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DEFA Filmmakers Remember the Fall of the Wall As part of our countdown to the 20th anniversary of the fall of the Berlin Wall, we are now featuring monthly vignettes highlighting how filmmakers and others involved in East German film experienced the events of 1989 - 1990. Read perspectives from Ulrich Weiß, Andreas Voigt, Christine Becker, Jörg Foth, Stefan Kolditz, Ralf Schenk, Helke Misselwitz, Claus Löser, Detlef Helmbold, Rainer Simon and Evelyn Schmidt. Ulrich
Weiß
Still,
I can’t manage to render a
STATEMENT on the fall of the Berlin Wall.
200
years earlier, in 1789, began the French
Revolution. “We are the people” became “We
are one people” and “Germany, united
fatherland.” You
might almost wish to go back two and
half millennia, This
morning I read the paper:
Translated
by Hiltrud
Schulz, DEFA Film Library Night
of Nights… November 9, 1989 by Andreas Voigt We
Didn’t Understand It—Memories of November 9th There
was nothing to smuggle that day.
Other than
the usual groceries, cheese, fruit and a TV magazine, we had nothing in
our luggage. And we weren’t invited to a party, which meant I
could come back by midnight. It was only a regular visit with family in
Berlin-Mahlsdorf; and this was why I got my way and we crossed the
border at the Heinrich Heine Strasse checkpoint, which was near our
apartment in Kreuzberg. Jurek
hated this checkpoint because the
guards there
were particularly meticulous. If he had something to bring to the boys
that shouldn’t be found in the car, he traveled
with his
East German passport and used Checkpoint Charlie to enter East Berlin.
As a citizen of West Berlin, I had to use the Friedrichstrasse
checkpoint. Then one of us had to stand around looking stupid, waiting
for the other. I didn’t like this separation at all. If we
wanted
to go to a party, we would chose the Sonnenallee checkpoint, so I could
stay until 2:00 am with my West Berlin ID card. No
party,
no smuggled
goods—that meant Heinrich Heine Strasse. And, as the saying
goes,
everything was the same as usual when we entered the GDR late in the
afternoon. It was the ninth of November. Once we
arrived in Mahlsdorf, we
unloaded the car. The television magazine came out from under the spare
tire or the floormat— sometimes Jurek changed the hiding
place
again just a few meters before the checkpoint. Once he pulled the
magazine out of its hiding place and put it back into the glove
compartment—and, on that particular day, we were not checked.
In
the sunroom, Rieke— Jurek’s first wife—
served us jet
black coffee, as usual, and cake—although it was only an hour
until dinner. Nikolaus, Jurek’s oldest son, and his
girlfriend
were already there. Leon arrived too late—also as usual. But the
conversations were
different. Nikolaus had taken some risks and gotten pictures of the
demonstrations on October 7. It was an eventful time for the whole
family. The
heated conversations were
suspended only for the news. Even today what happened that
evening by the television in Mahlsdorf—or rather what
didn’t happen—is incomprehensible to me. Five
official East
German citizens watched and listened to the press conference together.
My presence in that circle was negligible, as interpreting official
statements of the GDR authorities was not my thing. But what did the
others understand that evening? Schabowski said, a law would
go
into effect that would make it possible for every citizen to leave via
a checkpoint. But starting when? What I understood was that it was
right away—„forthwith,“ was the
word. For
obvious reasons I wonder why
the other five people in attendance that evening were in agreement that
it was only a possibility. An eventuality that GDR citizens might
possibly, and only after submitting an application, one day be approved
to cross through one of the checkpoints. So, why
shouldn’t
we have dinner in peace? And
that’s what
happened. The television was turned off and the conversations
continued.
