R. B. Waddington, "Visual Rhetoric: Chapman and the Extended Poem" (illustrated), 13.1 (1983), 36-57.

Charles, Amy M., "Mrs. Herbert's Kitchin Booke" (with texts and illustrations), 4.1 (1974), 164-173.

J. H. Anderson, "'A Gentle Knight was pricking on the plaine': The Chaucerian Connection," 15.2 (1985), 166-174.

_____, "The 'couert vele': Chaucer, Spenser, and Venus," 24.3 (1994), 638-659.

R. C. Evans, "Ben Jonsonís Chaucer," 19.3 (1989), 324-345.

L. V. Ryan, "Chaucer's Criseyde in Neo-Latin Dress," 17.3 (1987), 288-302.

F. B. Williams, Jr., "Alsop's Fair Custance: Chaucer in Tudor Dress," 6.3 (1976), 351-368.

Chillington, Carol A., "Playwrights at Work: Henslowe's, not Shakespeare's, Book of Sir Thomas More," 10.3 (1980), 439-479.

Chorost, Michael, "Biological Finance in Shakespeare's Timon of Athens," 21.3 (1991), 349-370.

P. Schwyzer, "Summer Fruit and Autumn Leaves: Thomas Nashe in 1593," 24.3 (1994), 583-619.

J. S. Dees, "The Narrator of Christs Victorie: What Giles Fletcher Learned from Spenser," 6.3 (1976), 453-465.

F. B. Williams, Jr., "Churchyard's Thunder on the Right" (text), 3.3 (1973), 380-399.

Cirillo, Albert R., "Recent Studies in Crashaw (1945-1976)," 9.1 (1979), 183-193.

M. D. Bliss, "Massinger's City Madam and the Lost City Honest Man," 7.3 (1977), 368-381.

C. Martindale and C. Burrow, "Clapham's Narcissus: A Pre-Text for Shakespeare's Venus and Adonis?" (text, translation, and

commentary), 22.2 (1992), 147-176.

Clark, Mili N., "The Mechanics of Creation: Non-contradiction and Natural Necessity in Paradise Lost," 7.2 (1977), 207-242.

Clayton, Thomas, "'Morning Glew' and Other Sweat Leaves in the Folio Text of Andrew Marvell's Major Pre-Restoration Poems," 2.3

(1972), 356-375.

_____, "'Sir Henry Lee's Farewell to the Court': The Texts and Authorship of 'His Golden Locks Time Hath to Silver Turned," 4.2

(1974), 268-275.

Clements, A. L., "Theme, Tone, and Tradition in George Herbert's Poetry" (illustrated), 3.2 (1973), 264-283.

Clerico, Terri, "The Politics of Blood: John Ford's 'Tis Pity She's a Whore," 22.3 (1992), 405-434.

M. E. Lamb, "The Agency of the Split Subject: Clifford and the Uses of Reading" (illustrated), 22.3 (1992), 347-368.

Cohen, Ralph Alan, "The Importance of Setting in the Revision of Every Man in his Humour," 8.2 (1978), 183-196.

Colaianne, A. J., and W. L. Godshalk, "Recent Studies in Sidney (1970-1977)," 8.2 (1978), 212-233.

Collette, Carolyn P., "Milton's Psalm Translations: Petition and Praise," 2.2 (1972), 243-259.

Colley, John Scott, "'Opinion' and the Reader in John Marston's The Metamorphosis of Pigmalions Image," 3.2 (1973), 221-231.

Collier, Susanne, "Recent Studies in James VI and I," 23.3 (1993), 509-519.

B. Freedman, "Egeon's Debt: Self-Division and Self-Redemption in Errors," 10.3 (1980), 360-383.

D. Lanier, "'Stigmatical in Making': The Material Character of Errors," 23. 1 (1993), 81-112.

D. H. Radcliffe, "'Study to Be Quiet': Genre and Politics in Walton's Compleat Angler," 22.1 (1992), 95-111.

J. B. Savage, "Comus and Its Traditions," 5.1 (1975), 58-80.

Cope, Jackson I., "Marlowe's Dido and the Titillating Children," 4.3 (1974), 315-325.

J. C. Meagher, "Copland's The Seven Sorrows" (text), 7.1 (1977), 17-50.

Coriolanus:

J. W. Velz, "Cracking Strong Curbs Asunder: Roman Destiny and the Roman Hero in Coriolanus," 13.1 (1983), 58-69.

N. L. Harvey and J. C. Dietrich, "Recent Studies," 5.3 (1975), 396-415.

Corthell, Ronald J., "'The secrecy of man': Recusant Discourse and the Elizabethan Subject," 19.3 (1989), 272-290.

Cousins, A. D., "The Coming of Mannerism: The Later Ralegh and the Early Donne," 9.1 (1979), 86-107.

D. G. Donovan, "Recent Studies," 6.3 (1976), 466-475.

A. Low, "New Science and the Georgic Revolution in Seventeenth-Century English Literature," 13.3 (1983), 231-259.

Cox, Gerald H., "Apocalyptic Projection and the Comic Plot of The Alchemist," 13.1 (1983), 70-87.

E. Pearlman, "R. Willis and The Cradle (c. 1572)," 20.3 (1990), 357-373.

Craig, D. H., "A Hybrid Growth: Sidney's Theory of Poetry in An Apology for Poetry," 10.2 (1980), 183-201.

A. R. Cirillo, "Recent Studies (1945-1976)," 9.1 (1979), 183-193.

F. Fabry, "Crashaw and the Art of Allusion: Pastoral in 'A Hymn to ... Sainte Teresa,'" 16.2 (1986), 373-382.

R. Osmond, "Body and Soul Dialogues in the Seventeenth Century" (illustrated), 4.3 (1974), 364-403.

J. R. Roberts, "Recent Studies (1977-1989)," 21.3 (1991), 425-445.

Cressy, David, "Foucault, Stone, Shakespeare and Social History," 21.2 (1991), 121-133.

Crewe, Jonathan V., "The Hegemonic Theater of George Puttenham," 16.1 (1986), 71-85.

_____, "The State of Renaissance Studies; Or, a Future for ELR?," 25.3 (1995), 341-353.

J. N. King, "Philargyrie of Greate Britayne by Crowley" (text), 10.1 (1980), 46-75.

P. M. Simonds, "The Marriage Topos in Cymbeline: Shakespeare's Variations on a Classical Theme" (illustrated), 19.1 (1989), 94-

117.

R. Y. Turner, "Slander in Cymbeline and Other Jacobean Tragi-comedies," 13.2 (1983), 182-202.

D

Daly, Peter M., and Mary V. Silcox, "William Marshall's Emblems (1650) Rediscovered" (illustrated), 19.3 (1989), 346-374.

W. L. Godshalk, "Recent Studies (1975-1990)," 24.2 (1994), 489-502.

Danson, Lawrence, "Christopher Marlowe: The Questioner," 12.1 (1982), 3-29.

A. H. Tricomi, "A Dialogue between Pollicy and Piety by Davenport" (text with illustration), 21.2 (1991), 190-216.

DAVIES, SIR JOHN:

R. J. Manning, "Rule and order strange: A Reading of 'Orchestra,'" 15.2 (1985), 175-194.

J. L. Sanderson, "Recent Studies," 4.3 (1974), 411-417.

Davis, Walter R., "Contexts in Surrey's Poetry," 4.1 (1974), 40-55.

_____, "Henry Smith: The Preacher as Poet," 12.1 (1982), 30-52.

Dawson, Anthony B., "The Impasse over the Stage," 21.3 (1991), 309-327.

Dees, Jerome S., "Recent Studies in Traherne," 4.1 (1974), 189-196.

_____, "Recent Studies in Elyot," 6.2 (1976), 336-344.

_____, "The Narrator of Christs Victorie and Triumph: What Giles Fletcher Learned from Spenser," 6.3 (1976), 453-465.

_____, Recent Studies in Ascham (1945-1978)," 10.2 (1980), 300-310.

_____, "Recent Studies in Emblem Literature (1945-1983)," 16.2 (1986), 391-420.

_____, "Recent Studies in Andrew Marvell (1973-1990)," 22.2 (1992), 273-295.

M. DiGangi, "Asses and Wits: The Homoerotics of Mastery in Satiric Comedy," 25.2 (1995), 179-208.

E. D. Pendry, "Dekker in the Magistrates' Court," 3.1 (1973), 53-59.

M. B. Rose, "Women in Men's Clothing: Apparel and Social Stability in The Roaring Girl," 14.3 (1984), 367-391.

R. Barbour, "Recent Studies in Elizabethan Prose Fiction," 25.2 (1995), 248-276.

C. Jordan, "The 'Art of Clothing': Role Playing in Deloney's Fiction," 11.2 (1981), 183-193.

Dessen, Alan C., "Two Falls and a Trap: Shakespeare and the Spectacles of Realism" (illustrated), 5.3 (1975), 291-307.

DE VERE, ANNE CECIL, COUNTESS OF OXFORD:

E. Moody, "Six Elegiac Poems, Possibly by Anne De Vere" (with text), 19.2 (1989), 152-170.

DEVEREUX, ROBERT, EARL OF ESSEX:

E. Doughtie, "The Earl of Essex and Occasions for Contemplative Verse," 9.3 (1979), 355-365.

A. Freeman, "Essex to Stella: Two Letters to Penelope Rich" (texts), 3.2 (1973), inset following 248.

R. H. Miller, "An Unpublished Journal of Essex's Munster Campaign of 1599" (text), 10.1 (1980), 96-119.

A. H. Tricomi, "A Dialogue by Robert Davenport" (text with illustration), 21.2 (1991), 190-216.

DiCesare, Mario A., "'Exalted Manna': Image and Allusion in Herbert's 'Prayer (I)'" 11.3 (1981), 304-328.

Dickey, Stephen, "Language and Role in Pericles," 16.3 (1986), 550-566.

J. I. Cope, "Marlowe's Dido and the Titillating Children," 4.3 (1974), 315-325.

Dietrich, Julia C., and Nancy Lenz Harvey, "Recent Studies in the Corpus Christi Mystery Plays," 5.3 (1975), 396-415.

DiGangi, Mario, "Asses and Wits: The Homoerotics of Mastery in Satiric Comedy," 25.2 (1995), 179-208.

DiSalvo, Jacqueline, "Fear of Flying: Milton on the Boundaries Between Witchcraft and Inspiration," 18.1 (1988), 114-137.

Dixon, Michael F., "Rhetorical Patterns and Methods of Advocacy in Spenser's Shepheardes Calender," 7.2 (1977), 131-154.

R. L. Knutson, "Influence of the Repertory System on the Revival and Revision of The Spanish Tragedy and Faustus," 18.2

(1988), 257-274.

C. B. Kuriyama, "Dr. Greg and Faustus: The Supposed Originality of the 1616 Text," 5.2 (1975), 171-197.

M. J. Warren, "Faustus: The Old Man and the Text," 11.2 (1981), 111-147.

R. H. West, "The Impatient Magic of Dr. Faustus," 4.2 (1974), 218-240.

M. Bauer, "Paronomasia celata in Donne's 'A Valediction: forbidding mourning,'" 25.1 (1995), 97-111.

G. Braden, "Viuamus, mea Lesbia in the English Renaissance," 9.2 (1979), 199-224.

A. B. Cameron, "Donne's Deliberative Verse Epistles," 6.3 (1976), 369-403.

A. D. Cousins, "The Coming of Mannerism: The Later Ralegh and the Early Donne," 9.1 (1979), 86-107.

D. Flynn, "Donne and the Ancient Catholic Nobility," 19.3 (1989), 305-323.

D. M. Friedman, "Memory and the Art of Salvation in Donne's Good Friday Poem," 3.3 (1973), 418-442.

R. F. Hardin, "Recent Studies in Neo-Latin Literature," 24.3 (1994), 660-698.

W. Kerrigan, "The Fearful Accommodations of Donne," 4.3 (1974), 337-363.

J. L. Klause, "Donne and the Wonderful," 17.1 (1987), 41-66.

C. D. Lein, "Donne's 'The Storme': The Poem and the Tradition," 4.1 (1974), 137-163.

A. Low, "Donne and the Reinvention of Love," 20.3 (1990), 465-486.

Z. Pollock, "'The Object, and the Wit': The Smell of Donne's First Anniversary," 13.3 (1983), 301-318.

R. B. Waddington, "'All in All': Shakespeare, Milton, Donne and the Soul-in-Body Topos" (illustrated), 20.1 (1990), 40-68.

P. de sa Wiggins, "'Aire and Angels': Incarnations of Love," 12.1 (1982), 87-101.

Donovan, Dennis G., "Recent Studies in Burton and Walton," 1.3 (1971), 294-303.

_____, "Recent Studies in Browne," 2.2 (1972), 271-279.

_____, "Recent Studies in Cowley," 6.3 (1976), 466-475.

Donovan, Kevin J., "Recent Studies in Robert Greene (1968-1988)," 20.1 (1990), 163-175.

_____, "Recent Studies in John Lyly (1969-1990)," 22.3 (1992), 435-450.

_____, "Recent Studies in Thomas Lodge (1969-1990)," 23.1 (1993), 201-211.

_____, "Recent Studies in George Peele (19691990)," 23.1 (1993), 212-220.

Doob, Penelope B. R., "A Reading of The Changeling," 3.1 (1973), 183-206.

Doughtie, Edward, "The Earl of Essex and Occasions for Contemplative Verse," 9.3 (1979), 355-365.

