Catherine Portuges Discusses Film Studies Programs as Delegate to Havana
Catherine Portuges, Professor of Film Studies and Comparative Literature participated in a professional research delegation to Havana, Cuba April 1-6. Portuges met with representatives of the International Festival of New Latin American Cinema and the Cuban Film Institute (Instituto Cubano del Arte e Industria Cinematograficos). She delivered a talk on the UMass Amherst Interdepartmental Program in Film Studies and the Massachusetts Multicultural Film Festival and lead a discussion about possible exchange programs and collaboration in scholarship and film festivals and events. [More...]
DEFA Summer Film Institute
"Sex, Gender and Videotape: Love, Eroticism and Romance in East Germany" the DEFA Film Library's eighth biennial Summer Film Institute, July 19-26, 2015. The 2015 Institute co-directors are Benita Blessing (Univ. of Vienna), Kyle Frackman (Univ. of British Columbia) and Victoria Rizo Lenshyn (Univ. of Massachusetts Amherst). We are pleased to announce that Dr. Josie McLellan (University of Bristol), author of Love in the Time of Communism: Intimacy and Sexuality in the GDR (2011), will deliver the 2015 keynote lecture. [More...]
Lindsay Van Dyke Receives Fulbright Award
UMass Film Studies student Lindsay Van Dyke has been awarded a Fulbright U.S. Student Program grant to Mexico in Sociology, the United States Department of State and the J. William Fulbright Foreign Scholarship Board announced recently. Van Dyke is one of over 1,800 U.S. citizens who will travel abroad for the 2014-2015 academic year through the Fulbright U.S. Student Program. Recipients of Fulbright grants are selected on the basis of academic and professional achievement, as well as demonstrated leadership potential.
New Books by Barbara Zecchi: Desenfocadas and Gynocine
Barbara Zecchi, Film Faculty and Associate Professor of Spanish and Portuguese, has published two new books in the last year on women in cinema in Spain:
Desenfocadas, Cineastas españolas y discursos de género (Icaria, 2014) and Gynocine: Teoría de género, filmología y praxis cinematográfica (Zaragoza: Publicaciones Universidad Zaragoza, 2013). Barbara Zecchi directs Gynocine: History of Spanish Women's Cinema in the University of Massachusetts Digital Humanities Initiative. [See Barbara Zecchi's website]
Jewish Pasts, German Fictions
From Stanford University Press, a new book by UMass Assistant Professor of German Studies Jonathan Skolnik, Jewish Pasts, German Fictions History: Memory, and Minority Culture in Germany, 1824-1955.
Description: Jewish Pasts, German Fictions is the first comprehensive study of how German-Jewish writers used images from the Spanish-Jewish past to define their place in German culture and society. Jonathan Skolnik argues that Jewish historical fiction was a form of cultural memory that functioned as a parallel to the modern, demythologizing project of secular Jewish history writing. What did it imply for a minority to imagine its history in the majority language? Skolnik makes the case that the answer lies in the creation of a German-Jewish minority culture in which historical fiction played a central role. After Hitler's rise to power in 1933, Jewish writers and artists, both in Nazi Germany and in exile, employed images from the Sephardic past to grapple with the nature of fascism, the predicament of exile, and the destruction of European Jewry in the Holocaust. The book goes on to show that this past not only helped Jews to make sense of the nonsense, but served also as a window into the hopes for integration and fears about assimilation that preoccupied German-Jewish writers throughout most of the nineteenth century. Ultimately, Skolink positions the Jewish embrace of German culture not as an act of assimilation but rather a reinvention of Jewish identity and historical memory. [More...]
Spring 2015 German Film Series
Thursdays at 4:00pm & 7:30pm
February 12: Schlußmacher (Break Up Man, Matthias Schweighöfer, 2013; 106 min.)
February 26: Nirgendwo in Afrika (Nowhere in Africa, Caroline Link, 2001; 141 min.)
March 12: Gegen die Wand (Head On, Fatih Akin; 121 min.)
April 2: Die Mörder sind unter uns (The Murderers Are Among Us, Wolfgang Staudte, 1946; 85 min.)
April 23: Eichmanns Ende (Eichmann’s Fate, Raymond Ley 2010; 89 min.)
April 30: M (Fritz Lang, 1931; 111 min.)
"Cinema Year Zero: Landscape and Memory in Post-Fascist Italian Cinema"
At talk by Giuliana Minghelli (McGill University)
Meet Giuliana Minghelli at Smith College this Thursday, where she will give a talk "Cinema Year Zero: Landscape and Memory in Post-Fascist Italian Cinema." Free and Open to the Public.
