University of Massachusetts Amherst

Contents:

Friends Board
A Once In A Lifetime Night to Remember
13th Annual Friends of the Fine Arts Center Gala and Auction

Spotlight on Sponsors
The Fine Arts Center Welcomes its Newest Sponsor: Bose® Corporation

Around the Center
Noodling Around

Performing Arts
For the Sheer Joy of Dancing
Ballet Hispanico brings their Latin Beat to the Fine Arts Center

Thank You to Our Volunteers
We couldn't do it all without them

Seize the Soul with Music at Hand
The Healing Beat of Handance Percussion Ensemble

Breaking Apart
New Zealand's Dianna Fuemana

Your "Innocent Ear" Requested
for the Academy of St. Martin in the Fields Concert

Slide Trombone Great Makes Time for UMass Students
Ron Wilkins is Featured Guest for First Light Jazz Residency

Visual Arts
In Celebration of Life's Journey

A Special Invitation for Participation from University Museum of Contemporary Art

By the Light of Jupiter

Gone to the Dogs

From His House to Ours
William Hosie brings his Family of Constructions to University Museum of Contemporary Art

General
Greetings!

November/December 2001 > Gone to the Dogs
Gone to the Dogs

 


That's right, DOGS! Some of us love them, and some of us love to hate them. Historically the religious traditions of Hindus, Jews and Christians have abhorred dogs, while Ethiopians elected dogs as their kings, Egyptians shaved their heads when a dog died, and Pythagoras was said to have held a dog to the mouth of a dying disciple because he thought that a dog, better than any other animal, could perpetuate his friend's virtues. Whether absorbing our curses or affections, dogs perform a unique kind of shadowing role, a (mostly) silent chorus for our daily dramas. Northampton-based artist Frances Kidder knows about painting and knows about dogs. Her last dog, a large black poodle, was an exuberant creature whose liveliness supplied the juice for a series of paintings begun in 1999. During a month spent in Rome, Kidder's paintings of dogs became paintings of wolves in honor of the legend of Romulus and Remus who were suckled by a she-wolf. The wolf paintings resulting since then will be shown in a solo exhibition in Central gallery. Most of the wolf images relate either to the Wolf, a 500 B.C. Etruscan sculpture in Rome, (whose suckling human babies were added in the Renaissance and supposedly separated during recent restoration), or to an imaginary dancing wolf that harks back to Kidder's childhood memories. In her artist statement Kidder speaks of the Etruscan Wolf image which served as a starting point for her new work: "The more I looked at her, the more open to interpretation she seemed. Her bared teeth suggest a growl; but she could also just be panting from exhaustion. She appears more worried than fierce. She doesn't much resemble any contemporary wolves. Her head, in particular, looks like a cross between a terrier's and a cat's. The hair on her head, neck and back is wonderfully stylized into s-shaped curls. Although the body and pose are quite true to nature, the sculptor's various departures from realism give the Etruscan Wolf the kind of power that belongs to beasts from our myths and dreams....As my versions of the Etruscan wolf have multiplied, I have begun to think of her as a beleaguered great nurturer." Frances Kidder’s new work can be seen at Central Gallery from November 15 through December 12 with an opening reception on November 15 from 4-6pm. Central Galleries hours are Monday to Thursday 3pm-6pm and Sundays 2pm-5pm while the University is in session.

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