University of Massachusetts Amherst
The Fine Arts Center
Home > Lively Arts General TLA Guides >Looking at Dance
Experience the Arts in Person! The Lively Arts   FAC Logo

 
Contact Information
calendar
Contact Information
Contact Information
line
 

The Lively Arts Guide to Looking at Dance

Understanding and describing dance performances can be both a visual and a musical process. There are many things to look for, but often the first things you notice can tell you a lot about what kind of dance you are watching.

Consider the following:

  • Try and discern whether the dance is primarily ballet, modern, or a world cultural dance form. Are the dancers wearing shoes of any kind? Does this help you identify the idiom?

  • Generally note which of the supporting arts (costumes, sets, props) are being used to contribute to the choreography.

  • Generally note the relationship of the dance to the music.

Now approach the dance from your emotions/imagination. How does the dance strike you (does it seem frantic, smooth, sharp, tender, chaotic, random, solemn, joyful. . .)? Try to perceive why you get that feeling; how is it achieved? Ask yourself the following questions:

  • What is the intent of the dance? Is it purely abstract movement, or does it tell a story? Does it convey images? Are there ideas about human relationships? Is it based around one idea?

  • What is the use of space? Where are the dancers on stage? Do they center on one area or move around a lot? Are they placed symmetrically? What size are their movements? Which levels of space are used the most? Which body parts do the most moving?

  • Which kinds of energy are used? (Remember, in dance the word "energy" does not refer to how many calories the dancers are burning! It has to do with the kind or quality of movement.) Is the energy predominantly sustained, suspended, percussive, swinging, vibratory, or fall and recovery?

  • What is the tempo of the dance (This is a separate issue from the tempo of the music)? Do the dancers mostly move quickly or slowly? Are there sudden or gradual changes? Does one body part seem to express the rhythmic pattern or any accents?

  • How is the dance constructed? Do you see a lot of repetition? Is there a lot of new movement? What about the group movement? Does it seem to be in unison or at odds?

  • How does the dance relate to the music? Does the dance seem to express the music or move with the music (visualization or conversation)? Would the dance be less understandable if the music were absent? Or does the dance seem to be completely unrelated to the music (isolation)?

  • How do the costumes, props, and lighting seem to relate to or affect the dance? Are they a significant part, or could they be taken away without changing the effect of the dance? Do they seem to complement/support or detract from the dance?

Printable pdf version of this document

UMass Amherst
© 2004 University of Massachusetts Amherst, Site Policies
Site maintained by The Fine Arts Center
UMass Amherst Seal