Books
Benson, Thomas W. and Carolyn Anderson. Reality Fictions: The Films of Frederick Wiseman. Carbondale: Southern Illinois University Press, 1989. Revised edition, 2002.
Carolyn Anderson and Thomas W. Benson. Documentary Dilemmas: Frederick Wiseman's “Titicut Follies.” Carbondale: Southern Illinois University Press, 1991.
Chapters in Books
Anderson, Carolyn, and Jonathan Lupo. "Hollywood Lives: The State of the Bio-Pic at the Turn of the Century." In Genre and Contemporary Hollywood, ed. Steve Neale, 89-102. London: British Film Institute, 2002.
Anderson, Carolyn. "Contested Public Memories: Hawaiian History as Hawaiian or American Experience." In Television Histories: Shaping Collective Memory in a Media Age, ed. Gary R. Edgerton and Peter C. Rollins, 144-168. Lexington: University of Kentucky Press, 2001.
Ouellette, Laurie, and Carolyn Anderson. "Reading the Talk Show: The Politics of Talk Soup.” In The Eye of the Beholder: Critical Perspectives in Popular Film and Television, ed. Gary Edgerton, Michael Marsden, and Jack Nachbar, 213-238. Bowling Green: Bowling Green University Press, 1998.
Anderson, Carolyn. "Diminishing Degrees of Separation: Class Mobility in Movies of the
Reagan-Bush Era.” In Beyond the Stars 5: Themes and Ideologies in American Popular Film, ed. Paul Loukides and Linda K. Fuller, 141-163. Bowling Green: Bowling Green
University Press, 1996.
Anderson Carolyn, and Thomas W. Benson. "'Put Down the Camera and Pick Up the Shovel': An Interview with John Marshall." in The Cinema of John Marshall, ed. Jay Ruby, 135-167. Philadelphia: Harwood, 1993.
Benson, Thomas W. and Carolyn Anderson. "The Freeing of Titicut Follies.” In Free Speech Yearbook, Volume 30,1992, ed. Dale A. Herbeck, 40-55. Carbondale: Southern Illinois University Press, 1992.
Anderson, Carolyn and Thomas W. Benson. Setz die Kamera ab undgreifzur Schuafer: Ein Interview with John Marshall." In Jager und Gejagle: John Marshall und seine Filme [TheHunter and the Hunted: John Marshall and His Films}, ed. R. Kapfer, W. Petermann, and R. Thomas, 135-165. Munich: Trickster Verlag, 1991.
Benson, Thomas W. and Carolyn Anderson. "The Ultimate Technology: Frederick Wiseman's Missile." In Communication and the Culture of Technology, ed. Martin J. Medhurst, Alberto Gonzales and Tara Rai Peterson, 257-283. Pullman: Washington StateUniversity Press, 1990.
Anderson, Carolyn. "Biographical Film." In Handbook of American Film Genres, ed. Wes D. Gehring, 331-351. Westport, CT: Greenwood Press, 1988.
Anderson, Carolyn. "Film and Literature." In Film and the Arts in Symbiosis: A Resource Guide, ed. Gary Edgerton, 97-134. Westport, CT: Greenwood Press, 1988.
Anderson. Carolyn and Thomas W. Benson. "Direct Cinema and the Myth of Informed Consent: The Case of Titicut Follies" In Image Ethics: The Moral Rights of Subjects in Photography, Film and Television, ed. Lany Gross, John Katz, and Jay Ruby, 58-90. New
York: Oxford University Press, 1988.
Benson, Thomas W. and Carolyn Anderson. "Good Films from Bad Rules: The Ethics of
Naming in Frederick Wiseman's Welfare. In Visual Explorations of the World: Selected Papers from the International Conference of Visual Communication, ed. Jay Ruby and
Martin Taureg. 2-27. Aachen, West Germany: Radar Veriag (Edition Herodot), 1987.
Anderson, Carolyn. "The Titicut Follies Audience and the Double Bind of Court-Restricted Exhibition." In Current Research in Film: Audiences, Economics and Law, ed. Bruce A. Austin, vol. 3: 189-214. Norwood, NJ: Ablex, 1987.
Journal Articles
Anderson, Carolyn. “The Abiding Salience of the Local in a Global Age: The Case of Hawaiian History.” Spectator 23, no. 1 (2003): 83-98.
Anderson, Carolyn. "The Conversation as Exemplar and Critique of Sound Technology " Post Script 6, no. 3 (1987): 13-30.
Benson, Thomas W. and Carolyn Anderson. "The Rhetorical Structure of Frederick Wiseman's Model." Journal of Film and Video 36, no. 4 (1984): 30-40.
Anderson, Carolyn, Marlene G. Fine, and Fern L. Johnson. "Black Talk on Television: A
Constructivist Approach to Viewers' Perceptions of Black English Vernacular in Roots II." Journal of Multilingual and Multicultural Development 4 (1983): 181-195.
Anderson, Carolyn. "The Conundrum of Competing Rights in Titicut Follies." University Film Association Journal 33, no. 1 (1981): 15-22.
Fine, Marlene G., and Carolyn Anderson. "Dialect Features in the Language of Black Characters on Television Situation Comedies." Phylon 41 (1980): 396-409.
Fine, Marlene G., Carolyn Anderson, and Gary Eckles. "Black English on Black Situation Comedies." Journal of Communication 29, no. 3 (1979): 21-29.