Jurek started to get anxious around 11:00pm, which was completely
normal. He knew that any departure in the family dragged on
forever—one wished each other this and that, one was handed
this
or that, simply because one wanted to be nice. But because it was
important to him to get me back over the border before midnight, he
exuded unease. We started with the goodbyes at 11:15pm, saying
we’d be back in three or four weeks. It
turned
out that Jurek’s
discomfort was justified. As we got to the border crossing around
11:45, it was apparent that the line of people exiting the country was
much longer than usual. The whole of Heinrich Heine Straße
was
full of parked cars—of Trabants. And again I wonder: What did they understand—the East German man and the West German woman in their car at the end of the line? Nothing. We hadn‘t grasped the events that were in motion here. The fall of the Wall, perhaps? Nothing of the sort was in our minds as Jurek moved into the opposite lane at five to twelve, pulled ahead of all the Trabants and we crossed the border. On the West Berlin side of the Wall, Moritzplatz was full of people. A police officer stopped our car and asked, “How is the atmosphere over there?” “How should it be?” He wanted to know if things were peaceful. We hadn’t noticed anything un-peaceful in the long line of Trabants, so the police officer let us go—two ignorant people on their way home. Unfathomable why we didn’t suspect what was about to happen. It’s almost superfluous to say that we went to bed—without turning on the television. We slept through a momentous event. For our
little family, the next
day was to become one in which rapturous messages were acknowledged
with disproportionate bleakness. The
doorbell woke us. Jurek
thinks this was at 6 am. The boys say they would have let us sleep till
10. When
Jurek opened the door and
saw his family on the landing, he didn’t make much of an
effort
to show his excitement. The family still talks about it. (Ten minutes
later, at the breakfast table, Jurek decided the time was right to tell
his sons they’d be getting a little brother. Following in
their
father’s footsteps, they both were able to conceal their joy
about that.) Soon,
however, everyone explained
what they’d experienced that night. Nikolaus had listened to
the
radio and, at 2:30 am, his mother and the girlfriend, who had gone to
bed with henna in her hair, loaded into the car and drove to West
Berlin. Leon, who lived in Berlin-Mitte, had crossed the border on
foot. And in the early morning hours, unbelievably, they ran into each
other on the Kurfürstendamm. They had bought breakfast rolls
and
set out to surprise us. Surprise a success. Luckily, everything would
never be the way it had always been. Jurek
had
difficulties with the
new times. German unification had not been on his wish list, and not
only because he was certain it wouldn’t happen in his
lifetime.
The existence of two German states, he thought, was the guarantor of
peace, which might have had something to do with his background. That
he hoped the GDR would become a democratic state after the fall of the
Wall—that had to do with his sense of justice. The collapse
of
real existing socialism was nothing to lament. The West, however, no
longer promised people solidarity, but merely more consumerism. Sales
rise “until our word lies in rubble,” wrote Jurek
in
December 1989. At least here he had shown a little foresight.
But
otherwise, it was our disgrace that We hadn’t understood it. "Womp-bomp-a-loom-op-a-womp-bam-boom" Written by director Jörg Foth, August 2009 “Hello Jörg. What’s going on?” Thomas Plenert asked me on the telephone. He sounded as if he were just around the corner, but he was calling from the USA, where he was on tour with Helke Misselwitz, his wife Gudrun and their film Winter adé. It was a little before 10:00 pm and I didn’t know what might have been going on. “Over here, the Americans are saying the Wall is open.” “No, no,” I said. “The Prussians don’t shoot as fast as the tabloids print.” I then told him about Schabowski’s pants pocket and how he pulled a small piece of paper out of it shortly before 7:30 pm, then mumbling maybe only what he thought might have been written on it, and only confirming it when a journalist asked. Leaving the country without a statement of purpose – effective immediately, everywhere… even in Berlin. And I told Tommy that civil rights activist Sebastian Pflugbeil made the point five minutes earlier at the beginning of the 9:45 pm news on ZDF [West German TV station] that the new travel regulations only applied to citizens who had wanted to leave the GDR for a long time and not to mere tourists. It was probably too embarrassing for the GDR to have its citizens fleeing the country by way of Budapest and Prague. Tommy was reassured that he wasn’t missing anything. My wife and