Lindsay Van Dyke Receives Fulbright Award
UMass Film Studies student Lindsay Van Dyke has been awarded a Fulbright U.S. Student Program grant to Mexico in Sociology, the United States Department of State and the J. William Fulbright Foreign Scholarship Board announced recently. Van Dyke is one of over 1,800 U.S. citizens who will travel abroad for the 2014-2015 academic year through the Fulbright U.S. Student Program. Recipients of Fulbright grants are selected on the basis of academic and professional achievement, as well as demonstrated leadership potential.
We Have Moved!
The Interdepartmental Program in Film Studies has moved its offices to the new Integrative Learning Center building. Our offices are on the 4th floor of the south side of the ILC building:
Our new Mailing address:
New Books by Barbara Zecchi: Desenfocadas and Gynocine
Barbara Zecchi, Film Faculty and Associate Professor of Spanish and Portuguese, has published two new books in the last year on women in cinema in Spain:
Desenfocadas, Cineastas españolas y discursos de género (Icaria, 2014) and Gynocine: Teoría de género, filmología y praxis cinematográfica (Zaragoza: Publicaciones Universidad Zaragoza, 2013). Barbara Zecchi directs Gynocine: History of Spanish Women's Cinema in the University of Massachusetts Digital Humanities Initiative. [See Barbara Zecchi's website]
NESN Student Film Contest
Wednesday 4/2 at 10:00am
NESN is developing a new television series that offers New England film students the chance at cash, prizes, exposure and bragging rights. The NESN Filmmaking Contest involves teams of undergraduate student filmmakers producing short, sports-themed documentary films in the Fall of 2014. These films will air on NESN and will be judged by industry professionals throughout the competition.
The winning filmmakers will be awarded $20,000 cash.
2014 Roif Awards Ceremony
See the winners of the Fourteenth Annual Michael S. Roif Award in Film Studies for Exceptional Creativity and Accomplishment presented to Undergraduate Certificate Students in the Interdepartmental Program in Film Studies.
Awards Ceremony & Presentation of Winning Works was held on
The 2014 MMFF “Reality Narratives” explores the blurred boundaries between documentary and fiction that have been present since the birth of cinema and that constitute a major conceptual force in contemporary filmmaking. Hosting nine filmmakers who will be present for discussion, our festival program observes the hybrid, amalgamated spaces between these genres, juxtaposing methodologies and narratives that blend the “factual” with the “fictional.” In so doing, the festival raises ethical questions about the “truth claims” and “reality principles” of a wide-ranging, eclectic body of international cinema, recasting conventional definitions and distinctions in a variety of works and styles. All events are free and open to the public. [More...]
Jewish Pasts, German Fictions
From Stanford University Press, a new book by UMass Assistant Professor of German Studies Jonathan Skolnik, Jewish Pasts, German Fictions History: Memory, and Minority Culture in Germany, 1824-1955.
Description: Jewish Pasts, German Fictions is the first comprehensive study of how German-Jewish writers used images from the Spanish-Jewish past to define their place in German culture and society. Jonathan Skolnik argues that Jewish historical fiction was a form of cultural memory that functioned as a parallel to the modern, demythologizing project of secular Jewish history writing. What did it imply for a minority to imagine its history in the majority language? Skolnik makes the case that the answer lies in the creation of a German-Jewish minority culture in which historical fiction played a central role. After Hitler's rise to power in 1933, Jewish writers and artists, both in Nazi Germany and in exile, employed images from the Sephardic past to grapple with the nature of fascism, the predicament of exile, and the destruction of European Jewry in the Holocaust. The book goes on to show that this past not only helped Jews to make sense of the nonsense, but served also as a window into the hopes for integration and fears about assimilation that preoccupied German-Jewish writers throughout most of the nineteenth century. Ultimately, Skolink positions the Jewish embrace of German culture not as an act of assimilation but rather a reinvention of Jewish identity and historical memory. [More...]
German Film Series Spring 2014
Thursdays 4:00pm & 7:30pm
The Spring 2014 German Film Series from 2/13 through 4/24.
February 13: Bandits (Katja von Garnier, 1997; 109 min.)
February 27: Hannah Arendt (Margarethe von Trotta, 2012; 113 min.)
March 13: Die Welle (The Wave, Dennis Gansel, 2008; 107 min.)
April 3: Ende der Schonzeit (Closed Season, Franziska Schlotterer, 2012; 104 min.)
April 24: Drei Zimmer/Küche/Bad (Move, Dietrich Brüggemann , 2012 111 min.)
