2014 New Asia Cinema/Arab Cinema Panorama
Screenings at 7:00pm
Please join us for the 10th anniversary edition of New Asia Cinema/Arab Cinema Panorama. In Fall 2014, this series of films will showcase international films addressing a wide variety of abilities and assets, bodies and minds. The purpose of this series is to demonstrate a range of lived and embodied experiences, subjectivities and personalities, in myriad cultural contexts. With a focus is on physical, social, and neurocognitive diversity, the series includes films from Australia, India, Egypt, China, Iraq, Iran, Canada, and the United States.
Blueberry Soup Screeing and Discussion with Director
Weds 11/5 at 7:00pm
Film Screening & Discussion with filmmaker Eileen Jerrett. “An extraordinary documentary about the constitutional change in Iceland following the financial crisis of 2008... The film is a deeply touching account of an eclectic group of individuals reinventing democracy through the rewriting of the nation’s constitution.” [Event poster]
Lindsay Van Dyke Receives Fulbright Award
UMass Film Studies student Lindsay Van Dyke has been awarded a Fulbright U.S. Student Program grant to Mexico in Sociology, the United States Department of State and the J. William Fulbright Foreign Scholarship Board announced recently. Van Dyke is one of over 1,800 U.S. citizens who will travel abroad for the 2014-2015 academic year through the Fulbright U.S. Student Program. Recipients of Fulbright grants are selected on the basis of academic and professional achievement, as well as demonstrated leadership potential.
We Have Moved!
The Interdepartmental Program in Film Studies has moved its offices to the new Integrative Learning Center building. Our offices are on the 4th floor of the south side of the ILC building:
Our new Mailing address:
New Books by Barbara Zecchi: Desenfocadas and Gynocine
Barbara Zecchi, Film Faculty and Associate Professor of Spanish and Portuguese, has published two new books in the last year on women in cinema in Spain:
Desenfocadas, Cineastas españolas y discursos de género (Icaria, 2014) and Gynocine: Teoría de género, filmología y praxis cinematográfica (Zaragoza: Publicaciones Universidad Zaragoza, 2013). Barbara Zecchi directs Gynocine: History of Spanish Women's Cinema in the University of Massachusetts Digital Humanities Initiative. [See Barbara Zecchi's website]
NESN Student Film Contest
Wednesday 4/2 at 10:00am
NESN is developing a new television series that offers New England film students the chance at cash, prizes, exposure and bragging rights. The NESN Filmmaking Contest involves teams of undergraduate student filmmakers producing short, sports-themed documentary films in the Fall of 2014. These films will air on NESN and will be judged by industry professionals throughout the competition.
The winning filmmakers will be awarded $20,000 cash.
Jewish Pasts, German Fictions
From Stanford University Press, a new book by UMass Assistant Professor of German Studies Jonathan Skolnik, Jewish Pasts, German Fictions History: Memory, and Minority Culture in Germany, 1824-1955.
Description: Jewish Pasts, German Fictions is the first comprehensive study of how German-Jewish writers used images from the Spanish-Jewish past to define their place in German culture and society. Jonathan Skolnik argues that Jewish historical fiction was a form of cultural memory that functioned as a parallel to the modern, demythologizing project of secular Jewish history writing. What did it imply for a minority to imagine its history in the majority language? Skolnik makes the case that the answer lies in the creation of a German-Jewish minority culture in which historical fiction played a central role. After Hitler's rise to power in 1933, Jewish writers and artists, both in Nazi Germany and in exile, employed images from the Sephardic past to grapple with the nature of fascism, the predicament of exile, and the destruction of European Jewry in the Holocaust. The book goes on to show that this past not only helped Jews to make sense of the nonsense, but served also as a window into the hopes for integration and fears about assimilation that preoccupied German-Jewish writers throughout most of the nineteenth century. Ultimately, Skolink positions the Jewish embrace of German culture not as an act of assimilation but rather a reinvention of Jewish identity and historical memory. [More...]
2014 New England Italian Film Festival
Mondays at 7:30pm
The Italian Programs at Mount Holyoke, Smith and UMass are pleased to announce the 2014 New England Italian Film Festival.
22 September: Lo Spazio bianco
29 September: Terramatta
6 October: Hotel Meina
20 October: Scontro di civiltà per un ascensore a Piazza Vittorio
27 October: Corpo celeste (Alice Rohrwacher, 2011) Smith College, Seelye 110, 7:30PM
All films are in Italian with English subtitles. Free and open to the public, courtesy of the Italian Consulate in Boston.