I went to sleep and then to work the next day. But before we got up on Friday the 10th, the telephone rang yet again. Our friend Petra who lived above us – and who had left the country a year ago – asked us over a pile of static why we weren’t on the Kudamm and dancing. All Hell had broken loose there. My wife and I took care of the kids and drove to work just like every other day. We had an evening date at the Gethsemanekirche to become members of the Neues Forum in Prenzlauer Berg at their founding meeting there. Whoever lived in Berlin, worked in Babelsberg and didn’t own a car rode the double-decker train nicknamed “Sputnik,” in the south around West Berlin. It would take 2 hours in the morning and then another 2 in the evening, or even 3 during the winter or a storm. The drive through West Berlin would have taken only half as long, meaning only 2 hours in the car instead of 4. If you didn’t count the weekends, holidays and vacation time in a 365-day year, that left you with 230 working days with 2 hours of unnecessary travel time per day, for a total of 460 hours. The Berlin DEFA feature film crew had to travel 19 full days of each year on account of the Cold War. But I liked the view from “Sputnik” of the irrigated fields south of Berlin. Flowers, ducks, deer, foxes. Rough, prickly nature changing in all kinds of weather every hour of every day, week after week, year after year, again and again. When
I was a child, I listened
to a program on a small transistor radio named "Sternchen"
AFN with a handful of friends Monday to Friday from
5:00-6:00. The right music – meaning pure rock
n’
roll – could only be found at the fair and on AFN [American
Forces Network] in the 60s, the stomping grounds of the Halbstarken,
and the Berlin frequency of the US between 5:00 and 6:00. We
always ran out of school on Wednesdays so we could still make it after
the “Pioneer Afternoon.” In 1964, I got a
Stern 4 as
a Jugendweihe
[initiation ceremony] present, which
had 2 antennae and took 6 batteries. My portable radio was
heavy,
loud and divine as it sat on my arm while I carried it through the
streets for hours. The craziest thing was that you
couldn’t
buy this music, nor could you read about it in the magazines, which
meant you didn’t know exactly what certain songs were called
or
how to spell the singers’ names. Rock
n’ roll was like an
unreachable siren’s song which had bewitched me always and
forever. He or she who followed it would be shot at the Wall,
or
at least socially and professionally ruined.
“Rivets in
studded jeans unwelcome!” was on signs posted at some
dancehalls,
often where “Swing dancing forbidden” had stood 20
years
earlier. But my songs were so restless, so light-hearted,
fun-loving, cocky and defiant. Not to listen to, but to move
by. There
was nothing that even
came close to AFN Frolic at Five. Much later, BFBS [British
Forces Broadcasting Services] started to play kindergarten songs from
Liverpool from 6:00 to 7:00, and the German West Berlin stations might
as well have joined the 1965 ban on “beat” music in
the
GDR. In September 1965, SFB [Radio Free Berlin] Tuesday
Evening
Hit Parade Music Box still refused to play “I Can’t
Get No
Satisfaction” despite popular demand. The host
explained
they would wait for the Rolling Stones’ next release and then
the
editorial board would decide whether or not the band could continue
being broadcast. This was the reason I sent a protest letter
without a return address bearing the weekly-announced pseudonym address
to the SFB concerning the matter, and then I began to listen to Radio
Luxemburg on my Stern 4 next to my bed the same evening. It
was
pretty grim from a receiver-technology angle, because the station faded
in and out - sometimes disappearing entirely – and the songs
themselves had to glimmer through the hiss. The darkness of
the
evening, being alone in bed with this static-filled sound made the
music all the more unreachable, but all-the-more powerful. In 1967, Pete Seeger visited the East Berlin Volksbühne theater. He sang in a plaid shirt, baggy flannel pants and black work boots and had a somewhat rundown guitar. We had been and still were excited about when he suddenly sung “Peat Bog Soldiers” in German. It was odd for someone outside of our music scene and our lives proper to sing a song from our flag ceremony, in which it had already devolved into an empty phrase. Following the concert, we waited at the stage exit on Linienstrasse. I asked Pete Seeger for an autograph on the cuff of my parka’s sleeve and gave him a letter for Bob Dylan to take with him, because I was very worried about him since his motorcycle accident. In this letter, I told him how important he was to us in the GDR and how it would do him well if he played here sometime. Pete Seeger signed my sleeve, but then reacted very angrily to my love letter to Bob