Research interest in the ethnography of communication, communication codes, and cultural discourse analysis. Areal interests in Australian, Blackfeet, Finnish, Russian, and USian practices. Focal concerns are environmental communication and intercultural communication.
For a description of our graduate area in Social Interaction and Culture see:
My research interests include the study of digital media and telecommunication policy, Latina/ethnic media studies, and global communications. My work promotes "engaged scholarship" and aims to address inequality, power, community voices, and the role of intersectionalities in shaping media and cultural spaces. My recent co-edited books are: Mothers in Academia. (May 2013). Columbia University Press; Soap Operas and Telenovelas in the Digital Age: Global Industries and New Audiences. (2011). Peter Lang Publishers.
ScholarWorks (including examples of community-based student work): http://works.bepress.com/mari_castaneda/doctype.html#presentation
Director of Diversity Advancement: http://www.umass.edu/sbs/faculty/search_guidelines.htm
Profiles of my work at UMass Amherst: http://www.umass.edu/sbs/faculty/profiles/castaneda.htm http://www.umass.edu/researchnext/giving-voice
My research interests include political economy, postcolonial theory, cultural economy and global media governance. My work has been published in journals such as Economic and Political Weekly, The International Journal of Communication, Media, Culture and Society, Social Semiotics, Television and New Media among others. I have co-authored Race, Empire and the Crisis of the Subprime (Johns Hopkins University Press, 2013), Media Policy and Globalization (Edinburgh University Press, 2006 and Palgrave, 2007) and am the Co-Editor of Global Communication: Toward a Transcultural Political Economy (Rowman & Littlefield, 2008)
My research interests include cultural studies, media theory and criticism, and philopsohy of communication.
My current and ongoing research interests are focused on international cinema, primarily non-western cinema (Cinemas of the Global South)--especially Arab, Asian, and African cinema; international co-productions; diasporic audiences; international transmedia stardom and celebrity; international film festivals; Afropop and Arabpop music and film; intercultural film/video and multimedia installations by women. My writing has appeared in the following academic journals and arts publications: Afterimage, Asian Cinema, Asian Journal of Communication, Cinema Journal, Cinemaya, Film Quarterly, History, Journal of Film and Video, Journal of Popular Film and Television, Jump Cut: A Review of Contemporary Media, Literature/Film Quarterly, Quarterly Review of Film and Video, Spectator: Journal of Film and Television Criticism, Tamkang Review, Velvet Light Trap, and others. My authored or coauthored articles have been published in the anthologies Fandom: Identities and Communities in a Mediated World (New York University Press, 2007), Global Currents: Media and Technology Now (Rutgers University Press, 2004), Fifty Contemporary Filmmakers (Routledge, 2002, and the 2nd edition Fifty Contemporary Film Directors, 2010), Transnational Chinese Cinemas (University of Hawaii, 1997), and others. I am also editor of the book Contemporary Asian Cinema: Popular Culture in a Global Frame (Berg, 2006) and a special issue of the journal Quarterly Review of Film and Video on the International Film Star (Volume 19.1, 2002).
My research interests revolve around power, identity, body and culture, particularly as they are connected to discourse and performance. I generally situate my research in the context of social justice, critical pedagogy and community activism. My work has appeared in feminist, community service learning, communication, education, performance, mediation and development communication journals and in books dealing with topics such as whiteness studies, food studies, meda literacy, intercultural communication, communication education, communication activism, ethics and new media. Of particular concern in my work are the performances and spaces in which bodies are identified and legislated as raced, gendered, classed, etc.