Dubrow, Heather, "The Rape of Clio: Attitudes to History in Shakespeare's Lucrece," 16.3 (1986), 425-441.

J. L. Selzer, "Merit and Degree in Webster's Duchess," 11.1 (1981), 70-80.

Duncan-Jones, Katherine, "'Rosis and Lysa': Selections from the Poems of Sir Robert Sidney" (with texts), 9.2 (1979), 240-263.

 Dunford, Terrance, "Consumption of the World: Reading, Eating, and Imitation in Every Man Out of His Humour," 14.2 (1984), 131-

147.

Dust, Philip, and William D. Wolf, "Recent Studies in Early Tudor Drama: Gorboduc, Ralph Roister Doister, Gammer Gurton's

Needle, and Cambises," 8.1 (1978), 107-119.

Dutton, Richard, "Patronage, Politics, and the Master of the Revels, 1622-1640: The Case of Sir John Astley," 20.2 (1990), 287-319.

Dyer, William D., "Holding/Withholding Environments: A Psychoanalytic Approach to Ford's The Broken Heart," 21.3 (1991), 401-

424.

E

Eccles, Mark, "Barnabe Googe in England, Spain, and Ireland," 15.3 (1985), 353-370.

Edward II:

D. Belt, "Anti-Theatricalism and Rhetoric in Marlowe's EdII," 21.2 (1991), 134-160.

Edwards, Philip, "Who Wrote The Passionate Man's Pilgrimage?," 4.1 (1974), 83-97.

A. Low, "The Unity of Milton's 'Elegia Sexta,'" 11.2 (1981), 213-223.

D. M. Bergeron, "Elizabeth's Coronation Entry (1559): New Manuscript Evidence" (illustrated), 8.1 (1978), 3-8.

J. R. Elliott, Jr., "Queen Elizabeth at Oxford: New Light on the Royal Plays of 1566," 18.2 (1988), 218-229.

S. W. May, "Recent Studies," 23.2 (1993), 345-354.

_____, and A. L. Prescott, "The French Verses of Elizabeth I" (with text and illustrations), 24.1 (1994), 9-43.

Elliott, John R., Jr., "Queen Elizabeth at Oxford: New Light on the Royal Plays of 1566," 18.2 (1988), 218-229.

J. S. Dees, "Recent Studies," 6.2 (1976), 336-344.

Endymion:

C. C. Gannon, "Lyly's Endimion: From Myth to Allegory," 6.2 (1976), 220-243.

P. Weltner, "The Antinomic Vision of Endymion," 3.1 (1973), 5-29.

Entzminger, Robert L., "Michael's Options and Milton's Poetry: Paradise Lost XI and XII," 8.2 (1978), 197-211.

Epicoene:

M. Shapiro, "Audience vs. Dramatist in Jonson's Epicoene and Other Plays of the Children's Troupes," 3.3 (1973), 401-417.

J. B. Gleason, "Opening Spenser's Wedding Present: The 'Marriage Number' of Plato in the 'Epithalamion,'" 24.3 (1994), 620-637.

C. V. Kaske, "Spenser's Amoretti and Epithalamion of 1595: Structure, Genre, and Numerology," 8.3 (1978), 271-295.

J. Loewenstein, "Echo's Ring: Orpheus and Spenser's Career," 16.2 (1986), 287-302.

H. Berger, Jr., "Utopian Folly: Erasmus and More on the Perils of Misanthropy," 12.3 (1982), 271-290.

L. Manley, "Proverbs, Epigrams, and Urbanity in Renaissance London," 15.3 (1985), 247-276.

R. Sylvester, "The Problem of Unity in The Praise of Folly," 6.2 (1976), 125-139.

Erickson, Lee, "Marvell's Upon Appleton House and the Fairfax Family" (illustrated), 9.1 (1979), 158-168.

Esolen, Anthony, "Spenser's 'Alma Venus': Energy and Economics in The Bower of Bliss," 23.2 (1993), 267-286.

Ester hath hang'd Haman:

M. Matchinske, "Legislating 'Middle-Class' Morality in the Marriage Market: Ester Sowernamís Ester," 24.1 (1994), 154-183.

Euphues:

J. R. Henderson, "Euphues and his Erasmus," 12.2 (1982), 135-161.

Evans, Robert C., "Ben Jonson's Chaucer," 19.3 (1989), 324-345.

Every Man in his Humour:

R. A. Cohen, "The Importance of Setting in the Revision of Every Man in," 8.2 (1978), 183-196.

Every Man Out of His Humour:

T. Dunford, "Consumption of the World: Reading, Eating, and Imitation in Every Man Out," 14.2 (1984), 131-147.

H. Ostovich, "'So Sudden and Strange a Cure': A Rudimentary Masque in Every Man Out," 22.3 (1992), 315-332.

Evett, David, "Mammon's Grotto: Sixteenth Century Visual Grotesquerie and Some Features of Spenser's Faerie Queene" (illustrated),

12.2 (1982), 180-209.

F

Fabry, Frank J., "Sidney's Poetry and Italian Song-Form." 3.2 (1973), 232-248.

_____, "Richard Crashaw and the Art of Allusion: Some Uses of the Pastoral in 'A Hymn to . . . Sainte Teresa,'" 16.2 (1986), 373-382.

Faerie Queene, The:

J. H. Anderson, "'A Gentle Knight was pricking on the plaine': The Chaucerian Connection," 15.2 (1985), 166-174.

_____, "The 'couert vele': Chaucer, Spenser, and Venus," 24.3 (1994), 638-659.

P. J. Benson, "Rule, Virginia: Protestant Theories of Female Regiment in FQ," 15.3 (1985), 277-292.

H. Berger, Jr., "Busirane and the War Between the Sexes: An Interpretation of FQ III.xi-xii," 1.2 (1971), 99-121.

_____, "Narrative as Rhetoric in FQ," 21.1 (1991), 3-48.

G. Braden, "riverrun: An Epic Catalogue in FQ," 5.1 (1975), 25-48.

L. W. Brill, "Battles That Need Not Be Fought: FQ, III.i," 5.2 (1975), 198-211.

J. W. Broaddus, "Renaissance Psychology and Britomart's Adventures in FQ III," 17.2 (1987), 186-206.

A. Esolen, "Spenser's 'alma Venus': Energy and Economics in The Bower of Bliss," 23.2 (1993), 267-286.

D. Evett, "Mammon's Grotto: Sixteenth Century Visual Grotesquerie and Some Features of Spenser's FQ" (illustrated), 12.2

(1982), 180-209.

L. Geller, "Spenser's Theory of Nobility in Book VI of FQ," 5.1 (1975), 49-57.

M. S. Gohlke, "Embattled Allegory: Book II of FQ," 8.2 (1978), 123-140.

L. L. Hendrix, "'Mother of laughter, and welspring of blisse': Spenser's Venus and the Poetics of Mirth," 23.1 (1993), 113-133.

M. Holahan, "Iamque opus exegi: Ovid's Changes and Spenser's Brief Epic of Mutability," 6.2 (1976), 244-270.

J. Hollander, "Spenser and the Mingled Measure," 1.3 (1971), 226-238.

A. E. Imbrie, "'Playing Legerdemaine with the Scripture': Parodic Sermons in FQ," 17.2 (1987), 142-155.

W. J. Kennedy, "Rhetoric, Allegory, and Dramatic Modality in Spenser's Fradubio Episode," 3.3 (1973), 351-368.

R. A. McCabe. "The Masks of Duessa: Spenser, Mary Queen of Scots, and James VI," 17.2 (1987), 224-242.

M. O'Connell, "History and the Poet's Golden World: The Epic Catalogues in FQ," 4.2 (1974), 241-267.

C. A. Paglia, "The Apollonian Androgyne and FQ," 9.1 (1979), 42-63.

M. Quilligan, "The Comedy of Female Authority in FQ," 17.2 (1987), 156-171.

D. T. Read, "Hunger of Gold: Guyon, Mammon's Cave, and the New World Treasure," 20.2 (1990), 209-232.

J. W. Rossi, "Britons moniments: Spenser's Definition of Temperance in History," 15.1 (1985), 42-58.

W. A. Sessions, "Spenser's Georgics," 10.2 (1980), 202-238.

L. Silberman, "The Hermaphrodite and the Metamorphosis of Spenserian Allegory," 17.2 (1987), 207-223.

P. L. Stambler, "The Development of Guyon's Christian Temperance," 7.1 (1977), 51-89.

D. Stephens, "'Newes of devils': Feminine Sprights in Masculine Minds in FQ," 23.3 (1993), 363-381.

R. E. Stillman, "Spenserian Autonomy and the Trial of New Historicism: Book Six of FQ," 22.3 (1992), 299-314.

M. Suzuki, "'Unfitly yokt together in one teeme': Vergil and Ovid in FQ, III.x," 17.2 (1987), 172-185.

H. L. Weatherby, "The True Saint George," 17.2 (1987), 119-141.

F. B. Williams, Jr., "Alsop's FC: Chaucer in Tudor Dress," 6.3 (1976), 351-368.

Fallon, Stephen M., "Milton's Sin and Death: The Ontology of Allegory in Paradise Lost," 17.3 (1987), 329-350.

Farmer, Norman K., Jr., "Holograph Revisions in Two Poems by Fulke Greville" (illustrated), 4.1 (1974), 98-110.

_____, "A Newly Discovered Poem by Fulke Greville" (text), 9.1 (1979), 64-68.

Fehrenbach, Robert J., "Recent Studies in Nashe," 11.3 (1981), 344-350.

_____, "A Letter Sent by the Maydens of London (1567)" (with text), 14.3 (1984), 285-304.

T.-L. Pebworth, "An Anglican Family Worship Service of the Interregnum: A Canceled Early Text and a New Edition of

Felltham's 'A Form of Prayer'" (illustrated), 16.1 (1986), 206-233.

Ferber, Michael, "The Ideology of The Merchant of Venice," 20.3 (1990), 431-464.

Ferguson, Margaret W., "Nashe's The Unfortunate Traveller: The 'Newes of the Maker' Game," 11.2 (1981), 165-182.

Ferry, Anne, "Titles in George Herbertís 'little Book,'" 23.2 (1993), 314-344.

Finkelpearl, Philip J., "Beaumont, Fletcher, and 'Beaumont & Fletcher': Some Distinctions" (illustrated), 1.2 (1971), 144-164.

_____, "'The Comediansí Liberty': Censorship of the Jacobean Stage Reconsidered," 16.1 (1986), 123-138.

Fish, Stanley Eugene, "Progress in The Pilgrim's Progress," 1.3 (1971), 261-293.

_____, "What it Means to do a Job of Work," 25.3 (1995), 354-371.

Fishman, Burton, "Recent Studies in Skelton," 1.1 (1971), 89-96.

_____, "Recent Studies in Wyatt and Surrey," 1.2 (1971), 178-191.

Fixler, Michael, "The Orphic Technique of 'L'Allegroí and ëIL Penseroso,'" 1.2 (1971), 165-177.

Flachmann, Michael, "Fitted for Death: Measure for Measure and the Contemplatio Mortis," 22.2 (1992), 222-241.

J. S. Dees, "The Narrator of Christs Victorie and Triumph: What Fletcher Learned from Spenser," 6.3 (1976), 453-465.

FLETCHER, JOHN: see BEAUMONT AND FLETCHER.

Fly, Richard D., "'I cannot come to Cressid but by Pandar': Mediation in the Theme and Structure of Troilus and Cressida," 3.1

(1973), 145-165

Flynn, Dennis, "Donne and the Ancient Catholic Nobility," 19.3 (1989), 305-323.

R. Barbour, "Recent Studies (1977-1989)," 21.1 (1991), 102-117.

T. Clerico, "The Politics of Blood: Ford's 'Tis Pity She's a Whore," 22.3 (1992), 405-434.

W. D. Dyer, "Holding/Withholding Environments: A Psychoanalytical Approach to Ford's The Broken Heart," 21.3 (1991), 401-

424.

V. A. and S. Foster, "Structure and History in The Broken Heart: Sparta, England, and the 'Truth,'" 18.2 (1988), 305-328.

M. Neill, "The Moral Artifice of The Lovers Melancholy," 8.1 (1978), 85-106.

Foster, Donald W., "Macbeth's War on Time" (illustrated), 16.2 (1986), 319-342.

_____, "'Against the perjured falsehood of your tongues': Frances Howard on the Course of Love," 24.1 (1994), 72-103.

Foster, Verna Ann, and Stephen Foster, "Structure and History in The Broken Heart: Sparta, England, and the 'Truth,'" 18.2 (1988),

305-328.

Fox, Alistair, "Stephen Hawes and the Political Allegory of The Comfort of Lovers," 17.1 (1987), 3-21.

FOXE, JOHN:

J. H. Smith, "Foxe on Astrology" (with text), 1.3 (1971), 210-225.

W. W. Wooden, "Recent Studies," 11.2 (1981), 224-232.

Freedman, Barbara, "Egeon's Debt: Self-Division and Self-Redemption in The Comedy of Errors," 10.3 (1980), 360-383.

Freeman, Arthur, "The Argument of Meleager" (with text), 1.2 (1971), 122-131.

_____, "Marlowe, Kyd, and the Dutch Church Libel," 3.1 (1973), 44-52.

_____, "Essex to Stella: Two Letters from the Earl of Essex to Penelope Rich" (texts), 3.2 (1973), inset following 248.

S. McMillin, "The Queen's Men in 1594: A Study of 'Good' and 'Bad' Quartos," 14.1 (1984), 55-69.

P. Mortenson, "FB&FB: Festive Comedy and 'Three-Form'd Luna'" (illustrated), 2.2 (1972), 194-207.

Fried, Debra, "Spenser's Caesuras," 11.3 (1981), 261-280.