Dylan. He refused to take it with him and said that Bob Dylan had gone crazy. At home, I wrote a letter to Pete Seeger, in which I explained to him again the urgency of the letter to Bob Dylan, included the letter to Bob Dylan into the one to Pete Seeger and then I gave them both to a girl named Angela, who was one class above me and was apprenticing as a reception desk secretary at the Hotel Berolina. She had told me Pete Seeger was staying the night there, and would put my double-letter into his box at reception. She later was expelled from school on account of reportedly having written the RIAS [Radio in the American Sector]. I didn’t know back then if I had succeeded in reaching Pete Seeger’s hotel mailbox, but I had the great feeling that I’d done everything possible for Bob Dylan. And when – to our surprise - he played on an East Berlin field in front of the Soviet memorial at Treptow on September 17, 1987, I wept many tears and knew that – even though it took 20 years – my letter had worked. This unbelievable life between two worlds came to an end on November 9, 1989. The unreachable siren songs of my childhood are now alphabetically sorted in the music stores or are available online. In the 90s, I searched for, hunted for and found all the really catchy songs and one-hit wonders stuck in my head. From “You Can’t Sit Down” by the Dovells to “Stranded in the Jungle” by the Cadets, from “Bop-A -Lena” by Ronnie Self to “Walk Right in” by the Rooftop Singers. There is nothing more to be done. But the longing, the inaccessibility of a world that only existed in the air, in the ether and in your ear was more mysterious and pretty. On November 10, 1989, I met up with my wife after work at the Gethsemanekirche, where the founding meeting of the Neues Forum in Prenzlauer Berg was lost in the sensational events of the previous night and in the coming days. It was to prove unnecessary in light of the greatest domestic German chess move ever – the opening of the Wall by the GDR government. No longer could something be brought to an end within one’s own borders. We made a date with our West Berlin friends Thomas and Gabriele Draeger for Sunday and planned on going over there not through some existing border checkpoint, but rather through one of the new, wild, recently broken holes in the Wall with both our daughters, Lola and Sarah. We went to Oderberger Strasse – because it was the closest – got in line in front of the hole in the Wall, received a stamp on a flap clipped on the back of our passport next to a People’s Police truck, climbed over fallen concrete slabs into the No Man’s Land strip, looked to the left and right the death strip and the barriers with our daughters, and then just stood there, kissing each other dearly for a long time. In 1993, I received some 8mm reels of the Family from Family Klohn – a part of my wife’s family who had fled in July 1961 – so I might eventually use parts later used in my film Prenzlauer Berg-Walzer. Arrived in the West, aunt Lilo climbed the tourist platform on Bernauer Strasse and took footage of the death strip vis-à-vis Oderberger Strasse. In 1961, with a long, slow pan, Lilo filmed exactly the spot where my wife and I kissed each other on November 12, 1989. In
those days, virtually all of
East Berlin was hauling back boxes of laundry detergent, shopping bags
and hi-fi stereo systems, since there was "welcome money" to be had in
the West. 100 marks for everyone - for every baby, every
child,
every woman, every man, every senior citizen. 17 million
times
100. Anyone in the East who later reported their identity
card as
missing and got a new one, or who had a passport at their disposal in
addition to their card, could get another 100 marks again, or even two
more times. So it was more like 30 million times 100. Suddenly
- or coincidentally - everything in the stores cost exactly
99
marks. The fall of the Wall was a magical moment for
shelf
warmers and discontinued merchandise. You could already get
welcome money before 1989 if you were from the East and permitted to
attend a West German relative's momentous birthday or other family
occasion. That way, GDR citizens could act a little more
independent or could fulfill their desires without having to lay their
relatives in the West on the table. But in 1989, the welcome
money became a kind of "cash for clunkers" program for your own life.
Whoever was ready to forget their previous life would get 100
marks for a new one. After
40 years of free healthcare and boredom in the East, the majority chose
the risks of life in the West and prosperity. The
Wall was built in 1961
because too many people wanted to go to the West from the
East.
It was opened in 1989 because too many people still wanted to go to the
West from the East. And today, 20 years later, the exodus
from
the East to the West is bigger than ever.
