Tony Simotes, artistic director of Shakespeare & Company, returns to UMass to direct alumnus Stephen Driscoll ’73 as Shylock in this production.
October 25, 2014 3:00 pm
October 29—October 30, 2014 7:30 pm
October 28, 2014 10:00 am
November 1, 2014 2:00 pm
November 1, 2014 7:30 pm
October 23, 2014 7:30 pm
Who says death can’t be funny? Certainly not William Finn and James Lapine, whose bittersweet comic musical A New Brain strikes chords of exaltation and despair in turn.
November 13—November 22, 2014, Tue/Wed/Thu/Fri/Sat 7:30 pm
November 22, 2014 2:00 pm
This event does NOT occur on:
The initial round of auditions will be monologues. Please prepare a 60-second monologue from a classic American text.
October 6—October 9, 2014 6:30 pm-10:30 pm
Fine Arts Center
The story-telling magic of ABBA’s timeless songs propels this enchanting tale of love, laughter and friendship, and every night everyone’s having the time of their lives!
November 3, 2014
Mummenschanz makes the ordinary extraordinary in a visually stunning spectacle that transcends cultural barriers and sparks the imagination.
December 7, 2014
Fine Arts Center Concert Hall
Renowned director Neil Goldberg, creator of the groundbreaking Broadway hit CIRQUE DREAMS JUNGLE FANTASY, re-imagines the holiday season with CIRQUE DREAMS HOLIDAZE.
December 11, 2014
An American classic, Cat serves up an explosive Southern cocktail of sex, death, and revelation in the form of its unforgettable heroine, Maggie, and her struggle for dominance on the “hot tin roof” of her marriage bed. As the embattled Pollitt clan gathers to celebrate its dying patriarch’s birthday, will Maggie emerge victorious?
February 26—February 28, 2015, Thu/Sat 7:30 pm
March 4—March 7, 2015, Wed/Thu/Fri/Sat 7:30 pm
March 7, 2015 2:00 pm
March 3, 2015 10:00 am
Now in its second year, the UMass New Play Lab exists to develop exceptional new plays in collaboration with visionary playwrights.
March 25—April 3, 2015, Wed/Thu/Fri 7:30 pm
March 28—April 4, 2015, Saturdays 2:00 pm
A ringing cell phone, an empty bowl of lobster bisque, and a dead man one table over—so begins Sarah Ruhl’s wildly imaginative Dead Man’s Cell Phone.