NYC Premiere of My Child
Can Candan's My Child celebrates its New York premiere on May 18, presented by the New York Turkish Film Festival and the Human Rights Watch Film Festival. Can Candan discussed My Child at the 2014 Massachusetts Multicultural Film Festival screening of the film. The documentary follows a courageous and inspiring group of parents in Turkey who have children who identify as LGBT individuals. They have not only gone through the path of accepting their children for who they are, but have also opened up and shared their experiences publicly by forming a support group called LISTAG. In this documentary, parents intimately share their feelings and tell the story of their experiences, redefining what it means to be a family in a conservative society. My Child is a powerful film that challenges social prejudices against LGBT individuals. It was screened at numerous festivals worldwide, including the Nuremberg International Human Rights Film Festival in Germany and the Thessaloniki International LGBTQ Film Festival in Greece, and won many awards, including the Best Documentary Audience Award at the Boston Turkish Film Festival. Post-screening Panel Discussion of familial support of LGBT individuals in cultures where gender issues are not traditionally accepted. Moderator: Chuck Hadad, Emmy-award-winning Producer of Anderson Cooper 360° at CNN. [More...]
Screening: Winners of the Five College Student Film and Video Festival
Wednesday 4/23 at 7:00pm
Best of Festival and Best Narrative, THE PRINCESS AND THE TREE, Rachel Bass, 20 minutes, Amherst College
Best Graduate Film, THE JOURNEY UPSTREAM, Erica Kowse,13 minutes, UMass
Best Animation, THE TRAP, Elisabeth Makishima, 3 minutes, Smith College
Best Documentary and Best of Amherst, PALIMPSEST, Joyzel Acevedo, 8 minutes, Amherst College
Best Dance on Camera, SYNKROV, Francesco Passalacqua, 6 minutes, Hampshire College
Best Experimental, INVERSION, Linda Fenstermaker, 13 minutes, Hampshire College
Best of UMass, NOT MY HEAVEN, Rahmah Mohammad Pauzi, 17 minutes
Best of Mount Holyoke, THIS IS MY CITY TOO, Anita Haidary, 12 minutes
Best of Smith, WHO ARE YOU? Salome Kokoladze, 8 minutes
Best of Hampshire, SOMETHING'S LURKING IN THE WATER, Marinah Janello, 20 minutes
Amherst Cinema's Italian Film Series 2014
Revel in the stunning visuals and colorful stories of Italian cinema, at Amherst Cinema's Italian Film Series Introduced by Dr. Carolyn Anderson, Professor Emerita, UMass Amherst (Sunday screenings only). This series made possible through the generous financial support of Fred and Edith Byron. [More...]
MacArthur Grant Goes to Alumna Pamela Yates and Skylight Pictures
January 15, 2014: The MacArthur Foundation has announced a $225,000 grant to Pamela Yates and Skylight Pictures for production of 500 Years, a documentary film on the 2013 genocide trial of former Guatemalan president Efraín Ríos Montt, and its aftermath. Ríos Montt stood trial for the killing of 1,700 Maya Ixil people from 1982-1983—the first trial in the history of the Americas for the genocide of indigenous people. When Ríos Montt is found guilty, a higher Guatemalan court vacates the verdict, and 500 Years captures the reactions and responses of Guatemalans from all levels of Guatemalan society.
The 2013 Massachusetts Multicultural Film Festival at the University of Massachusetts Amherst welcomed UMass alumna Pamela Yates and Paco de Onis as visiting artists in residence with a festival screening of their film DISRUPTION (Punto de quiebre, 2013). The 2012 MMFF featured an evening with Pamela Yates and Paco de Onis with a screening and discussion of their film GRANITO (2011).
Film Studies and the MMFF extend congratulations to Pamela, Paco de Onis and Peter Kinoy, and wish them every success with the production of 500 years. (Photo credits: Dana Lixenberg and Daniel Hernandez-Salazar) [More...]
Film Studies Alumn Jed Winer wins Audience Award at NoHoIFF
Congratulations to Jed Winer, honors student and Film Certificate alumnus ('13). Jed took home the Audience Choice Award for Best Documentary Short at the 2013 Northampton International Film Festival for his film Cheetah Conservation Fund: Change for the Cheetah's Future on the work of the Cheetah Conservation Fund in Namibia. [NoHoIFF | Multimedia]
A Companion to the Historical Film
Broad in scope, this interdisciplinary collection of original scholarship on historical film, edited by Robert A. Rosenstone nad Constantin Parvulescu, features essays that explore the many facets of this expanding field and provide a platform for promising avenues of research.
Look for the chapter "Colonial Legacies in Contemporary French Cinema: Jews and Muslims on Screen" by Catherine Portuges.
Cinemas in Transition in Central and Eastern Europe after 1989
Edited by Catherine Portuges and Peter Hames, this collection of essays focuses on cinema in Eastern Europe in the wake of the collapse of the Soviet Union and the Eastern Bloc. As Professors Portuges and Hames argue in their introduction, in spite of Eastern Europe's rich cinematic tradition, films from this region are often marginalized. The contributors in this collection seek to fix this by offering textual analyses of films from each country from the former Soviet bloc. In addition, the essays also offer a sustained focus on structural questions of cinematic production. The collective effect of the volume is to offer a picture of Eastern European cinema at a critical historic era and its connection to the emerging world of transnational media. [More...]