August 13, 1961 2004 Images courtesy of Jörg Foth Translated by Evan Torner
Screenwriter Stefan
Kolditz remembers... "Disobedience, in the
eyes of anyone who has read history, is man's original virtue." Film Historian Ralf Schenk
remembers...
Director Helke Misselwitz remembers... On
November 9, 1989, I
was at Mount Holyoke
College in Northampton, Massachusetts. Film
historian, curator
and journalist Claus Löser remembers... "My November 9, 1989" Our hangout was one of those East Berlin corner pubs that gave you the feeling that nothing had changed in the last hundred years, what with the harsh language, stifling air, and a small beer at 45 pfennigs. I was waiting for my friend Lutz. Lutz and I had made several 16mm films together and wanted to talk about future plans. The German Reichsbahn estimated about four hours to get from Karl Marx Stadt to Berlin and - taking the usual delays into account - Lutz should arrive in the next hour.The twilight trickled into Friedrich Strasse, as I looked at the cemetary across the street. The curvacious waitress wordlessly served me my second beer and marked it with a new line on the round coaster. The pub began to fill up with workers stopping for a beer after work. A couple sat down at my table; both were getting on in years – but I think they were younger than I am now. They suspiciously eyed both me and my notebook. Pop music blared from the speakers. I had moved from Karl Marx Stadt when I was 25. Now I was living in Zernsdorf, a little village close to Königs Wusterhausen and Berlin. I had moved because the documentary filmmaker Helke Misselwitz had fixed me up with a job as a researcher at the DEFA Studio for Documentary Films. I‘d hoped that this might help me enter the Academy for Film and Television in Potsdam-Babelsberg, since I‘d been denied admission even after passing the entrance exams. I didn’t have a clue what to do next. Applying to leave East Germany was starting to sound like a good idea. They obviously did not want me there. With these bleak thoughts running through my mind, I stared at the empty pages in my notebook and barely registered the next line on my coaster. There was still no sign of Lutz. The waitress changed the music and Karel Gott began to sing: "The devil may care, I am in love with Maria Magdalena..." The couple got comfortable; they talked and joked, their heads leaned close together; they drank beer and brandy in hearty draughts. By now, the waitress had to come to our table quite often, and the couple’s coaster had many more lines than mine. I scribbled more things in my notebook, more out of boredom than because I had something important to write. "Are you a writer?" the man at my table asked in my general direction – half in jest and half provocative. "No," I answered and put down My pen; "I'm just forgetful - that‘s why I have to write everything down." Finally, Lutz came into the smoky pub, his face showing the signs of a long journey. He put his bag on the floor and said, "Something‘s going on out there...." The waitress had changed the music once more and now Karel Gott was singing: "Everything, absolutely everything about you suits me so well!" It was hard to see the clock through the cigarette smoke, but with some effort I noticed it was almost midnight. Everyone in the pub was looking out the big window at Friedrich Strasse; there were scores of people outside, all of them heading in the direction of Invaliden Strasse. Yes, something really was going on! A man in his late 50s, apparently a regular customer, hurried into the pub and yelled at the waitress, "Uschi, turn that crooner off! Turn on the radio!" This was when we heard on the RIAS radio station that an apparently confused Günther Schabowski had proclaimed the Wall open during an international press conference. Lutz and I, the couple at my table, Uschi the waitress, the regular customer, and all the other people in the pub went outside. The East was pouring into the West and there was no way to stop it. Lutz and I went back into the stifling pub and went back to drinking our beer. Then suddenly the waitress was in her street clothes, instead of her greasy apron. She hastily put two beers in front of us: "They‘re on the house. But we‘re closing in a minute, so drink up!" We were both really exhausted. In my jacket pocket I had an apartment key that a friend had given to me before leaving for the West via Hungary a few weeks earlier. After we finished our beers we walked in opposite direction from the stream of people - we didn‘t say a word. Tomorrow, definitely tomorrow, we would cross the border. But that would be another story.
Artist Detlef Helmbold
remembers... “Actually, I
Wanted to Go to Bed Early... ” Friends
and I later
came to the conclusion that the lowest common denominator and a
cross-section of East German society had been present.
