

 

AS PREPARATION FOR CLASS: Self-Guided Field Trip: spend some time browsing through a local cemetery, looking closely at the stones.   Use Deetz to help you observe the changes in gravestone iconography over time.  You are encouraged to bring in images to illustrate your discoveries.

 

Reading:            *Dell Upton, Holy Things and Profane: Anglican Parish Churches in Colonial Virginia \

(New York, N.Y. : Architectural History Foundation ; Cambridge, Mass. : MIT Press, c1986 [RESERVE]

Colleen McDannel, Material Christianity (New Haven: Yale, 1996), ÒMaterial

ChristianityÓ and ÒPiety, Art, Fashion: The Religious ObjectÓ  [RESERVE]

Jenna Weissman Joselit, ÒKitchen Judaism,Ó in Braunstien and Joselit, Getting

Comfortable in  New York: The American Jewish Home, 1880-1950 (The Jewish Museum, 1990) [RESERVE]

M. Drake Patten, ÒAfrican-American Spiritual Belief: An Archaeological Testimony

from the Slave Quarter,Ó in Peter Benes, ed., Wonders of the Invisible World,

(Dublin Seminar for New England Folklife Annual Proceedings, 1992: Boston

University 1995): 44-52.  [E-RESERVE]

Barbara Ward, ÒIn a Feasting Posture: Communion Vessels and Community Values in

Seventeenth- and Eighteenth-Century New England,Ó Winterthur Portfolio 23   

(Spring 1988): 2-24.  [E-RESERVE]

 

 

March 16  – SPRING BREAK

 

 

Tuesday, March 23: The Material Culture of Refinement

 

Reading:            *Richard Bushman, The Refinement of America: Persons, Houses, Things, 1992 (Intro,

Conclusion, and 2 chapters of your choice)

                        Philip Zea, Innumerable Temptations [RESERVE]

Katherine Grier, Culture and Comfort: People, Parlors, and Upholstery, 1850-1930

                        (Rochester, N.Y. : Strong Museum ; Amherst, Mass. : Distributed by the                                             University of Massachusetts Press, c1988) (RESERVE, browse)

SKIM: Rodris Roth, ÒTea Drinking in Eighteenth-Century America: Its Etiquette and

            EquipageÓ  in St. George, Material Life in America [RESERVE]

 

 

Tuesday, March 30:  FIELD TRIP: OLD STURBRIDGE VILLAGE.

 

                        Carpools will depart Herter promptly at 2:00, and return at approximately 5:00, though we can

                        arrange carpools such that one vehicle remains at OSV later, if students wish to spend more time

                        in the Village.

 

 

Tuesday, April 6: NO CLASS: DEVOTE PREP AND CLASS TIME TO WORK ON BARN SURVEY

 

 

Tuesday, April 13: The Travels in the Interior: Material Culture of Domestic Life

 

Reading:            *Ken Ames, Death in the Dining Room and Other Tales of Victorian Culture (Philadelphia:

Temple University Press, 1992) [RESERVE]

Thomas Hine, Populuxe (New York: Knopf, 1986) [RESERVE]

Getting Comfortable in New York: The American Jewish Home, 1880-1950 (The Jewish

 Museum, 1990) SKIM ÒA Set Table: Jewish Domestic Culture in the New

 World, 1880-1950Ó [RESERVE]

Lizabeth Cohen, ÒEmbellishing a Life of Labor: An Interpretation of American Working

-Class Homes, 1885-1915Ó   [E-RESERVE]

Billy G. Smith, ÒThe Material Lives of Laboring Philadelphians, 1750-1800Ó in St.

George, Material Life in America. [RESERVE]

 

 

 

Tuesday, April 20: Material Culture and the study of Race

 

Reading:            * Bridget T. Heneghan, Whitewashing America Material Culture and Race in the

                                    Antebellum Imagination (University Press of Mississippi) [RESERVE]

                        John Michael Vlach, Back of the Big House: The Architecture of Plantation Slavery (Chapel

                                      Hill: University of North Carolina, 1993) [RESERVE; SELECTIONS]

Paul R. Mullins, ÒRace and the Genteel Consumer: Class and African-American

            Consumption, 1850-1930,Ó Historical Archaeology 1999 33(1): 22-38.  [E-RESERVE

 

 

Thursday, April 27: Material Culture and the study of WomenÕs History

 

Reading:*Margaret Finnegan, Selling Suffrage Consumer Culture and Votes for Women ( Columbia University Press, 1999)

                        Sarah H. Hill: Weaving New Worlds: Southeastern Cherokee Women and their Basketry

                                    (UNC Press, 1997) [RESERVE; Intro, Prologue, ÒRivercane,Ó Epilogue]

Laurel Thatcher Ulrich, ÒFurniture as Social HistoryÓ American Furniture.  [E-RESERVE

Laurel Thatcher Ulrich, ÒHannah BarnardÕs Chest: Female Property and Identity in Eighteenth

Century New EnglandÓ in Through a Glass Darkly (UNC, 1997), 238-273.  [E-RESERVE

 

Tuesday, May 4st: New Mindsets, New Methods

 

Reading:            *Robert Blair St. George, Conversing by Signs:  Poetics of Implication in Colonial New

            England Culture  (Chapel Hill : University of North Carolina Press, 1998), introduction                         and two chapters of your choice

Ann Smart Martin,  ÒMakers, Buyers and Users: Consumerism as a Material Culture FrameworkÓ

  Winterthur Portfolio 29, nos 2/3 (Summer/Autumn 1993):

 141-57.   E-RESERVE

Cary Carson, ÒWhy Demand?Ó in Carson, et al, eds., Of Consuming Interest: the Style of

 Life in the Eighteenth Century Charlottesville: U-Va, 1994) [SKIM: RESERVE]

Henry Glassie, Material Culture (Bloomington : Indiana University Press, 1999.)  ÒOnward,Ó

 ÒHistoryÓ and ÒMethod,Ó [SKIM: RESERVE]

 

Tuesday, May 11: WhatÕs Next?

 

Reading:            *Cary Carson, ÒMaterial Culture History: The Scholarship Nobody KnowsÓ

                                    In American Material Culture: The Shape of the Field.  [E-RESERVE]

 

FINAL Writing Assignment: In a 1500-2000 word essay, respond to CarsonÕs ÒScholarship Nobody Knows.Ó