Third Annual Society For Cinema and Media Studies Undergraduate Conference
April 24–25, 2015
This exciting conference features undergraduates from across North America and beyond presenting their scholarly work on cinema and media. The conference, which takes place over two days, offers panels that will run consecutively, so that panelists and other participants may attend all panels. The Society for Cinema and Media Studies is a leading scholarly organization in the United States dedicated to promoting a broad understanding of film, television and related media through research and teaching grounded in the contemporary humanities tradition. SCMS encourages excellence in scholarship and pedagogy, and fosters critical inquiry into the global, national and local circulation of cinema, television and other related media. [More...]
Vote for 49 Miles by Film Studies student Derek Kornhiser
UMass Film Studies student Derek Kornhiser is competing on NESN Next Producer with his film 49 Miles. NESN Next Producer is an innovative new series that showcases New England college filmmakers, their vision and their stories. Part "Shark Tank," part "America's Got Talent," students created short sports films with the hope of winning $20,000 and a job opportunity at NESN. [NESN Next Producer | Variety article]
REGINA to Air on BBC 2/2
Award winning film REGINA (Diana Groó, 2013) is to be broadcast on British TV after a year of cinema screenings around the world. Directed by Diana Groó and executive produced by George Weisz, REGINA is the story of Regina Jonas who made history as the first officially ordained female rabbi. During the Second World War, knowing that she was to be sent to the concentration camps, she placed in her synagogue all her documents and the only photograph ever taken of her, trusting that in the event of her death there would be survivors who might be inspired by her thoughts and example. She died in Auschwitz in 1942, and was completely forgotten. Through her rediscovered official ordination papers, personal correspondence and newspaper articles she left behind, her story can now be told on television for the first time. Winner of the Lia Award at the 2013 Jerusalem Film Festival, the Warsaw Phoenix Award 2014 and featuring Rachel Weisz as the voice of Regina. Diana Groó and George Weisz addressed the audience at the 2014 MMFF screening of REGINA. [BBC4 | REGINA website]
Granito wins BritDoc Impact Award 2014
UMass alumna Pamela Yates and Paco de Onís at Skylight Pictures were awarded the 2014 BritDoc Impact Award for their film Granito: How to Nail a Dictator, which screened at the 2012 Massachusetts Multicultural Film Festival together with a Q&A with Yates and de Onís. The 2013 Massachusetts Multicultural Film Festival also invited Yates and de Onís with their film Disruption.
Amherst Cinema's Translation Film Series 2014-2015
Part of a year-long, valley-wide conversation sponsored by the Amherst College Copeland Colloquium, this film series explores complex issues of cultures in translation. All screenings are introduced by an Amherst College or Five College faculty member and are followed by a 20-minute discussion. [More...]
MacArthur Grant Goes to Alumna Pamela Yates and Skylight Pictures
January 15, 2014: The MacArthur Foundation has announced a $225,000 grant to Pamela Yates and Skylight Pictures for production of 500 Years, a documentary film on the 2013 genocide trial of former Guatemalan president Efraín Ríos Montt, and its aftermath. Ríos Montt stood trial for the killing of 1,700 Maya Ixil people from 1982-1983—the first trial in the history of the Americas for the genocide of indigenous people. When Ríos Montt is found guilty, a higher Guatemalan court vacates the verdict, and 500 Years captures the reactions and responses of Guatemalans from all levels of Guatemalan society.
The 2013 Massachusetts Multicultural Film Festival at the University of Massachusetts Amherst welcomed UMass alumna Pamela Yates and Paco de Onis as visiting artists in residence with a festival screening of their film DISRUPTION (Punto de quiebre, 2013). The 2012 MMFF featured an evening with Pamela Yates and Paco de Onis with a screening and discussion of their film GRANITO (2011).
Film Studies and the MMFF extend congratulations to Pamela, Paco de Onis and Peter Kinoy, and wish them every success with the production of 500 years. (Photo credits: Dana Lixenberg and Daniel Hernandez-Salazar) [More...]
A Companion to the Historical Film
Broad in scope, this interdisciplinary collection of original scholarship on historical film, edited by Robert A. Rosenstone nad Constantin Parvulescu, features essays that explore the many facets of this expanding field and provide a platform for promising avenues of research.
Look for the chapter "Colonial Legacies in Contemporary French Cinema: Jews and Muslims on Screen" by Catherine Portuges.
Cinemas in Transition in Central and Eastern Europe after 1989
Edited by Catherine Portuges and Peter Hames, this collection of essays focuses on cinema in Eastern Europe in the wake of the collapse of the Soviet Union and the Eastern Bloc. As Professors Portuges and Hames argue in their introduction, in spite of Eastern Europe's rich cinematic tradition, films from this region are often marginalized. The contributors in this collection seek to fix this by offering textual analyses of films from each country from the former Soviet bloc. In addition, the essays also offer a sustained focus on structural questions of cinematic production. The collective effect of the volume is to offer a picture of Eastern European cinema at a critical historic era and its connection to the emerging world of transnational media. [More...]