Friedberg, Harris, "Ben Jonson's Poetry: Pastoral, Georgic, Epigram," 4.1 (1974), 111-136.

Friedman, Donald M., "Memory and the Art of Salvation in Donne's Good Friday Poem," 3.3 (1973), 418-442.

Frye, Roland Mushat, "Bunyan, Dürer, and the Byway to Hell" (illustration), 1.3 (1971), inset following 288.

Fumerton, Patricia, "Subdiscourse: Jonson Speaking Low," 25.1 (1995), 76-96.

G

Gallagher, Philip J., "'Real or Allegoric': The Ontology of Sin and Death in Paradise Lost," 6.2 (1976), 317-335.

_____, "Paradise Lost and the Greek Theogony," 9.1 (1979), 121-148.

E. M. Caldwell, "John Lyly's Gallathea: A New Rhetoric of Love for the Virgin Queen," 17.1 (1987), 22-40.

A. R. Braunmuller, "'To the Globe I rowed': John Holles Sees Game," 20.2 (1990), 340-356.

M. Heinemann, "Middleton's Game: Parliamentary-Puritans and Opposition Drama" (illustrated), 5.2 (1975), 232-250.

P. Dust and W. D. Wolf, "Recent Studies in Early Tudor Drama: Gorboduc, Ralph Roister Doister, GGN, and Cambises," 8.1

(1978), 107-119.

Gannon, C. C., "Lyly's Endimion: From Myth to Allegory," 6.2 (1976), 220-243.

Garber, Marjorie B., "Fallen Landscape: The Art of Milton and Poussin" (illustrated), 5.1 (1975), 96-124.

J. E. Halley, "Sir Thomas Browne's Garden and the Real Character" (illustrated), 15.1 (1985), 100-121.

T. C. Singer, "Sir Thomas Browne's 'Emphaticall decussation, or fundamentall figure': Geometrical Hieroglyphs and Garden"

(illustrated), 17.1 (1987), 85-102.

R. Barbour, "Recent Studies in Elizabethan Prose Fiction," 25.2 (1995), 248-276.

J. Hedley, "Allegoria: Gascoigne's Master Trope," 11.2 (1981), 148-164.

J. L. Mills, "Recent Studies," 3.2 (1973), 322-326.

Gearin-Tosh, Michael, "A Note on the Portraiture of Andrew Marvell" (illustrated), 9.1 (1979), inset following 152.

Geller, Lila, "Spenser's Theory of Nobility in Book VI of The Faerie Queene," 5.1 (1975), 49-57.

Geller, Sherri, ''Commentary as Cover-Up: Criticizing Illiberal Patronage in Thomas Nashe's Summer's Last Will and Testament," 25.2

(1995), 148-178.

Geritz, Albert J., "Recent Studies in John Rastell," 8.3 (1978), 341-350.

_____, "Recent Studies in More (1977-1990)," 22.1 (1992), 112-140.

Gleason, John B., "Opening Spenser's Wedding Present: The 'Marriage Number' of Plato in the 'Epithalamion,'" 24.3 (1994), 620-637.

Gless, Darryl J., "Chapman's Ironic Ovid," 9.1 (1979), 21-41.

Godshalk, William L., "Recent Studies in Sidney" (illustrated), 2.1 (1972), 148-164.

 _____, and A. J. Colaianne, "Recent Studies in Sidney (1970-1977)," 8.2 (1978), 212-233.

_____, "Recent Studies in Samuel Daniel (1975-1990)," 24.2 (1994), 489-502.

Gohlke, Madelon S., "Embattled Allegory: Book II of The Faerie Queene," 8.2 (1978), 123-140.

 Goldberg, Dena, "'By Report': The Spectator as Voyeur in Webster's The White Deuil," 17.1 (1987), 67-84.

R. S. Knapp, "Love Allegory in John Grange's GA," 8.3 (1978), 256-270.

Goodman, Jeffrey A., "Meaning in Context: Fulke Greville's Sonnet LXXX," 16.2 (1986), 360-372.

M. Eccles, "Googe in England, Spain, and Ireland," 15.3 (1985), 353-370.

A. T. Bradford, "Drama and Architecture Under Elizabeth I: The 'Regular' Phase" (illustrated), 14.1 (1984), 3-28.

M. Breitenberg, "Reading Elizabethan Iconicity: Gorboduc and the Semiotics of Reform," 18.2 (1988), 194-217.

P. Dust and W. D. Wolf, "Recent Studies in Early Tudor Drama: Gorboduc, Ralph Roister Doister, Gammer Gurton's Needle,

and Cambises," 8.1 (1978), 107-119.

Gossett, Suzanne, "Drama in the English College, Rome, 1591-1660," 3.1 (1973), 60-93.

_____, "'Best Men are Molded out of Faults': Marrying the Rapist in Jacobean Drama," 14.3 (1984), 305-327.

_____, "'Man-maid, begone!': Women in Masques," 18.1 (1988), 96-113.

R. Barbour, "Recent Studies in Elizabethan Prose Fiction," 25.2 (1995), 248-276.

S. S. Hilliard, "Gosson and the Elizabethan Distrust of the Effects of Drama," 9.2 (1979), 225-239.

Gottlieb, Sidney, "From 'Content' to 'Affliction' (III): Herbert's Anti-Court Sequence," 23.3 (1993), 472-489.

Gourlay, Patricia Southard, "'O my most sacred lady': Female Metaphor in The Winter's Tale," 5.3 (1975), 375-395.

R. Barbour, "Recent Studies in Elizabethan Prose Fiction," 25.2 (1995), 248-276.

R. S. Knapp, "Love Allegory in Grange's The Golden Aphroditis," 8.3 (1978), 256 -270.

Gray, Allan, "The Surface of Marvell's Upon Appleton House," 9.1 (1979), 169-182.

R. Barbour, "Recent Studies in Elizabethan Prose Fiction," 25.2 (1995), 248-276.

A. R. Braunmuller, "The Serious Comedy of Greeneís James IV," 3.3 (1973), 335-350.

K. J. Donovan, "Recent Studies (1968-1988)," 20.1 (1990), 163-175.

P. Mortenson, "Friar Bacon and Friar Bungay: Festive Comedy and 'Three-Form'd Luna'" (illustrated), 2.2 (1972), 194-207.

Greene, Thomas M., "The Meeting Soul in Milton's Companion Poems," 14.2 (1984), 159-174.

Grennan, Eamon, "Telling the Trees from the Wood: Some Details of As You Like It Re-examined," 7.2 (1977), 197-206.

P. Bennett, "Recent Studies," 2.3 (1972), 376-382.

N. K. Farmer, Jr., "Holograph Revisions in Two Poems by Greville" (illustrated), 4.1 (1974), 98-110.

_____, "A Newly Discovered Poem by Greville" (text), 9.1 (1979), 64-68.

J. A. Goodman, "Meaning in Context: Greville's Sonnet LXXX," 16.2 (1986), 360-372.

H

Hageman, Elizabeth H., "Recent Studies in Herrick," 3.3 (1973), 462-471.

_____, "Recent Studies in Women Writers of Tudor England, Part I: Women Writers, 1485-1603, Excluding Mary Sidney, Countess

of Pembroke," 14.3 (1984), 409-425.

_____, "Recent Studies in Women Writers of the English Seventeenth Century (1600-1674)," 18.1 (1988), 138-167.

Hall, Anne Drury, "Tudor Prose Style: English Humanists and the Problem of a Standard," 7.3 (1977), 267-296.

Halley, Janet E., "Sir Thomas Browne's The Garden of Cyrus and the Real Character" (illustrated), 15.1 (1985), 100-121.

Halverson, John, "The Lamentable Comedy of Richard II," 24.2 (1994), 343-369.

Hamilton, A. C., "Sidney's Arcadia as Prose Fiction: Its Relation to its Sources," 2.1 (1972), 29-60.

_____, "The Renaissance of the Study of the English Literary Renaissance," 25.3 (1995), 372-387.

Hamilton, Donna B., "The Spanish Tragedy: A Speaking Picture," 4.2 (1974), 203-217.

M. C. Andrews, "Hamlet: Revenge and the Critical Mirror," 8.1 (1978), 9-23.

J. V. Holleran, "Maimed Funeral Rites in Hamlet," 19.1 (1989), 65-93.

M. Rose, "Hamlet and the Shape of Revenge," 1.2 (1971), 132-143.

Hammond, Paul, "The Argument of Measure for Measure," 16.3 (1986), 496-519.

Hannay, Margaret P., "'Princes you as men must dy': Genevan Advice to Monarchs in the Psalmes of Mary Sidney," 19.1 (1989), 22-

41.

_____, "'House-confined maids': The Presentation of Woman's Role in the Psalmes of the Countess of Pembroke," 4.1 (1994), 44-71.

Happe, Peter, "Recent Studies in John Bale," 7.1 (1987), 103-113.

Hardin, Richard F., "The Early Poetry of the Gunpowder Plot: Myth in the Making," 2.1 (1992), 62-79.

_____, "Recent Studies in Neo-Latin Literature," 24.3 (1994), 660-698.

Hardison, O. B., Jr., "The Two Voices of Sidney's Apology for Poetry," 2.1 (1972), 83-99.

_____, "Amoretti and the Dolce Stil Novo," 2.2 (1972), 208-216.

S. Cauchi, "Recent Studies," 25.1 (1995), 112-125.

R. H. Miller, "Unpublished Poems by Harrington" (with text), 14.2 (1984), 148-158.

Harvey, Nancy Lenz, and Julia C. Dietrich, "Recent Studies in the Corpus Christi Mystery Plays," 5.3 (1975), 396-415.

A. Fox, "Hawes and the Political Allegory of The Comfort of Lovers," 17.1 (1987), 3-21.

Hawkins, Sherman H., "Virtue and Kingship in Shakespeare's Henry IV," 5.3 (1975), 313-343.

Hedley, Jane, "Allegoria: Gascoigne's Master Trope," 11.2 (1981), 148-164.

Hedrick, Donald K., "The Masquing Principle in Marston's The Malcontent," 8.1 (1978), 24-42.

Heinemann , Margot , "Middleton 's A Game at Chess: Parliamentary-Puritans and Opposition Drama" (illustrated), 5.2 (1975), 232-

250.

Henderson, Judith Rice, "Euphues and his Erasmus," 12.2 (1982), 135-161.

_____, "'Vain Affectations': Bacon on Ciceronianism in The Advancement of Learning," 25.2 (1995), 209-234.

 Hendrix, Laurel L., "'Mother of laughter, and welspring of blisse': Spenser's Venus and the Poetics of Mirth," 23.1 (1993), 113-133.

Heninger, S. K., "Sidney and Serranus' Plato" (illustrated), 13.2 (1983), 146-161.

J. L. Calderwood, "1HIV: Art's Gilded Lie," 3.1 (1973), 131-144.

S. H. Hawkins, "Virtue and Kingship in Shakespeare's HIV," 5.3 (1975), 313-343.

R. N. Watson, "Horsemanship in Shakespeare's Second Tetralogy," 13.3 (1983), 274-300.

C. Whitney, "Festivity and Topicality in the Coventry Scene of 1HIV," 24.2 (1994), 410-448.

G. W. Williams, "Fastolf or Falstaff," 5.3 (1975), 308-312.

R. Abrams, "Rumor's Reign in 2HIV: The Scope of a Personification," 16.3 (1986), 467-495.

J. W. Blanpied, "'Unfathered heirs and loathly births of nature': Bringing History to Crisis in 2HIV," 5.2 (1975), 212-231.

S. H. Hawkins, "Virtue and Kingship in Shakespeare's HIV," 5.3 (1975), 313-343.

R. Hillman, "'Not Amurath an Amurath Succeeds': Playing Doubles in Shakespeare's Henriad," 21.2 (1991), 161-189.

R. N. Watson, "Horsemanship in Shakespeare's Second Tetralogy," 13.3 (1983), 274-300.

J. H. Astington, "The Whitehall Cockpit: The Building and the Theater" (illustrated), 12.3 (1982), 301-318.

D. J. Baker, "'Wildehirissheman': Colonialist Representation in Shakespeare's HV," 22.1 (1992), 37-61.

R. P. Merrix, "The Alexandrian Allusion in HV," 2.3 (1972), 321-333.

R. N. Watson, "Horsemanship in Shakespeare's Second Tetralogy," 13.3 (1983), 274-300.

G. B. Jackson, "Topical Ideology: Witches, Amazons, and Shakespeare's Joan of Arc " (illustrated), 18.1 (1988), 40-66.

S. Urkowitz, "'If I Mistake in Those Foundations Which I Build Upon': Peter Alexander's Textual Analysis of 2/ 3HVI," 18.2

(1988), 230-256.