German Film Series Fall 2014
Thursdays 4:00pm & 7:30pm
The Fall 2014 German Film Series:
September 11: Das Wunder von Bern (The Miracle of Bern, Sönke Wortmann, 2003; 118 min.)
September 25: Die Reise nach Kafiristan (The Journey to Kafiristan, Donatello & Fosco Dubini, 2001; 101 min.)
October 16: Rosenstraße (Margarethe von Trotta, 2003; 136 min.)
November 6: Good Bye, Lenin! (Wolfgang Becker, 2003; 118 min.)
December 4: Kirschblüten—Hanami (Cherry Blossoms, Doris Dörrie, 2008; 127 min.)
Screening & Q&A: Bruce Geisler's Free Spirits in Turners Falls
Thurs, 9/18 7:00pm
RiverCulture will host a screening of Free Spirits at The Shea Theater on September 18th, as part of the Third Thursday event “20th Century Turners Falls”. 7:00pm, 71 Avenue A, Turners Falls. Free!
The Brotherhood of the Spirit (renamed Renaissance Community in 1974) was one of the largest and most enduring intentional communities in the Northeast and a distinct link between the commune movement of the 1960s and New Age consciousness happening today. In existence from 1968 to 1988, the rise and all of the commune mirrored that of its charismatic and mercurial leader, Michael Metelica, a factor that made the community unique.
Free Spirits, a film by Bruce Geisler, documents the distinct identity changes that the Renaissance Community underwent in its 20 year history in Franklin County. Footage from Turners Falls, Gill, Northfield, Leyden, Warwick & Greenfield.
Q&A with formers members will follow the screening. Pictures, artifacts and other ephemera will be on display. Copies of Free Spirits will be available for sale. Proceeds go to the Community Resource Foundation, a non- profit that helps former members in need. [More...]
Amherst Cinema's Translation Film Series 2014-2015
Part of a year-long, valley-wide conversation sponsored by the Amherst College Copeland Colloquium, this film series explores complex issues of cultures in translation. All screenings are introduced by an Amherst College or Five College faculty member and are followed by a 20-minute discussion. [More...]
MacArthur Grant Goes to Alumna Pamela Yates and Skylight Pictures
January 15, 2014: The MacArthur Foundation has announced a $225,000 grant to Pamela Yates and Skylight Pictures for production of 500 Years, a documentary film on the 2013 genocide trial of former Guatemalan president Efraín Ríos Montt, and its aftermath. Ríos Montt stood trial for the killing of 1,700 Maya Ixil people from 1982-1983—the first trial in the history of the Americas for the genocide of indigenous people. When Ríos Montt is found guilty, a higher Guatemalan court vacates the verdict, and 500 Years captures the reactions and responses of Guatemalans from all levels of Guatemalan society.
The 2013 Massachusetts Multicultural Film Festival at the University of Massachusetts Amherst welcomed UMass alumna Pamela Yates and Paco de Onis as visiting artists in residence with a festival screening of their film DISRUPTION (Punto de quiebre, 2013). The 2012 MMFF featured an evening with Pamela Yates and Paco de Onis with a screening and discussion of their film GRANITO (2011).
Film Studies and the MMFF extend congratulations to Pamela, Paco de Onis and Peter Kinoy, and wish them every success with the production of 500 years. (Photo credits: Dana Lixenberg and Daniel Hernandez-Salazar) [More...]
A Companion to the Historical Film
Broad in scope, this interdisciplinary collection of original scholarship on historical film, edited by Robert A. Rosenstone nad Constantin Parvulescu, features essays that explore the many facets of this expanding field and provide a platform for promising avenues of research.
Look for the chapter "Colonial Legacies in Contemporary French Cinema: Jews and Muslims on Screen" by Catherine Portuges.
Cinemas in Transition in Central and Eastern Europe after 1989
Edited by Catherine Portuges and Peter Hames, this collection of essays focuses on cinema in Eastern Europe in the wake of the collapse of the Soviet Union and the Eastern Bloc. As Professors Portuges and Hames argue in their introduction, in spite of Eastern Europe's rich cinematic tradition, films from this region are often marginalized. The contributors in this collection seek to fix this by offering textual analyses of films from each country from the former Soviet bloc. In addition, the essays also offer a sustained focus on structural questions of cinematic production. The collective effect of the volume is to offer a picture of Eastern European cinema at a critical historic era and its connection to the emerging world of transnational media. [More...]