View of East Gallery 22KB, 600 x 390 pixelsView of East Gallery 17KB, 600 x 390 pixelsView of East Gallery 22.8KB, 600 x 390 pixelsView of East Gallery 19.7KB, 600 x 326 pixelsView of East Gallery 14.9KB, 600 x 302 pixelsView of East Gallery 17.5KB, 600 x 302 pixelsView of East Gallery 15KB, 600 x 302 pixelsView of Main and East Gallery 23KB, 600 x 390 pixelsView of Main and East Gallery 27.7KB, 600 x 360 pixelsView of Main Gallery 30KB, 600 x 360 pixelsView of Main Gallery 33KB, 600 x 387 pixelsView of Main Gallery 31.5KB, 600 x 390 pixelsView of Main Gallery 25 KB, 600 x 313 pixelsView of Main gallery 26KB, 600 x 342 pixelsView of Main Gallery 28.7KB, 600 x 344 pixelsView of Main Gallery 30KB, 600 x 376 pixelsView of Main Gallery 31 KB, 600 x 390 pixelsView of North Gallery 30KB, 600 x 390 pixelsView of North Gallery 24.5KB, 600 x 372 pixelsView of North Gallery 24.8KB, 600 x 359 pixelsView of North Gallery 23KB, 600 x 390 pixelsView of North Gallery 23KB, 600 x 390 pixelsView of North Gallery 23KB, 600 x 330 pixelsView of West Gallery 35.9KB, 600 x 390 pixelsView of West Gallery 36KB, 600 x 381 pixelsView of West Gallery 33.7KB, 600 x 358 pixelsView of West Gallery 19KB, 600 x 390pixels | Avery Preesman Thursday, March 30 - Sunday, June 11, 2006 University Museum of Contemporary Art
This exhibition at the University Museum of Contemporary Art marks his premiere exhibition in the U.S. He has had numerous solo and group exhibitions in Europe, including a major solo exhibition at the prestigious Stedelijk Museum in Amsterdam in 2001.
Many of his canvases display a restrained use of color which give specific direction to the solid-looking paintings. The various layers often seem to collide with and grate on each other, setting the figure/ground relationship awry and creating a kind of three-dimensionality. They bear a certain similarity to the wall-sculptures: constructions of wood or metal, wrapped in foam-filler and coated with plaster or a granular layer of chalk-grey sand-cement, sometimes with applications of greasepaint. These give the pieces a heavy, rocklike character, like basalt. His paintings possess the same quality. The term 'decomposed' painting has been used in connection with Preesman's work.
Avery Preesman's exhibition is part of the Museums10 Valley-wide Festival "GO DUTCH!" in Spring 2006 featuring art from the Netherlands. The artist will be present at the opening and will conduct public talks, seminars and critique sessions with UMass students. |
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Avery Preesman Opening Reception Thursday, March 30, 2006 from 5:00 pm to 8:00 pm
Free and open to the public
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