F. V. Cespedes, "'We are one in fortunes': The Sense of History in HVIII," 10.3 (1980), 413-438.

C. A. Chillington, "Playwrights at Work: Henslowe's, not Shakespeare's, Book of Sir Thomas More," 10.3 (1980), 439-479.

I. Bell, "Herbert's Valdesian Vision," 17.3 (1987), 303-328.

C. Bloch, "Herbert and the Bible: A Reading of 'Love (III),'" 8.3 (1978), 329-340.

A. L. Clements, "Theme, Tone, and Tradition in Herbert's Poetry" (illustrated), 3.2 (1973), 264-283.

M. A. DiCesare, "'Exalted Manna': Image and Allusion in Herbert's 'Prayer (I),'" 11.3 (1981), 304-328.

A. Ferry, "Titles in Herbert's 'little Book,'" 23.2 (1993), 314-344.

S. Gottlieb, "From 'Content' to ëAffiction' (III): Herbert's Anti-Court Sequence," 23.3 (1993), 472-489.

J. L. Mills, "Recent Studies," 6.1 (1976), 105-118.

E. Pearlman, "Herbert's God," 13.1 (1983), 88-112.

T.-L. Pebworth, "Herbert's Poems to the Queen of Bohemia: A Rediscovered Text and a New Edition" (with text), 9.1 (1979), 108-

120.

R. H. Ray, "Recent Studies (1974-1986)," 18.3 (1988), 460-475.

L. Schleiner, "Recent Studies in Poetry and Music of the English Renaissance," 16. I (1986), 253-268.

T. G. Sherwood, "Tasting and Telling Sweetness in Herbert's Poetry," 12.3 (1982), 319-340.

N. W. Bawcutt, "Craven Ord Transcripts of Sir Henry Herbert's Office-book in the Folger Shakespeare Library," 14.1 (1984), 83-

94.

A. M. Charles, "Mrs. Herbert's Kitchin Booke" (with texts and illustrations), 4.1 (1974), 164-173.

E. Bieman, "Comic Rhyme in Marlowe's Hero," 9.1 (1979), 69-77.

J. Huntington, "Condemnation and Pity in Chapman's Hero," 7 3 (1977), 307-323.

W. Keach, "Marlowe's Hero as 'Venus' Nun'" (illustrated), 2.3 (1972), 307-320.

J. Mills, "The Courtship Ritual of Hero and Leander" (illustrated), 2.3 (1972), 298-306.

T. G. S. Cain, "The Bell/White MS: Some Unpublished Poems" (with texts and illustrations), 2.2 (1972), 260-270.

_____, "Herrick, Mildmay Fane, and Sir Simeon Steward," 15.3 (1985), 312-317.

E. H. Hageman, "Recent Studies," 3.3 (1973), 462-471.

L. S. Marcus, "Herrick's Noble Numbers and the Politics of Playfulness," 7.1 (1977), 108-126.

L. Schleiner, "Herrick's Songs and the Character of Hesperides," 6.1 (1976), 77-91.

P. Stallybrass, "'Wee feaste in our Defense': Patrician Carnival in Early Modem England and Herrick's 'Hesperides,'" 16.1 (1986),

234-252.

L. Schleiner, "Herrick's Songs and the Character of Hesperides," 6.1 (1976), 77-91.

P. Stallybrass, "'Wee feaste in our Defense': Patrician Carnival in Early Modern England and Herrick's 'Hesperides,'" 16.1 (1986),

234-252.

P. C. Kolin, "Recent Studies," 13.1 (1983), 113-123.

D. M. Bergeron, "Patronage of Dramatists: The Case of Heywood," 18.2 (1988), 294-304.

M. Butler, "Entertaining the Palatine Prince: Plays on Foreign Affairs 1635-1637," 13.3 (1983), 319-344.

Hill, Eugene D., "Senecan and Vergilian Perspectives in The Spanish Tragedy," 15.2 (1985), 143-165.

Hill, W. Speed, "Doctrine and Polity in Hooker's Laws," 2.2 (1972), 173-193.

_____, "Marriage as Destiny: An Essay on All's Well That Ends Well," 5.3 (1975), 344-359.

Hilliard, Stephen S., "Stephen Gosson and the Elizabethan Distrust of the Effects of Drama," 9.2 (1979), 225-239.

Hillman, Richard, "'Not Amurath an Amurath Succeeds': Playing Doubles in Shakespeare's Henriad," 21.2 (1991), 161-189.

Hirsch, Richard S. M., "The Works of Chidiock Tichborne" (text), 16.2 (1986), 303-318.

T. Clayton, "'Sir Henry Lee's Farewell to the Court': The Texts and Authorship of 'His Golden Locks,'" 4.2 (1974), 268-275.

Hodgdon, Barbara, "He Do Cressida in Different Voices," 20.2 (1990), 254-286.

Hodges, Devon Leigh, "Cut Adrift and 'Cut to the Brains': The Anatomized World of King Lear," 11.2 (1981), 194-212.

Holahan, Michael, "Iamque opus exegi: Ovid's Changes and Spenser's Brief Epic of Mutability," 6.2 (1976), 244-270.

_____, "Wyatt, the Heart's Forest, and the Ancient Savings," 23.1 (1993), 46-80.

Hollander, John, "Spenser and the Mingled Measure," 1.3 (1971), 226-238.

Holleran, James V., "Maimed Funeral Rites in Hamlet," 19.1 (1989), 65-93.

A. R. Braunmuller, "'To the Globe I rowed': Holles Sees A Game at Chess," 20.2 (1990), 340-356.

Holstun, James, "Ranting at the New Historicism," 19.2 (1989), 189-225.

W. S. Hill, "Doctrine and Polity in Hooker's Laws," 2.2 (1972), 173-193.

Hornsby, Samuel G., Jr., "Recent Studies in the 1611 'Authorized Version' of the Bible," 13.3 (1983), 345-353.

Hosley, Richard, "Three Renaissance English Indoor Playhouses" (illustrated), 3.1 (1973), 166-182.

Houliston, Victor, "Breuis Dialogismus" (text, with translation, commentary, and textual notes), 23.3 (1993), 382-427.

D. W. Foster, "'Against the perjured falsehood of your tongues': Frances Howard on the Course of Love," 24.1 (1994), 72-103.

D. Lindley, "Embarrassing Ben: The Masques for Frances Howard," 16.2 (1986), 343-359.

Howard, Jean E., "The New Historicism in Renaissance Studies," 16.1 (1986), 13-43.

Hulse, Clark, "Recent Studies of Literature and Painting in the English Renaissance," 15.1 (1985), 122-140.

Huntington, John, "Condemnation and Pity in Chapman's Hero and Leander," 7.3 (1977), 307-323.

Hyde, Thomas, "Vision, Poetry, and Authority in Spenser," 13.2 (1983), 127-145.

I

Imbrie, Ann E., "'Playing Legerdemaine with the Scripture': Parodic Sermons in The Faerie Queene," 17.2 (1987), 142-155.

Ingram, William, "Minstrels in Elizabethan London: Who Were They, What Did They Do?" 14.1 (1984), 29-54.

Iwasaki, Soji, "Veritas filia Temporis and Shakespeare," 3.2 (1973), 249-263.

J

Jackson, Gabriele Bernhard, "Topical Ideology: Witches, Amazons, and Shakespeare's Joan of Arc" (illustrated), 18.1 (1988), 40-65.

S. Collier, "Recent Studies," 23.3 (1993), 509-519.

R. A. McCabe, "The Masks of Duessa: Spenser, Mary Queen of Scots, and James VI," 17.2 (1987), 224-242.

Jansen, Sharon L., "'And he shall be called Edward': Sixteenth-Century Political Protest and Folger MS Loseley b.546," 23.2 (1993),

227-243.

_____, "Appendix: Tudor Prophecies" (texts which accompany previous entry), 24.3 (1994), 699-714.

Jardine, Lisa, "Strains of Renaissance Reading" (illustrated), 25.3 (1995), 289-306.

E. C. Bartels, "Malta, the Jew, and the Fictions of Difference: Colonialist Discourse in Marlowe's Jew," 20.1 (1990), 3-16.

Jones, Judith Paterson, "Recent Studies in More," 9.3 (1979), 442-459.

P. J. Ayres, "The Nature of Jonson's Roman History," 16.1 (1986), 166-181.

A. Barton, "The New Inn and the Problem of Jonson's Late Style," 9.3 (1979), 395-418.

G. Braden, "Viuamus, mea Lesbia in the English Renaissance," 9.2 (1979), 199-224.

M. Butler, "Jonson's Pan's Anniversary and the Politics of Early Stuart Pastoral," 22.3 (1992), 369-404.

J. Carr, "Jonson and the Classics: The Ovid Plot in Poetaster," 8.3 (1978), 296-311.

R. A. Cohen, "The Importance of Setting in the Revision of Every Man in his Humour," 8.2 (1978), 183-196.

G. H. Cox, "Apocalyptic Projection and the Comic Plot of The Alchemist," 13.1 (1983), 70-87.

M. DiGangi, "Asses and Wits: The Homoerotics of Mastery in Satiric Comedy," 25.2 (1995), 179-208.

T. Dunford, "Consumption of the World: Reading, Eating, and Imitation in Every Man Out of His Humour," 14.2 (1984), 131-147.

R. C. Evans, "Jonson's Chaucer," 19.3 (1989), 324-345.

P. J. Finkelpearl, "'The Comedians' Liberty': Censorship of the Jacobean Stage Reconsidered," 16.1 (1986), 123-138.

H. Friedberg, "Jonson's Poetry: Pastoral, Georgic, Epigram," 4.1 (1974), 111-136.

P. Fumerton, "Subdiscourse: Jonson Speaking Low," 25.1 (1995), 76-96.

S. Gossett, "'Man-maid, begone!': Women in Masques," 18.1 (1988), 96-113.

E. B. Jorgens, "On Matters of Manner and Music in Jacobean and Caroline Song," 10.2 (1980), 239-264.

W. D. Kay, "Bartholomew, Fair: Jonson in Praise of Folly," 6.2 (1976), 299-316.

D. Lindley, "Embarrassing Ben: The Masques for Frances Howard," 16.2 (1986), 343-359.

K. E. Maus, "Satiric and Ideal Economies in the Jonsonian Imagination," 19.1 (1989), 42-64.

H. Ostovich, "'So Sudden, and Strange a Cure': A Rudimentary Masque in Every Man Out of His Humour," 22.3 (1992), 315-332.

E. Pearlman, "Jonson: An Anatomy," 9.3 (1979), 364-394.

R. S. Peterson, "Imitation and Praise in Jonson's Poems," 10.2 (1980), 265-299.

G. W. Pigman III, "Suppressed Grief in Jonson's Funeral Poetry," 13.2 (1983), 203-220.

J. C. A. Rathmell, "Jonson, Lord Lisle, and Penshurst," 1.3 (1971), 250-260.

M. Shapiro, "Audience vs. Dramatist in Jonson's Epicúne and Other Plays of the Children's Troupes," 3.3 (1973), 401-417.

J. Sweeney, "Volpone and the Theater of Self-Interest," 12.2 (1982), 220-241.

Jordan, Constance, "The 'Art of Clothing': Role-Playing in Deloney's Fiction," 11.2 (1981), 183-193.

Jorgens, Elise Bickford, "On Matters of Manner and Music in Jacobean and Caroline Song," 10.2 (1980), 239-264.

Jorgensen, Paul A., "The Metamorphosis of Honesty in the Renaissance," 3.3 (1973), 369-379.

Judkins, David C., "Recent Studies in the Cavalier Poets: Carew, Suckling, Lovelace, Waller," 7.2 (1977), 243-258.

B. J. Bono, "The Birth of Tragedy: Tragic Action in JC," 24.2 (1994), 449-470.

C. Marshall, "Portia's Wound, Calphurnia's Dream: Reading Character in JC," 24.2 (1994), 471-488.

M. Rose, "Conjuring Caesar: Ceremony, History, and Authority in 1599," 19.3 (1989), 291-304.

K

Kalstone, David, "Marvell and the Fictions of Pastoral," 4.1 (1974), 174-188.

Kaske, Carol V., "Spenser's Amoretti and Epithalamion of 1595: Structure, Genre, and Numerology," 8.3 (1978), 271-295.

Kay, W. David, "Bartholomew Fair: Ben Jonson in Praise of Folly," 6.2 (1976), 299-316.

Keach, William, "Marlowe's Hero as 'Venus' Nun'" (illustrated), 2.3 (1972), 307-320.

Kegl, Rosemary, "'Those Terrible Aproches': Sexuality, Social Mobility, and Resisting the Courtliness of Puttenham's The Arte of

English Poesie," 20.2 (1990), 179-208.

Kendall, Roy, "Richard Baines and Christopher Marlowe's Milieu," 24.3 (1994), 507-552.

Kennedy, William J., "Rhetoric, Allegory, and Dramatic Modality in Spenser's Fradubio Episode," 3.3 (1973), 351-368.

Kerrigan, William, "The Fearful Accommodations of John Donne," 4.3 (1974), 337-363.

_____, "The Heretical Milton: From Assumption to Mortalism," 5.1 (1975), 125-166.

W. C. Woodson, "The Casuistry of Innocence in A King and Its Implications for Tragicomedy," 8.3 (1978), 312-328.

King, John N., "Philargyrie of greate Britayne by Robert Crowley" (text), 10.1 (1980), 46-75.

_____, "Recent Studies in Southwell," 13.2 (1983), 221-227.

_____, with Robin Smith, "Recent Studies in Protestant Poetics," 21.2 (1991), 283-307.

D. L. Hodges, "Cut Adrift and 'Cut to the Brains': The Anatomized World of Lear," 11.2 (1981), 194-212.

S. Iwasaki, "Veritas Filia Temporis and Shakespeare," 3.2 (1973), 249-263.

A. R. Shickman, "The Fool's Mirror in Lear" (illustrated), 21.1 (1991), 75-86.

E. W. Tayler, "Lear and Negation," 20.1 (1990), 17-39.

Klause, John L., "Donne and the Wonderful," 17.1 (1987), 41-66.

