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The Authority of the Made Thing

Darby English, Starr Director of the Clark Art Institute's Research and Academic Program and Consulting Curator at MoMA presents ‘“The Authority of the Made Thing’”

What does it mean to insist on the unchanged status of art, even when artists find themselves enmeshed in extraordinary political circumstances -- which tend to demand 'change' of everything and everyone? What about a politics of representation that refuses to represent? Is it still a politics?