Christians, leftwing liberals, middle-class intellectuals, hard-line
communists, social and Christian democrats, the not-yet-visible new
rightwingers and the hypocritical democrats . . . everyone pulled
together, and it all happened under the sharp eyes of the
„good
old Stasi.“ All these people were unified by one
collective
wish for change – for democracy, in the sense of bringing
prosperity, and by the desire to travel, the hatred of the old
structures of the East German society. And many demonstrators were
still filled with the hope that it was possible to combine socialism
and democracy. Then
the GDR TV
station, which I had hardly watched for the last three weeks, broadcast
a live press conferece with Günter Schabowski, of the SED
Politburo. Ricardo Ehrman, the Italian ANSA press agency’s
GDR
representative, asked: “Don’t you think it was a
big
mistake to introduce the new travel regulations?” Schabowski
answered that it was very complicated, as there had been the risk of
riots. He continued, “And so today a decision was made, as
far as
I know. [...]Today we have decided to insitute a regulation that allows
every citizen of the German Democratic Republic to leave the GDR at any
of the border crossings.” When
Ehrman asked when
it would go into effect and if it also applied to West Berlin,
Schabowski stuttered that he’d been told this regulation
would be
implemented immediately and without delay... and that it also applied
to West Berlin. When this press conference was over, I switched to the
West German stations I usually watched, like ARD and ZDF. The
first station reported that people were starting to gather at about
checkpoints in Berlin to test the new regulation, but that the border
was still closed. When we hit the street, I noticed there were a lot of other people out too – but it was very quiet and the night was enshrouded in silence. I could only hear the sound of footsteps. Very quietly, as if nobody wanted to be heard, people were walking, or sitting and looking out of the streetcar window. Everybody knew the next guy’s plan – but nobody wanted to admit it to themselves, let alone say it aloud. Everyone got out of the streetcar at the corner of Borholmer and Schönhauser Allee. It was very dark; only a few streetlights illuminated the streams of people. A mass of East German citizens, like shadows, walked along the street in the direction of a huge spotlight: the checkpoint. I was afraid of what might happen if the border guards hadn’t yet been informed that Mr. Schabowski, on account of his stupidity, had opened the border at 6:53 p.m. Even if they did know about it, the situation might escalate because the mass of people looked threatening. Like insects attracted by the light, people walked toward the border crossing. Thousands of East Berliners were already there and were trying to convince the border guards with peaceful discussions and loud chants like “Open the gate!” and “No violence!” It seemed absurd to stop the avalanche caused by the press conference. Left to their own devices by all their higher-ups, the border guards on duty only succeeded in slowing down the mass pressing toward West Berlin; but they were not able to stop them. When we got closer to the crossing, something happened that we would never have expected: the guards gave up their seemingly helpless resistance, the barrier opened and thousands of Berliners poured over the border. When the “illegal border crossers” took stock of the situation, they started to cry and scream, to laugh, to wildly dance around and shake their heads, to run or walk around. People who had never met hugged and kissed each other, and the word “crazy” was on everyone’s lips. Ines and I were swept up in the swirl of the masses and were more-or-less carried by others into the West. On the other side of this hitherto insurmountable border, the citizens of West Berlin and their friends stood in cordons to welcome us. Everybody tried to catch an “Ossi” and show him/her the west part of the town. They patted our backs and welcomed us with champagne. Ines and I were fished out of the crowd by a West Berlin architect and his girlfriend from Bremen. After an affectionate welcome and a brief exchange of names and professions, we found ourselves sitting in their car, driving to the Kurfürstendamm, the best-known street in West Berlin. It looked like the people there had not yet realized what was going on. In that short moment, we could feel how this part of the city, this island ticked. Our hosts walked with us along the quiet streets, showing us famous corners and places, such as the place where Cabaret was shot with Liza Minelli in 1972. Gradually, the news of the opening of the Wall spread throughout West Berlin, and the first Trabbis and Wartburgs arrived, honking their horns and flying flags. Manfred and Birgit, our “tour guides,” took very good care of us. They treated us to food and drinks at restaurants. Ines, far-sighted as always, had quickly grabbed a 10-mark bill before our “flight” – just in case. But we soon noticed that