Knapp, Robert S., "Love Allegory in John Grange's The Golden Aphroditis," 8.3 (1978), 256-270.

R. F. Miller, "Dramatic Form and Dramatic Imagination in Beaumont's Knight," 8.1 (1978), 67-84.

D. A. Samuelson, "The Order in Beaumont's Knight," 9.2 (1979), 302-318.

Knoppers, Laura Lunger, "'This So Horrid Spectacle': Samson Agonistes and the Execution of the Regicides," 20.3

(1990), 487-504.

_____, "(En)gendering Shame: Measure for Measure and the Spectacles of Power," 23.3 (1993), 450-471.

Knott, John R., "Bunyan's Gospel Day: A Reading of The Pilgrim's Progress," 3.3 (1973), 443-461.

Knutson, Roslyn L., "Influence of the Repertory System on the Revival and Revision of The Spanish Tragedy and Dr. Faustus,"

18.2 (1988), 257-274.

Kolin, Philip C., "Recent Studies in John Heywood," 13.1 (1983), 113-123.

Kranidas, Thomas, "Polarity and Structure in Milton's Areopagitica," 14.2 (1984), 175-190.

Krontiris, Tina, "Breaking Barriers of Genre and Gender: Margaret Tyler's Translation of The Mirrour of Knighthood," 18.1 (1988),

19-39.

Kuin, Roger, "Sir Philip Sidney: The Courtier and the Text," 19.3 (1989), 249-271.

Kuriyama, Constance Brown, "Dr. Greg and Doctor Faustus: The Supposed Originality of the 1616 Text," 5.2 (1975), 171-197.

_____, "The Mother of the World: A Psychoanalytic Interpretation of Shakespeare's Antony and Cleopatra," 7.3 (1977), 324-351.

A. Freeman, "Marlowe, Kyd, and the Dutch Church Libel," 3.1 (1973), 44-52.

D. B. Hamilton, "The Spanish Tragedy: A Speaking Picture," 4.2 (1974), 203-217.

E. D. Hill, "Senecan and Vergilian Perspectives in The Spanish Tragedy," 15.2 (1985), 143-165.

R. L. Knutson, "Influence of the Repertory System on the Revival and Revision of The Spanish Tragedy and Dr. Faustus," 18.2

(1988), 257-274.

J. R. Siemon, "Sporting Kyd," 24.3 (1994), 553-582.

L

"L'Allegro" and "Il Penseroso":

M. Fixler, "The Orphic Technique of 'L'Allegro' and 'Il Penseroso,'" 1.2 (1971), 165-177.

T. Greene, "The Meeting Soul in Milton's Companion Poems," 14.2 (1984), 159-174.

Lamb, Mary Ellen, "The Countess of Pembroke's Patronage," 12.2 (1982), 162-179.

_____, "The Agency of the Split Subject: Lady Anne Clifford and the Uses of Reading" (illustrated), 22.3 (1992), 347-368.

Lancashire, Ian, "Orders for Twelfth Day and Night circa 1515 in the Second Northumberland Household Book" (text), 10.1 (1980), 6-

45.

Lanham, Richard A., "Astrophil and Stella: Pure and Impure Persuasion," 2.1 (1972), 100-115.

Lanier, Douglas, "'Stigmatical in Making': The Material Character of The Comedy of Errors," 23.1 (1993), 81-112.

Larkin, Philip, "The Changing Face of Andrew Marvell," 9.1 (1979), 149-157.

N. C. Carpenter, "Milton and Music: Lawes, Dante, and Casella," 2.2 (1972), 237-242.

LeComte, Edward, "Miltonic Echoes in Elegia VII," 14.2 (1984), 191-198.

Lein, Clayton D., "Donne's 'The Storme': The Poem and the Tradition," 4.1 (1974), 137-163.

Leonard, Nancy S., "Substitution in Shakespeare's Problem Comedies," 9.2 (1979), 281-301.

Leslie, Michael, "Spenser, Sidney, and the Renaissance Garden" (illustrated), 22.1 (1992), 3-36.

R. J. Fehrenbach, "'A Letter' (1567)" (with text), 14.3 (1984), 285-304.

Levao, Ronald, "Recent Studies in Marlowe (1977-1986)," 18.2 (1988), 329-342.

Levy, Charles S., "The Sidney-Hanau Correspondence" (with texts), 2.1 (1972), 19-28.

Levy, F. J., "Philip Sidney Reconsidered" (illustrated), 2.1 (1972), 5-18.

_____, "Francis Bacon and the Style of Politics," 16.1 (1986), 101-122.

Limbert, Claudia, "Two Poems and a Prose Receipt: The Unpublished Juvenilia of Katherine Philips" (text), 16.2 (1986), 383-390.

Lindheim, Nancy R., "Vision, Revision, and the 1593 Text of the Arcadia," 2.1 (1972), 136-147.

Lindley, David, "Embarrassing Ben: The Masques for Frances Howard," 16.2 (1986), 343-359.

R. Barbour, "Recent Studies in Elizabethan Prose Fiction," 25.2 (1995), 248-276.

K. J. Donovan, "Recent Studies (1969-1990)," 23.1 (1993), 201-211.

Loewenstein, Joseph, "Echo's Ring: Orpheus and Spenser's Career," 16.2 (1986), 287-302.

_____, "For a History of Literary Property: John Wolfe's Reformation," 18.3 (1988), 389-412.

Loftis, John, "English Renaissance Plays from the Spanish Comedia," 14.2 (1984), 230-248.

D. C. Judkins, "Recent Studies in the Cavalier Poets: Carew, Suckling, Lovelace, Waller," 7.2 (1977), 243-258.

M. Neill, "The Moral Artifice of The Lovers Melancholy," 8.1 (1978), 85-106.

M. T. Bumett, "Giving and Receiving: LLL and the Politics of Exchange," 23.2 (1993), 287-313.

C. R. Swift, "Feminine Self-Definition in Lady Mary Wroth's LV (c. 1621)," 19.2 (1989), 171-188.

Low, Anthony, "The Unity of Milton's 'Elegia Sexta,'" 11.2 (1981), 213-223.

_____, "New Science and the Georgic Revolution in Seventeenth-Century English Literature," 13.3 (1983), 231-259.

_____, "Donne and the Reinvention of Love," 20.3 (1990), 465-486.

Luxon, Thomas H., "Calvin and Bunyan on Word and Image: Is There a Text in Interpreter's House?" 18.3 (1988), 438-459.

S. R. Westfall, "The Chapel: Theatrical Performance in Early Tudor Great Households," 18.2 (1988), 171-193.

D. Adler, "Imaginary Toads in Real Gardens" (illustrated), 11.3 (1981), 235-260.

R. Barbour, "Recent Studies in Elizabethan Prose Fiction," 25.2 (1995), 248-276.

E. M. Caldwell, "Lyly's Gallathea: A New Rhetoric of Love for the Virgin Queen," 17.1 (1987), 22-40.

K. J. Donovan, "Recent Studies (1969-1990)," 22.3 (1992), 435-450.

C. C. Gannon, "Lyly's Endimion: From Myth to Allegory," 6.2 (1976), 220-243.

J. R. Henderson, "Euphues and his Erasmus," 12.2 (1982), 135-161.

R. Stephanson, "Lyly's Prose Fiction: Irony, Humor and Anti-Humanism," 11.1 (1981), 3-21.

P. Weltner, "The Antinomic Vision of Lyly's Endymion," 3.1 (1973), 5-29.

M

J. L. Calderwood, "'More Than What You Were': Augmentation and Increase in Macbeth," 14.1 (1984), 70-82.

D. W. Foster, "Macbeth's War on Time" (illustrated), 16.2 (1986), 319-342.

D. Willbern, "Phantasmagoric Macbeth," 16.3 (1986), 520-549.

Macdonald, Ronald R., "Playing Till Dooms-day: Interpreting Antony and Cleopatra," 15.1 (1985), 78-99.

Magnus, Elisabeth M., "Originality and Plagiarism in Areopagitica and Eikonoklastes," 21.1 (1991), 87-101.

Maguire, Nancy Klein, "Regicide and Reparation: The Autobiographical Drama of Roger Boyle, Earl of Orrery,"

21.2 (1991), 257-282.

Malcolmson, Cristina, "'As Tame as the Ladies': Politics and Gender in The Changeling," 20.2 (1990), 320-339.

D. K. Hedrick, "The Masquing Principle in Marston's Malcontent," 8.1 (1978), 24-42.

Manley, Lawrence, "Proverbs, Epigrams, and Urbanity in Renaissance London," 15.3 (1985), 247-276.

Manning, R. J., "Rule and order strange: A Reading of Sir John Davies' Orchestra," 15.2 (1985), 175-194.

Marcus, Leah Sinanoglou, "Herrick's Noble Numbers and the Politics of Playfulness," 7.1 (1977), 108-126.

_____, "The Shakespearean Editor as Shrew Tamer," 22.2 (1992), 177-200.

_____, "Cyberspace Renaissance," 25.3 (1995), 388-401.

E. C. Bartels, "Malta, the Jew, and the Fictions of Difference: Colonialist Discourse in Marlowe's The Jew of Malta," 20.1 (1990),

3-16.

R. W. Battenhouse, "Protestant Apologetics and the Subplot of 2 Tamburlaine," 3.1 (1973), 30-43.

D. Belt, "Anti-Theatricalism and Rhetoric in Marlowe's Edward II," 21.2 (1991), 134-160.

E. Bieman, "Comic Rhyme in Marlowe's Hero and Leander," 9.1 (1979), 69-77.

J. I. Cope, "Marlowe's Dido and the Titillating Children," 4.3 (1974), 315-325.

L. Danson, "Marlowe: The Questioner," 12.1 (1982), 3-29.

A. Freeman, "Marlowe, Kyd, and the Dutch Church Libel," 3.1 (1973), 44-52.

W. Keach, "Marlowe's Hero as 'Venus' Nun'" (illustrated), 2.3 (1972), 307-320.

R. Kendall, "Richard Baines and Marlowe's Milieu," 24.3 (1994), 507-552.

R. L. Knutson, "Influence of the Repertory System on the Revival and Revision of The Spanish Tragedy and Dr. Faustus,"

18.2 (1988), 257-274.

C. B. Kuriyama, "Dr. Greg and Doctor Faustus: The Supposed Originality of the 1616 Text," 52 (1975), 171-197.

R. Levao, "Recent Studies (1977-1986)," 18.2 (1988), 329-342.

J. Mills, "The Courtship Ritual of Hero and Leander" (illustrated), 2.3 (1972), 298-306.

J. F. S. Post, "Recent Studies," 7.3 (1977), 382-399.

D. H. Thurn, "Sights of Power in Tamburlaine," 19.1 (1989), 3-21.

M. J. Warren, "Doctor Faustus: The Old Man and the Text," 11.2 (1981), 111-147.

R. H. West, "The Impatient Magic of Dr. Faustus," 4.2 (1974), 218-240.

Marshall, Cynthia, "Portia's Wound, Calphurnia's Dream: Reading Character in Julius Caesar," 24.2 (1994), 471-488.

P. M. Daly and M. V. Silcox, "Marshall's Emblems (1650) Rediscovered" (illustrated), 19.3 (1989), 346-374.

J. S. Colley, "'Opinion' and the Reader in Marston's The Metamorphosis of Pigmalions Image," 3.2 (1973), 221-231.

D. K. Hedrick, "The Masquing Principle in Marston's The Malcontent," 8.1 (1978), 24-42.

Martin, Christopher, "Misdoubting His Estate: Dynastic Anxiety in Sidney's Arcadia," 18.3 (1988), 369-388.

Martindale, Charles, and Colin Burrow, "Clapham's Narcissus: A Pre-Text for Shakespeare's Venus and Adonis?" (text, translation,

and commentary), 22.2 (1992), 147-176.

Martz, Louis L., "Paradise Lost: The Realms of Light," 1.1 (1971), 71-88.

G. Braden, " Viuamus, mea Lesbia in the English Renaissance," 9.2 (1979), 199-224.

T. Clayton, "'Morning Glew' and Other Sweat Leaves in the Folio Text of Marvell's Major Pre-Restoration Poems," 2.3 (1972), 356-

375.

J. S. Dees, "Recent Studies (1973-1990)," 22.2 (1992), 273-295.

L. Erickson, "Marvell's Upon Appleton House and the Fairfax Family" (illustrated), 9.1 (1979), 158-168.

M. Gearin-Tosh, "A Note on the Portraiture of Marvell" (illustrated), 9.1 (1979), inset following 152.

A. Gray, "The Surface of Marvell's Upon Appleton House," 9.1 (1979), 169-182.

D. Kalstone, "Marvell and the Fictions of Pastoral," 4.1 (1974), 174-188.

P. Larkin, "The Changing Face of Marvell," 9.1 (1979), 149-157.

R. Osmond, "Body and Soul Dialogues in the Seventeenth Century" (illustrated), 4.3 (1974), 364-403.

A. Patterson, "Against Polarization: Literature and Politics in Marvell's Cromwell Poems," 5.2 (1975), 251-272.

M. Stocker and T. Raylor, "A New Marvell Manuscript: Cromwellian Patronage and Politics" (illustrated), 20.1 (1990), 106-162.

