| Faculty Member Profiles |
| From
left to right, standing: Roger Rideout, Catherine Portugues, Nancy Inouye, Lianne Brandon, Don Eric Levine; sitting: Jacqueline Urla, Carolyn Anderson, and Elizabeth Miller | ![]() |
Director and Staff Director: Catherine Portuges is a Professor of Comparative Literature and Director
of the Interdepartmental Program in Film Studies. She also serves on the
Five College Film Council, consisting of film studies representatives from
Amherst, Smith, Hampshire and Mount Holyoke Colleges, and the University
of Massachusetts, Amherst. She teaches courses in French and East European
cinemas; cinema and psyche; and autobiographical film. Professor Portuges
has published widely on contemporary European cinema; national cinemas;
and women directors. Her most recent book is Screen Memories: The Hungarian
Cinema of Marta Meszaros (Indiana University Press, 1993).
Academic
Advisor: Nancy Inouye, is finishing her Ph.D. in the Communication
Department at UMass. Her interests include postcolonial theory, issues
of identity, nationalism, gender and sexuality, and of course film.
Part
Time Secretary: Alice V. Bishko
Student Staff: Rachel Appel, Michael Aronson, Hannah Jurist-Schoen, Lise Lawrence, Jian Lin, Undréa Steele
Carolyn
Anderson is Associate Professor in the Department of Communication.
Her areas of specialization include documentary film; media historiography;
film- television genre theory and criticism; and the cinema of the 1960s.
Her publications include Reality Fictions: The Films of Frederick Wiseman
(co-authored with Thomas W. Benson, Southern Illinois University Press,
1989), and Documentary Dilemmas: Frederick Wiseman's Titicut Follies
(co-authored with Benson, Southern Illinois University Press, 1991).
Barton Byg is Associate Professor in the Department of Germanic Languages
and Literatures where he teaches "German Cinema: From Berlin to Hollywood";
"Fascism and Film: Propaganda, Resistance, Memory"; and "The East German
Cinema." His book, Landscapes of Resistance: The German Films of Daniele
Huillet and Jean-Marie Straub, has recently been published by the University
of California Press. In January 1996 he taught a summer school course on
German cinema and national identity at the University of Cape Town, South
Africa and is directing an NEH summer institute on "Post Wall Germany"
this summer. He is director of the DEFA Film Library Project, the only
collection of East German film in North America, based at the University
of Massachusetts, Amherst.
Anne
Ciecko is Assistant Professor of Film in the Communication Department.
Her interests include British film studies, gender in film, women filmmakers,
and Hong Kong film. She earned her Ph.D. at the University of Pittsburgh
and has taught a wide number of courses in addition to designing various
film series.
Laszlo
Dienes is Professor of Slavic Languages and Literatures in the Comparative
Literature Department. He regularly teaches "Russia in Film" and "Russian
and Soviet Culture." He has published Russian Literature in Exile: The
Life and Work of Gajto Gazdanov (Otto Sagner Publishers, Munich, 1982).
His recent scholarly work focuses on the writing and cinema of East European
emigre artists.
Susan
Jahoda is Professor in the Art Department, where she teaches photography,
feminist and critical theory. She is the arts editor for Rethinking
Marxism and an interdisciplinary artist/author whose work includes
performance, installation, images/text, and photography. She has been the
recipient of grants and awards from the National Endowment for the Arts
and the New York Foundation for the Arts, and her work has been exhibited
and published widely in both Europe and North America. She is currently
working on a book of images and texts called Frictional Contacts and
Other Stories.
Don
Eric Levine, Associate Professor of Comparative Literature, teaches
a variety of film courses in the Department of Comparative Literature,
including Avant-Garde Film, International Film Noir, Fassbinder and Godard,
and Gay(ze) in Cinema. He is also advisor for the film analysis track in
the Comparative Literature program.
Martin
Norden is Professor of Film Studies in the Communication Department.
His teaching interests are in the areas of film history/theory/criticism
and screenwriting. He has published more than sixty articles and reviews
in such journals as Wide Angle, Journal of Popular Film and Television
, Film Criticism, Film & History, and Paradoxa
, and in numerous anthologies. A Spanish translation of his book, The
Cinema of Isolation: A History of Physical Disability in the Movies
(Rutgers, 1994), was published by Fundacion ONCE in 1998. He is also the
author of
John Barrymore: A Bio-Bibliography (Greenwood, 1995) and
the book review editor for the Journal of Popular Film and Television
.
Jacqueline
Urla is Associate Professor of Anthropology with special interests
in ethnographic film and indigenous media. She conducts research on minority
politics, social movements, and the semiotics of resistance, and is the
co-editor of Deviant Bodies (Indiana University Press, 1996). The
recipient of a Getty Senior Research Grant, she worked on a two-year collaborative
research project exploring the representation of whiteness in native peoples'
art, material culture, and visual media. In 1993, she curated the film
festival, "The Shock of Re-Cognition: Identity, Memory, and the Politics
of Representation in Indigenous Media," with funding from the Getty Foundation
and the University of Massachusetts Arts Council.
Patrick
Mensah is an Associate Professor in the French Department at
the University. His Ph.D. was accomplished at Cornell University
studying: Enlightenment studies, critical theory, cultural theory,
and post-colonial discourses.
Bruce Geisler
Jennifer
Stone, Associate Professor. Freudian psychoanalytic theory in relation
to contemporary French, Italian, Italian-America, and Italian Jewish culture,
literature, and film. Books and e-Books include: Pirandello's Naked Prompt
(Ravenna 1989); Italian Freud; Freud's Jewish Body Ego {forthcoming] et
al. Founding and contributing editorships include: Pirandello Studies;
American Imago;
javari.com.
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