this amount didn’t help us much at all. We walked through the night and the glittering world of a European metropolis looked like I had imagined it. There was the abundance, the glamor, the wealth that we will never fully recount, the big chic cars, the women offering their services on street corners, homeless people and beggars lying on subway airshafts, trying to escape the night’s cold. And we also saw other things for the first time: the ruins of the Gedächtniskirche, the Europa Center with the fascinating “water ball” – a fountain designed by Joachim Schmetau – or the Zoo Palast, where we felt like we are at home in our city. It was around 2:00 am, when Manfred and Birgit took us to a Greek restaurant. There were a lot of people there, but it wasn’t crowded. The restaurant owner came and welcomed us when we sat down. Manfred told him we had come over from East Berlin and he immediately said that dinner and drinks were on the house . . . and gave us his autographed picture. Later, we learned that his name was Kostas Papanastasiou, a famous actor who had played the role of a Greek restaurateur in a well-known TV soap opera. An hour later, the restaurant was completely full, but the waiters kept setting up more tables and chairs. The place kept getting louder and customers walked from one table to the next, talking about only one topic: the open Wall. A young boy was selling the latest issue of the Bild Zeitung with the wonderful headline, “We Made It – The Wall Is Down.” Everyone tried to get a copy of this special black-red-and-gold issue, but it was sold out in seconds. As the atmosphere became increasingly exuberant, the first round of customers started dancing between the tables. At that very moment, the door opened and a group of people entered the restaurant; another table was added next to ours, and the famous East German writer Stefan Heym sat down next to us. We couldn’t believe it. Ines and I approached him and thanked him for his unwavering political engagement in the last years. He was one of the East German authors who had always drawn attention to political circumstances, despite being persecuted himself. The works of the communist Stefan Heym had now become a part of history, because they had helped to bring down the GDR system. Time passed so quickly. At one point, Ines said she wouldn’t even be surprised if Manfred Krug – the famous actor and singer who left the GDR in the late 1970s – walked through the door. We knew that he lived close by. And it wasn’t long before he in fact DID come into the restaurant! Everybody was simply ecstatic – dancing, drinking, talking, wanting to savor this moment forever. It seems like such moments of happiness – the happiness of a whole night – don’t happen very often. The 9th of November – the day of the Wende - made history for the German nation, and it became a day laden with positive meaning. Our hosts, Stephan Heym, Manfred Krug and all the other customers celebrated until the wee hours of the morning. And then we thought that it might be time to go home or, as a German saying goes, “quit while we were ahead.” Manfred and Birgit took us back to the Bornholmer Straße crossing, where people were crossing in both directions – people who had partied all night heading back East, and people who had slept through the night to end all nights were heading West. After
the boundless
happiness of the last few hours, I had a moment of doubt and fear:
“What if the border guards don’t let us back to
East
Berlin?” But it proved unfounded. Ines and I went home,
overwhelmed by the events of the previous night. We took a shower, ate
breakfast and, as if nothing happened, we went to work. But
we
were almost alone at the office, because a whole city wanted to see the
other part of town and a whole country was crossing to the other side
of the Wall. In one night, Germany had begun to overcome its
division. It would be a long and difficult journey, but at
least
it had begun. Walls and borders can be taken down quicker than the
walls in the minds of people. The next time we went back to the West
was a month and a half later. By that time, it already felt normal to
live in a nearly unified Germany. Director
Rainer Simon remembers... That
evening I had an
old friend over. He was an astrophysicist, a world-renowned expert in
sun physics, whom I had known for many years. Despite this, East German
higher-ups did not allow him to travel to the West, neither to attend
international congresses, nor to meet colleagues. He was not what was
called a "travel-cadre." To the point of despair, he asked himself why
not. Later, he read in his Stasi files that he was denied the right to
travel because of his contacts with "suspect" artists ... such as the
authors Christa Wolf and Günter de Bruyn, the sculptor Wieland
Förster, and filmmakers Rainer Simon and Lutz Dammbeck. Director
Evelyn Schmidt remembers... Stay
tuned for next month's filmmaker! |
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For questions related to the website please contact Jessica Hale |