G. Szanto, "Recent Studies," 5.2 (1975), 273-286.

M. D. Bliss, "Massinger's City Madam and the Lost City Honest Man," 7.3 (1977), 368-381.

J. Loftis, "English Renaissance Plays from the Spanish Comedia," 14.2 (1984), 230-248.

Matchinske, Megan, "Legislating 'Middle-Class' Morality in the Marriage Market: Ester Sowernam's Ester hath hang'd Haman," 24.1

(1994), 154-183.

Matz, Robert, "Sidney's Defence of Poesie: The Politics of Pleasure," 25.2 (1995), 131-147.

Maus, Katharine Eisaman, "Satiric and Ideal Economies in the Jonsonian Imagination," 19.1 (1989), 42-64.

_____, "Renaissance Studies Today," 25.3 (1995), 402-414.

May, Steven W., "Companion Poems in the Ralegh Canon" (with text), 13.3 (1983), 260-273.

_____, "Recent Studies in Elizabeth I," 23.2 (1993), 345-354.

_____, and Anne Lake Prescott, "The French Verses of Elizabeth I" (with text and illustrations), 24.1 (1994), 9-43.

McCabe, Richard A., "The Masks of Duessa: Spenser, Mary Queen of Scots, and James VI," 17.2 (1987), 224-242.

McChrystal, Deirdre Keenan, "Redeeming Eve," 23.3 (1993), 490-508.

McCutcheon, Elizabeth N., "Bacon and the Cherubim: An Iconographical Reading of the New Atlantis" (illustrated), 2.3 (1972), 334-

355.

_____, "Recent Studies in Andrewes," 11.1 (1981), 96-108.

McGee, C. E., "'The Visit of the Nine Goddesses': A Masque at Sir John Crofts's House" (text), 21.3 (1991), 371-384.

McLuskie, Kathleen E., "Old Mouse-Eaten Records: The Anxiety of History," 25.3 (1995), 415-431.

McMillin, Scott, "The Queen's Men in 1594: A Study of 'Good' and 'Bad' Quartos," 14.1 (1984), 55-69.

Meagher, John C., "The Lord Mayor's Show of 1590," 3.1 (1973), 94-104.

_____, "Robert Copland's The Seven Sorrows" (text), 7.1 (1977), 17-50.

C. E. Brown, "Erotic Religious Flagellation and Shakespeare's MM," 16.1 (1986), 139-165.

M. Flachmann, "Fitted for Death: MM and the Contemplatio Mortis," 22.2 (1992), 222-241.

P. Hammond, "The Argument of MM," 16.3 (1986), 496-519.

L. L. Knoppers, "(En)gendering Shame: MM and the Spectacles of Power," 23.3 (1993), 450-471.

E. Pearlman, "Shakespeare, Freud, and the Two Usuries, or, Money's a Meddler," 2.2 (1972), 217-236.

D. Thatcher, "Questionable Purpose in MM: A Test of Seeming or a Seeming Test?" 25.1 (1995), 26-44.

J. Trombetta, "Versions of Dying in MM," 6.1 (1976), 60-76.

Medine, Peter E., "lsaac Casaubon's Prolegomena to the Satires of Persius: An Introduction, Text, and Translation" (illustrated), 6.2

(1976), 271-298.

A. Freeman, "The Argument of Meleager" (with text), 1.2 (1971), 122-131.

Mengert, James G., "The Resistance of Milton's Sonnets," 11.1 (1981), 81-95.

M. Ferber, "The Ideology of MV," 20.3 (1990), 431-464.

E. Pearlman, "Shakespeare, Freud, and the Two Usuries, or, Money's a Meddler," 2.2 (1972), 217-236.

J. Pequigney, "The Two Antonios and Same-Sex Love in Twelfth Night and MV," 22.2 (1992), 201-221.

C. Spinosa, "The Transformation of Intentionality: Debt and Contract in MV," 24.2 (1994), 370-409.

R. Newhauser, "The Merlini Allegoria in English" (text), 10.1 (1980), 120-132.

Merrix, Robert P., "The Alexandrian Allusion in Shakespeare's Henry V," 2.3 (1972), 321-333.

_____, "The Phaëton Allusion in Richard II: The Search for Identity," 17.3 (1987), 277-287.

J. S. Colley, "'Opinion' and the Reader in John Marston's Pigmalions Image," 3.2 (1973), 221-231.

G. E. Rowe, Jr., "Prodigal Sons, New Comedy, and Middleton's MT," 7.1 (1977), 90-107.

J. B. Brooks, "Recent Studies (1971-1981)," 14.1 (1984), 114-128.

L. E. Bueler, "The Rhetoric of Change in The Changeling," 14.1 (1984), 95-113.

P. B. R. Doob, "A Reading of The Changeling," 3.1 (1973), 183-206.

M. Heinemann, "Middleton's A Game at Chess: Parliamentary-Puritans and Opposition Drama" (illustrated), 5.2

(1975), 232-250.

C. Malcolmson, "'As Tame as the Ladies': Politics and Gender in The Changeling," 20.2 (1990), 320-339.

M. H. Mooney, "'This Luxurious Circle': Figurenposition in The Revenger's Tragedy," 13.2 (1983), 162-181.

D. B. J. Randall, "Some Observations on the Theme of Chastity in The Changeling," 14.3 (1984), 347-366.

M. B. Rose, "Women in Men's Clothing: Apparel and Social Stability in The Roaring Girl," 14.3 (1984), 367-391.

G. E. Rowe, Jr., "Prodigal Sons, New Comedy, and Middleton's Michaelmas Term," 7.1 (1977), 90-107.

G. Taylor, "Forms of Opposition: Shakespeare and Middleton," 24.2 (1994), 283-314.

D. W. Pearson, "'Vnkinde' Theseus: A Study in Renaissance Mythography," 4.2 (1974), 276-298.

G. Stewart, "Shakespearean Dreamplay," 11.1 (1981), 44-69.

Miller, Anthony, "Sidney's Apology for Poetry and Plutarch's Moralia," 17.3 (1987), 259-276.

Miller, Leo, "The Burning of Milton's Books in 1660: Two Mysteries," 18.3 (1988), 424-437.

Miller, R. H., "An Unpublished Journal of Essex's Munster Campaign of 1599" (text), 10.1 (1980), 96-119.

_____, "Unpublished Poems by Sir John Harington" (with text), 14.2 (1984), 148-158.

Miller, Ronald F., "Dramatic Form and Dramatic Imagination in Beaumont's The Knight of the Burning Pestle," 8.1 (1978), 67-84.

Mills, Jerry Leath, "Recent Studies in Gascoigne," 3.2 (1973), 322-326.

_____, "Recent Studies in Herbert," 6.1 (1976), 105-118.

_____, "Recent Studies in A Mirror for Magistrates," 9.2 (1979), 343-352.

_____, "Recent Studies in Ralegh," 15.2 (1985), 225-244.

Mills, John, "The Courtship Ritual of Hero and Leander" (illustrated), 2.3 (1972), 298-306.

N. C. Carpenter, "Milton and Music: Henry Lawes, Dante, and Casella," 2.2 (1972), 237-242.

M. N. Clark, "The Mechanics of Creation: Non-contradiction and Natural Necessity in Paradise Lost," 7.2 (1977), 207-242.

C. P. Collette, "Milton's Psalm Translations: Petition and Praise," 2.2 (1972), 243-259.

J. DiSalvo, "Fear of Flying: Milton on the Boundaries Between Witchcraft and Inspiration," 18.1 (1988), 114-137.

R. L. Entzminger, "Michael's Options and Milton's Poetry: Paradise Lost XI and XII," 8.2 (1978), 197-211.

S. M. Fallon, "Milton's Sin and Death: The Ontology of Allegory in Paradise Lost," 7.3 (1987), 329-350.

M. Fixler, "The Orphic Technique of 'L'Allegro' and 'Il Penseroso,'" 1.2 (1971), 165-177.

P. J. Gallagher, "'Real or Allegoric': The Ontology of Sin and Death in Paradise Lost," 6.2 (1976), 317-335.

_____, "Paradise Lost and the Greek Theogony," 9.1 (1979), 121-148.

M. B. Garber, "Fallen Landscape: The Art of Milton and Poussin" (illustrated), 5.1 (1975), 96-124.

T. M. Greene, "The Meeting Soul in Milton's Companion Poems," 14.2 (1984), 159-174.

R. F. Hardin, "The Early Poetry of the Gunpowder Plot: Myth in the Making," 22.1 (1992), 62-79.

_____, "Recent Studies in Neo-Latin Literature," 24.3 (1994), 660-698.

C. Hulse, "Recent Studies of Literature and Painting in the English Renaissance," 15.1 (1985), 122-140.

W. Kerrigan, "The Heretical Milton: From Assumption to Mortalism," 5.1 (1975), 125-166.

L. L. Knoppers, "'This So Horrid Spectacle': Samson Agonistes and the Execution of the Regicides," 20.3 (1990), 487-504.

T. Kranidas, "Polarity and Structure in Milton's Areopagitica," 14.2 (1984), 175-190.

E. Le Comte, "Miltonic Echoes in Elegia VII," 14.2 (1984), 191-198.

A. Low, "The Unity of Milton's 'Elegia Sexta,'" 11.2 (1981), 213-223.

E. M. Magnus, "Originality and Plagiarism in Areopagitica and Eikonoklastes," 21.1 (1991), 87-101.

L. L. Martz, "Paradise Lost: The Realms of Light," 1.1 (1971), 71-88.

D. K. McChrystal, "Redeeming Eve," 23.3 (1993), 490-508.

J. G. Mengert, "The Resistance of Milton's Sonnets," 11.1 (1981), 81-95.

L. Miller, "The Burning of Milton's Books in 1660: Two Mysteries," 18.3 (1988), 424-437.

M. Nyquist, "Reading the Fall: Discourse and Drama in Paradise Lost," 14.2 (1984), 199-229.

C. F. Otten, "Milton's Haemony" (illustrated), 5.1 (1975), 81-95.

P. Parker, "Eve, Evening, and the Labor of Reading in Paradise Lost," 9.2 (1979), 319-342.

S. P. Revard, "Milton's Muse and the Daughters of Memory," 9.3 (1979), 432-441.

R. Richek, "Thomas Randolph's Salting (1627), Its Text, and Milton's Sixth Prolusion as Another Salting" (illustrated), 12.1

(1982), 102-131.

J. P. Rosenblatt, "'The Plot Discovered and Counterplotted'" (with text and illustrations), 15.3 (1985), 318-352.

J. B. Savage, "Comus and Its Traditions," 5.1 (1975), 58-80.

L. Schleiner, "Recent Studies of Poetry and Music in the English Renaissance," 16.1 (1986), 253-268.

P. Stevens, "Subversion and Wonder in Milton's Epitaph 'On Shakespeare,'" 19.3 (1989), 375-388.

E. W. Tayler, "Milton's Samson: The Form of Christian Tragedy," 3.2 (1973), 306-321.

R. B. Waddington, "'All in All': Shakespeare, Milton, Donne and the Soul-in-Body Topos" (illustrated), 20.1 (1990), 40-68.

J. L. Mills, "Recent Studies," 9.2 (1979), 343-352.

T. Krontiris, "Breaking Barriers of Genre and Gender: Margaret Tyler's Translation of Knighthood," 18.1 (1988), 19-39.

Montrose, Louis Adrian, "'Eliza, Queene of shepheardes,' and the Pastoral of Power," 10.2 (1980), 153-182.

_____, "Renaissance Literary Studies and the Subject of History," 16.1 (1986), 5-12.

Moody, Ellen, "Six Elegiac Poems, Possibly by Anne Cecil de Vere, Countess of Oxford" (with text), 19.2 (1989), 152-170.

Mooney, Michael H., "'This Luxurious Circle': Figurenposition in The Revenger's Tragedy," 13.2 (1983), 162-181.

Moore, Don D., "Recent Studies in Webster (1972-1980)," 12.3 (1982), 369-375.

Moore, John W., Jr., "Colin Breaks His Pipe: A Reading of the 'January' Eclogue," 5.1 (1975), 3-24.

H. Berger, Jr., "Utopian Folly: Erasmus and More on the Perils of Misanthropy," 12.3 (1982), 271-290.

A. J. Geritz, "Recent Studies (1977-1990)," 22.1 (1992), 112-140.

R. F. Hardin, "Recent Studies in Neo-Latin Literature," 24.3 (1994), 660-698.

J. P. Jones, "Recent Studies," 9.3 (1979), 442-459.

W. A. Rebhorn, "More's Enclosed Garden: Utopia and Renaissance Humanism," 6.2 (1976), 140-155.

Mortenson, Peter, "Friar Bacon and Friar Bungay: Festive Comedy and 'Three-Form'd Luna'" (illustrated), 2.2 (1972), 194-207.

Mowat, Barbara A., "Prospero, Agrippa, and Hocus Pocus," 11.3 (1981), 281-303.

A. Brody, "Three Mumming Plays" (with texts), 3.1 (1973), 105-130.

J. E. Peterson, "The Paradox of Disintegrating Form in Mundus," 7.1 (1977), 3-16.

N

G. T. Amis, "The Meter and Meaning of Nashe's 'Adieu, Farewell Earths Bliss,'" 9.1 (1979), 78-85.

R. Barbour, "Recent Studies in Elizabethan Prose Fiction," 25.2 (1995), 248-276.

R. J. Fehrenbach, "Recent Studies," 11.3 (1981), 344-350.

M. W. Ferguson, "Nashe's The Unfortunate Traveller: The 'Newes of the Maker' Game," 11.2 (1981), 165-182.

S. Geller, "Commentary as Cover-Up: Criticizing Illiberal Patronage in Nashe's Summer's Last Will and Testament," 25.2 (1995),

148-178.

P. Schwyzer, "Summer Fruit and Autumn Leaves: Nashe in 1593," 24.3 (1994), 583-619.

P. Yachnin, "The Powerless Theater," 21.1 (1991), 49-74.

Neely, Carol Thomas, "Constructing the Subject: Feminist Practice and the New Renaissance Discourses," 18.1 (1988), 5-18.

Neill, Michael, "The Moral Artifice of The Lovers Melancholy," 8.1 (1978), 85-106.

_____, "Putting History to the Question: An Episode of Torture at Bantam in Java, 1604," 25.1 (1995), 45-75.

Nelson, T. G. A., "'Bad Commodityí or 'Fair Posterity'?: The Ambivalence of Issue in English Renaissance Comedy," 15.2 (1985), 195-

224.

J. C. Meagher, "The Lord Mayor's Show of 1590," 3.1 (1973), 94-104.

E. N. McCutcheon, "Bacon and the Cherubim: An Iconographical Reading of NA" (illustrated), 2.3 (1972), 334-355.

A. Barton, "NI and the Problem of Jonson's Late Style," 9.3 (1979), 395-418.

Newhauser, Richard, "The Merlini Allegoria in English" (text), 10.1 (1980), 120-132.

Newman, Karen, "Renaissance Family Politics and Shakespeare's The Taming of the Shrew," 16.1 (1986), 86-100.

D. C. Peck, "'News': A Defamatory Narrative of the Earl of Leicester" (text), 8.2 (1978), 141-158.

Norbrook, David, "Levelling Poetry: George Wither and the English Revolution, 1642-1649," 21.2 (1991), 217-256.

A. T. Bradford, "Drama and Architecture Under Elizabeth I: The 'Regular' Phase" (illustrated), 14.1 (1984), 3-28.

M. Breitenberg, "Reading Elizabethan Iconicity: Gorboduc and the Semiotics of Reform," 18.2 (1988), 194-217.

P. Dust and W. D. Wolf, "Recent Studies in Early Tudor Drama: Gorboduc, Ralph Roister Doister, Gammer Gurton's Needle,

and Cambises," 8.1 (1978), 107-119.

Novy, Marianne L., "Patriarchy and Play in The Taming of the Shrew," 9.2 (1979), 264-280.

W. A. Ringler, Jr., "NBM" (a reconstructed text), 1.1 (1971), 27-51.

Nyquist, Mary, "Reading the Fall: Discourse and Drama in Paradise Lost," 14.2 (1984), 199-229.

O

O'Connell, Michael, "History and the Poet's Golden World: The Epic Catalogues in The Faerie Queene," 4.2 (1974), 241-267.

J. M. Perlette, "Anthony Ascham's of Marriage" (with text and illustrations), 3.2 (1973), 284-305.

W. S. Hill, "Doctrine and Polity in Hooker's Laws," 2.2 (1972), 173-193.

Opie, B. J., "The Devil, Science, and Subjectivity," 6.3 (1976), 430-452.

R. J. Manning, "Rule and order strange: A Reading of Sir John Davies' Orchestra," 15.2 (1985), 175-194.

Osmond, Rosalie, "Body and Soul Dialogues in the Seventeenth Century" (illustrated), 4.3 (1974), 364-403.

Ostovich, Helen M., "'So Sudden and Strange a Cure': A Rudimentary Masque in Every Man Out of His Humour," 22.3 (1992), 315-

332.

D. Adler, "Imaginary Toads in Real Gardens" (illustrated), 11.3 (1981), 235-260.

L. E. Boose, "Othello's Handkerchief: 'The Recognizance and the Pledge of Love,'" 5.3 (1975), 360-374.

M. Rose, "Othello's Occupation: Shakespeare and the Romance of Chivalry," 15.3 (1985), 293-311.

E. A. Snow, "Sexual Anxiety and the Male Order of Things in Othello," 10.3 (1980), 384-412.

Otten, Charlotte F., "Milton's Haemony" (illustrated), 5.1 (1975), 81-95.

P

Paglia, Camille A., "The Apollonian Androgyne and the Faerie Oueene," 9.1 (1979), 42-63.

Panja, Shormishtha, "Ranging and Returning: The Mood-Voice Dichotomy in Wyatt," 18.3 (1988), 347-368.

M. Butler, "Ben Jonson's PA and the Politics of Early Stuart Pastoral," 22.3 (1992), 369-404.

A. L. Prescott, "Intertextual Topology: English Writers and Pantagruel's Hell," 23.2 (1993), 244-266.

M. N. Clark, "The Mechanics of Creation: Non-contradiction and Natural Necessity in PL," 7.2 (1977), 207-242.

R. L. Entzminger, "Michael's Options and Milton's Poetry: PL XI and XII," 8.2 (1978), 197-211.

S. M. Fallon, "Milton's Sin and Death: The Ontology of Allegory in PL," 17.3 (1987), 329-350.

P. J. Gallagher, "'Real or Allegoric': The Ontology of Sin and Death in PL," 6.2 (1976), 317-335.

_____, "PL and the Greek Theogony," 9.1 (1979), 121-148.

L. L. Martz, "PL: The Realms of Light," 1.1 (1971), 71-88.

D. K. McChrystal, "Redeeming Eve," 23.3 (1993), 490-508.

M. Nyquist, "Reading the Fall: Discourse and Drama in PL," 14.2 (1984), 199-229.

P. Parker, "Eve, Evening, and the Labor of Reading in PL," 9.2 (1979), 319-342.

Parker, Michael P., "'All are not born (Sir) to the Bay': 'Jack' Suckling, 'Tom' Carew, and the Making of a Poet," 12.3 (1982), 341-368.

Parker, Patricia, "Eve, Evening, and the Labor of Reading in Paradise Lost," 9.2 (1979), 319-342.

Parker, Robert W., "Terentian Structure and Sidney's Original Arcadia," 2.1 (1972), 61-78.

_____, "The Art of Sidney's Heroic Impresas" (illustrated), 20.3 (1990), 408-430.

P. Edwards, "Who Wrote PMP?" 4.1 (1974), 83-97.

D. Scott, "Patten and the Authorship of 'Robert Laneham's Letter' (1575)," 7.3 (1977), 297-306.

Patterson, Annabel, "Against Polarization: Literature and Politics in Marvell's Cromwell Poems," 5.2 (1975), 251-272.

_____, "Re-opening the Green Cabinet: Clément Marot and Edmund Spenser" (illustrated), 16.1 (1986), 44-70.

_____, "Still Reading Spenser After All These Years?," 25.3 (1995), 432-444.

Pearlman, E., "Shakespeare, Freud, and the Two Usuries, or, Money's a Meddler," 2.2 (1972), 217-236.

_____, "Ben Jonson: An Anatomy," 9.3 (1979), 364-394.

_____, "George Herbert's God," 13.1 (1983), 88-112.

_____, "R. Willis and The Cradle of Security (c. 1572)," 20.3 (1990), 357-373.

_____, "Shakespeare at Work: Romeo and Juliet" 24.2 (1994), 315-342.

Pearson, D'Orsay, "'Vnkinde' Theseus: A Study in Renaissance Mythography," 4.2 (1974), 276-298.

Pebworth, Ted-Larry, "George Herbert's Poems to the Oueen of Bohemia: A Rediscovered Text and a New Edition" (with text), 9.1

(1979), 108-120.

_____, "An Anglican Family Worship Service of the Interregnum: A Canceled Early Text and a New Edition of Owen Felltham's 'A

Form of Prayer'" (illustrated), 16.1 (1986), 206-233.

Peck, D C., "'News from Heaven and Hell': A Defamatory Narrative of the Earl of Leicester," 8.2 (1978), 141-158.

K. J. Donovan, "Recent Studies (1969-1990)," 23.1 (1993), 212-220.

Pendry, E. D., "Thomas Dekker in the Magistrates' Court," 3.1 (1973), 53-59.

Pequigney, Joseph, "The Two Antonios and Same-Sex Love in Twelfth Night and The Merchant of Venice," 22.2 (1992), 201-221.

S. Dickey, "Language and Role in Per," 16.3 (1986), 550-566.

B. J. Opie, "The Devil, Science, and Subjectivity," 6.3 (1976), 430-452.

Perlette, John M., "Anthony Ascham's Of Marriage" (with text and illustrations), 3.2 (1973), 284-305.

A. Pritchard, "Unpublished Poems by Pestell" (text), 10.1 (1980), 133-147.

Peterson, Joyce E., "The Paradox of Disintegrating Form in Mundus et Infans," 7.1 (1977), 3-16.

Peterson, Richard S., "Imitation and Praise in Ben Jonson's Poems," 10.2 (1980), 265-299.

J. N. King, "Philargyrie by Robert Crowley" (text), 10.1 (1980), 46-75.

C. Limbert, "Two Poems and a Prose Receipt: The Unpublished Juvenilia of K. Philips" (text), 16.2 (1986), 383-390.

P. M. Sant and J. N. Brown, "Two Unpublished Poems by K. Philips" (text), 24.1 (1994), 211-228.

Pigman, G. W., III, "Suppressed Grief in Jonson's Funeral Poetry," 13.2 (1983), 203-220.

S. E. Fish, "Progress in PP," 1.3 (1971), 261-293.

R. M. Frye, "Bunyan, Dürer, and the Byway to Hell" (illustration), 1.3 (1971), inset following 288.

J. R. Knott, Jr., "Bunyan's Gospel Day: A Reading of PP," 3.3 (1973), 443-461.

B. P. Stranahan, "Bunyan's Special Talent: Biblical Texts as 'events' in Grace Abounding and PP," 11.3 (1981), 329-343.

J. P. Rosenblatt, "The Plot" (with text and illustrations), 15.3 (1985), 318-352.

A. Brody, "Three Mumming Plays" (with texts), 3:1 (1973), 105-130.

J. Carr, "Jonson and the Classics: The Ovid Plot in Poetaster," 8.3 (1978), 296-311.

Pollock, Zailig, "'The Object, and the Wit': The Smell of Donne's First Anniversary," 13.3 (1983), 301-318.

Post, Jonathan F. S., "Recent Studies in Marlowe," 7.3 (1977), 382-399.

R. Sylvester, "The Problem of Unity in PofF," 6.2 (1976), 125-139.

Prescott, Anne Lake, "King David as a 'Right Poet': Sidney and the Psalmist" (illustrated), 19.2 (1989), 131-151.

_____, "Intertextual Topology: English Writers and Pantagruel's Hell," 23.2 (1993), 244-266.

_____, and Steven W. May, "The French Verses of Elizabeth I" (with text and illustrations), 24.1 (1994), 9-43.

_____, "Divided State," 25.3 (1995), 445-457.

Pritchard, Allan, "Unpublished Poems by Thomas Pestell" (text), 10.1 (1980), 133-147.

J. V. Crewe, "The Hegemonic Theater of Puttenham," 16.1 (1986), 71-85.

A. D. Hall, "Tudor Prose Style: English Humanists and the Problem of a Standard," 7.3 (1977), 267-296.

R. Kegl, "'Those Terrible Aproaches': Sexuality, Social Mobility, and Resisting the Courtliness of Puttenham's The Arte of

English Poesie," 20.2 (1990), 179-208.

Q

Quilligan, Maureen, "The Comedy of Female Authority in The Faerie Queene," 17.2 (1987), 156-171.

R

Radcliffe, David Hill, "'Study to Be Quiet': Genre and Politics in Izaak Walton's Compleat Angler," 22.1 (1992), 95-111.

G. Braden, " Viuamus, mea Lesbia in the English Renaissance," 9.2 (1979), 199-224.

M. Campbell, "Inscribing Imperfection: Ralegh and the Elizabethan Court," 20.2 (1990), 233-253.

A. D. Cousins, "The Coming of Mannerism: The Later Ralegh and the Early Donne," 9.1 (1979), 86-107.

S. W. May, "Companion Poems in the Ralegh Canon" (with text), 13.3 (1983), 260-273.

J. L. Mills, "Recent Studies," 15.3 (1985), 225-244.

P. Dust and W. D. Wolf, "Recent Studies in Early Tudor Drama: Gorboduc, RRD, Gammer Gurton's Needle, and Cambises," 8.1

(1978), 107-119.

Ranald, Margaret Loftus, "The Degradation of Richard II: An Inquiry into the Ritual Backgrounds," 7.2 (1977), 170-196.

Randall, Dale B. J., "Some Observations on the Theme of Chastity in The Changeling," 14.3 (1984), 347-366.

R. Richek, "Randolph's Salting (1627), Its Text, and John Milton's Sixth Prolusion as Another Salting" (illustrated), 12.1 (1982),

102-131.

H. Dubrow, "The Rape of Clio: Attitudes to History in Shakespeare's Lucrece," 16.3 (1986), 425-441.

A. J. Geritz, "Recent Studies," 8.3 (1978), 341-350.

Rathmell, J. C. A., "Jonson, Lord Lisle, and Penshurst," 1.3 (1971), 250-260.

Ray, Robert H., "Recent Studies in Herbert (1974-1986)," 18.3 (1988), 460-475.

Raylor, Timothy, and Margarita Stocker, "A New Marvell Manuscript: Cromwellian Patronage and Politics" (illustrated), 20.1 (1990),

106-162.

_____, and J. W. Binns, "English Responses to the Death of Moritz the Learned: John Dury, Sir Thomas Roe, and an Unnoticed

Epicede by William Cartwright" (with text and translation), 25.2 (1995), 235-247.

Read, David T., "Hunger of Gold: Guyon, Mammon's Cave, and the New World Treasure," 20.2 (1990), 209-232.

Rebhorn, Wayne A., "Thomas More's Enclosed Garden: Utopia and Renaissance Humanism," 6.2 (1976), 140-155.

Revard, Stella P., "Milton's Muse and the Daughters of Memory," 9.3 (1979), 432-441.

M. H. Mooney, "'This Luxurious Circle': Figurenposition in RT," 13.2 (1983), 161-181.

J. Halverson, "The Lamentable Comedy of RII," 24.2 (1994), 343-369.

R. P. Merrix, "The Phaëton Allusion in RII: The Search for Identity," 17.3 (1987), 277-287.

M. L. Ranald, "The Degradation of Richard II: An Inquiry into the Ritual Backgrounds," 7.2 (1977), 170-196.

R. N. Watson, "Horsemanship in Shakespeare's Second Tetralogy," 13.3 (1983), 274-300.

S. Urkowitz, "Reconsidering the Relationship of Quarto and Folio Texts of RIII," 16.3 (1986), 442-466.

Richardson, David A., "Humanistic Intent in Surrey's Aeneid," 6.2 (1976), 204-219.

R. Barbour, "Recent Studies in Elizabethan Prose Fiction," 25.2 (1995), 248-276.

Richek, Roslyn, "Thomas Randolph's Salting (1627), Its Text, and John Milton's Sixth Prolusion as Another Salting" (illustrated),

12.1 (1982), 102-131.

Ringler, William A., Jr., "The Nutbrown Maid" (a reconstructed text), 1.1 (1971), 27-51.

M. B. Rose, "Women in Men's Clothing: Apparel and Social Stability in RG," 14.3 (1984), 367-391.

D. Scott, "William Patten and the Authorship of 'Laneham's Letter' (1575)," 7.3 (1977), 297-306.

Roberts, John R., "Recent Studies in Richard Crashaw (1977-1989)," 21.3 (1991), 425-445.

Roberts, Josephine A., "Recent Studies in Women Writers of Tudor England, Part II: Mary Sidney, Countess of Pembroke," 14.3

(1984), 426-439.

_____, "The Imaginary Epistles of Sir Philip Sidney and Lady Penelope Rich" (with text), 15.1 (1985), 59-77.

E. Pearlman, "Shakespeare at Work: RJ," 24.2 (1994), 315-342.

Rose, Mark, "Hamlet and the Shape of Revenge," 1.2 (1971), 132-143.

_____, "Othello's Occupation: Shakespeare and the Romance of Chivalry," 15.3 (1985), 293-311.

_____, "Conjuring Caesar: Ceremony, History, and Authority in 1599," 19.3 (1989), 291-304.

Rose, Mary Beth, "Women in Men's Clothing: Apparel and Social Stability in The Roaring Girl," 14.3 (1984), 367-391.

Rosenblatt, Jason P., "'The Plot Discovered and Counterplotted'" (with text and illustrations), 15.3 (1985), 318-352.

K. Duncan-Jones, "'Rosis and Lysa': Selections from the Poems of Sir Robert Sidney" (with texts), 9.2 (1979), 240-263.

Rossi, Joan Warchol, "Britons moniments: Spenser's Definition of Temperance in History," 15.1 (1985), 42-58.

Rossky, William, "The Two Gentlemen of Verona as Burlesque," 12.2 (1982), 210-219.

Rothberg, Michael, "An Emblematic Ideology: Images and Additions in Two Editions of Henry Vaughan's Silex Scintillans"

(illustrated), 22.1 (1992), 80-94.

Rothschild, Herbert B., Jr., "The Oblique Encounter: Shakespeare's Confrontation of Plutarch with Special Reference to Antony and

Cleopatra," 6.3 (1976), 404-429.

Rowe, George E., Jr., "Prodigal Sons, New Comedy, and Middleton's Michaelmas Term," 7.1 (1977), 90-107.

L. E. Bueler, "The Rhetoric of Change in The Changeling," 14.1 (1984), 95-113.

P. B. R. Doob, "A Reading of The Changeling," 3.1 (1973), 183-206.

C. Malcolmson, "'As Tame as the Ladies': Politics and Gender in The Changeling," 20.2 (1990), 320-339.

D. B. J. Randall, "Some Observations on the Theme of Chastity in The Changeling," 14.3 (1984), 347-366.

Ryan, Lawrence, "Chaucer's Criseyde in Neo-Latin Dress," 17.3 (1987), 288-302.

S

E. W. Tayler, "Milton's Samson: The Form of Christian Tragedy," 3.2 (1973), 306-321.

Samuelson, David A., "The Order in Beaumont's Knight of the Burning Pestle," 9.2 (1979), 302-318.

Sanderson, James L., "Recent Studies in Sir John Davies," 4.3 (1974), 411-417.

Sant, Patricia M., and James N. Brown, "Two Unpublished Poems by Katherine Philips" (text), 24.1 (1994), 211-228.

Savage, John B., "Comus and Its Traditions," 5.1 (1975), 58-80.

Schalkwyk, David, "'A Lady's "Verily" is as Potent as a Lord's: Women, Word, and Witchcraft in The Winter's Tale," 22.2

(1992), 242-272.

Schleiner, Louise, "Herrick's Songs and the Character of Hesperides," 6.1 (1976), 77-91.

_____, "Recent Studies in Poetry and Music of the English Renaissance," 16.1 (1986), 253-268.

_____, "Spenser's 'E. K.' as Edmund Kent (Kenned / of Kent): Kyth (Couth) Kissed, and Kunning-Conning," 20.3 (1990), 374-407.

Schuler, Robert M., "Theory and Criticism of the Scientific Poem in Elizabethan England," 15.1 (1985), 3-41.

Schwyzer, Philip, "Summer Fruit and Autumn Leaves: Thomas Nashe in 1593," 24.3 (1994), 583-619.

J. Shapiro, "ST and the Politics of Popular Drama," 23.3 (1993), 428-449.

Scott, David, "William Patten and the Authorship of 'Robert Laneham's Letter' (1575)," 7.3 (1977), 297-306.

A. R. Braunmuller, "The Serious Comedy of James IV," 3.3 (1973), 335-350.

I. Lancashire, "Orders for Twelfth Day and Night circa 1515 in 'SNHB'" (text), 10.1 (1980), 6-45.

Seelig, Sharon C., "The Origins of Ecstasy: Traherne's "Select Meditations,'" 9.3 (1979), 419-431.

Selkin, Carl M., "The Language of Vision: Traherne's Cataloguing Style," 6.1 (1976), 92-104.

Selzer, John L., "Merit and Degree in Webster's The Duchess of Malfi," 11.1 (1981), 70-80.

Sessions, William A., "Spenser's Georgics," 10.2 (1980), 202-238.

_____, "Recent Studies in Francis Bacon," 17.3 (1987), 351-371.

J. C. Meagher, "Robert Copland's SS" (text), 7.1 (1977), 17-50.

R. Abrams, "The Tempest and the Concept of the Machiavellian Playwright," 8.1 (1978), 43-66.

_____, "Rumor's Reign in 2 Henry IV: The Scope of a Personification," 16.3 (1986), 467-495.

M. J. B. Allen, "Macbeth's Genial Porter," 4.3 (1974), 326-336.

M. C. Andrews, "Hamlet: Revenge and the Critical Mirror," 8.1 (1978), 9-23.

D. J. Baker, "'Wildehirissheman': Colonialist Representation in Shakespeare's Henry V," 22.1 (1992), 37-61.

L. Barkan, "Diana and Actaeon: The Myth as Synthesis" (illustrated), 10.3 (1980), 317-359.

J. W. Blanpied, "'Unfathered heirs and loathly births of nature': Bringing History to Crisis in 2 Henry IV," 5.2 (1975), 212-231.

W. Blissett, "This Wide Gap of Time: The Winter's Tale," 1.1 (1971), 52-70.

B. J. Bono, "The Birth of Tragedy: Tragic Action in Julius Caesar," 24.2 (1994), 449-470.

L. E. Boose, "Othello's Handkerchief: 'The Recognizance and the Pledge of Love,'" 5.3 (1975), 360-374.

M. C. Bradbrook, "Romance, Farewell! The Tempest," 1.3 (1971), 239-249.

A. T. Bradford, "Mirrors of Mutability: Winter Landscapes in Tudor Poetry," 4.1 (1974), 3-39.

C. E. Brown, "Erotic Religious Flagellation and Shakespeare's Measure for Measure," 16.1 (1986), 139-165.

M. T. Burnett, "Giving and Receiving: Love's Labour's Lost and the Politics of Exchange," 23.2 (1993), 287-313.

J. L. Calderwood, " 1 Henry IV: Art's Gilded Lie," 3.1 (1973), 131-144.

_____, "'More Than What You Were': Augmentation and Increase in Macbeth," 14.1 (1984), 70-82.

F. V. Cespedes, "'We are one in fortunes': The Sense of History in Henry VIII," 10.3 (1980), 413-438.

C. A. Chillington, "Playwrights at Work: Henslowe's, not Shakespeare's, Book of Sir Thomas More," 10.3 (1980), 439-479.

M. Chorost, "Biological Finance in Shakespeare's Timon of Athens," 21.3 (1991), 349-370.

D. Cressy, "Foucault, Stone, Shakespeare and Social History," 21.2 (1991), 121-133.

A. B. Dawson, "The Impasse over the Stage," 21.3 (1991), 309-327.

A. C. Dessen, "Two Falls and a Trap: Shakespeare and the Spectacles of Realism" (illustrated), 5.3 (1975), 291-307.

S. Dickey, "Language and Role in Pericles," 16.3 (1986), 550-566.

M. DiGangi, "Asses and Wits: The Homoerotics of Mastery in Satiric Comedy," 25.2 (1995), 179-208.

H. Dubrow, "The Rape of Clio: Attitudes to History in Shakespeare's Lucrece," 16.3 (1986), 425-441.

M. Ferber, "The Ideology of The Merchant of Venice," 20.3 (1990), 431-464.

M. Flachmann, "Fitted for Death: Measure for Measure and the Contemplatio Mortis," 22.2 (1992), 222-241.

R. D. Fly, "'I cannot come to Cressid but by Pandar': Mediation in the Theme and Structure of Troilus and Cressida," 3.1 (1973),

145-165.

D. W. Foster, "Macbeth's War on Time" (illustrated), 16.2 (1986), 319-342.

B. Freedman, "Egeon's Debt: Self-Division and Self-Redemption in The Comedy of Errors," 10.3 (1980), 360-383.

P. S. Gourlay, "'O my most sacred lady': Female Metaphor in The Winter's Tale," 5.3 (1975), 375-395.

E. Grennan, "Telling the Trees from the Wood: Some Details of As You Like It Re-examined," 7.2 (1977), 197-206.

J. Halverson, "The Lamentable Comedy of Richard II," 24.2 (1994), 343-369.

P. Hammond, "The Argument of Measure for Measure," 16.3 (1986), 496-519.

S. H. Hawkins, "Virtue and Kingship in Shakespeare's Henry IV," 5.3 (1975), 313-343.

W. S. Hill, "Marriage as Destiny: An Essay on All's Well That Ends Well," 5.3 (1975), 344-359.

R. Hillman, "'Not Amurath an Amurath Succeeds': Playing Doubles in Shakespeare's Henriad," 21.2 (1991), 161-189.

B. Hodgdon, "He Do Cressida in Different Voices," 20.2 (1990), 254-286.

D. L. Hodges, "Cut Adrift and 'Cut to the Brains': The Anatomized World of King Lear," 11.2 (1981), 194-212.

J. V. Holleran, "Maimed Funeral Rites in Hamlet," 19.1 (1989), 65-93.

C. Hulse, "Recent Studies of Literature and Painting in the English Renaissance," 15.1 (1985), 122-140.

S. Iwasaki, "Veritas filia Temporis and Shakespeare," 3.2 (1973), 249-263.

G. B. Jackson, "Topical Ideology: Witches, Amazons, and Shakespeare's Joan of Arc" (illustrated), 18.1 (1988), 40-65.

P. A. Jorgensen, "The Metamorphosis of Honesty in the Renaissance," 3.3 (1973), 369-379.

L. L. Knoppers, "(En)gendering Shame: Measure for Measure and the Spectacles of Power," 23.3 (1993), 450-471.

C. B. Kuriyama, "The Mother of the World: A Psychoanalytic Interpretation of Shakespeare's Antony and Cleopatra," 7.3

(1977), 324-351.

D. Lanier, "'Stigmatical in Making': The Material Character of The Comedy of Errors," 23.1 (1993), 81-112.

N. S. Leonard, "Substitution in Shakespeare's Problem Comedies," 9.2 (1979), 281-381.

R. R. Macdonald, "Playing Till Doomsday: Interpreting Antony and Cleopatra," 15.1 (1985), 78-99.

L. Marcus, "The Shakespearean Editor as Shrew-Tamer," 22.2 (1992), 177-200.

C. Marshall, "Portia's Wound, Calphurnia's Dream: Reading Character in Julius Caesar," 24.2 (1994), 471-488.

C. Martindale and C. Burrow, "Clapham's Narcissus: A Pre-Text for Shakespeare's Venus and Adonis?" (text, translation, and

commentary), 22.2 (1992), 147-176.

R. P. Merrix, "The Alexandrian Allusion in Henry V," 2.3 (1972), 321-333.

_____, "The Phæton Allusion