• "Odoni's Façade: The House as Portrait in Renaissance Venice," Journal of the Society of Architectural Historians 66 (Sept. 2007): 294-315.
• "Virtuous riches: The Bricolage of Cittadini Identities in early sixteenth-century Venice,” Renaissance Quarterly 57 (2004): pp. 908-69.
• “The Dating of Marcantonio Michiel’s ‘Notizia’ on Works of Art in Padua,” The Burlington Magazine 145 (August 2003): pp. 564-71.
• “Falling Through the Cracks: The Fate of Painted Palace Façades in Sixteenth-Century Italy.” In The Built Surface. Architecture and the Pictorial Arts from Antiquity to the Enlightenment, Volume 1, edited by Christy Anderson. London: Ashgate, 2002, pp. 130-161.
• “The Display of Distinction: Art Collecting and Social Status in Early Sixteenth-Century Venice,” PhD Dissertation. Ann Arbor: UMI, 1997.
• "Botticelli's Images of Simonetta Vespucci: Between Portrait and Ideal." Rutgers Art Review 15 (1995): 33-57
• Venice. Practitioners and Patrons: Collaboration in the Graphic Arts. With Annette Dixon. Exh. cat. University of Michigan Museum of Art, Sept. 1996 - January 1997.

• Faculty Research Grant, University of Massachusetts, 2005.
• Gladys Krieble Delmas Foundation Grant for Study in Venice and the Veneto, 2004.
• Villa I Tatti Fellowship, Harvard University Center for Italian Renaissance Studies, Florence, Italy, 2000-2001.
• Gladys Krieble Delmas Foundation Grant for Study in Venice and the Veneto, Summer 2000.
• Lilly Teaching Fellowship, University of Massachusetts, 1999-2000.
• Faculty Research Grant, University of Massachusetts, 1999.

Selected Professional Papers

• "The 'quadro da portego,' a Genre of Venetian Painting," National Gallery of Art, Washington, D.C., September 16, 2006.
• "Marcantonio Michiel's 'Notizia díopere del disegno': A Problematic Legacy," Wesleyan Renaissance Seminar, Wesleyan University, Middleton, CT, November 17, 2004.
• "Face/Façade: Exhibiting Subjectivity in the Casa Odoni, Venice," Five-College Renaissance Seminar, Massachusetts Center for Renaissance Studies, Amherst, October 21, 2004.
• "'La Fronte e l'Abitazione,' Composite Identity in the Casa Odoni," A Casa: People, Spaces and Objects in the Renaissance Interior, Villa I Tatti, Florence, June 10-11, 2004.
• "Collecting Art and History in Renaissance Venice: Marcantonio Michiel's Notizia d'Opere del Disegno," Massachusetts Center for Renaissance Studies, University of Massachusetts, Amherst, November 8, 2001.
• "The Bricolage of cittadini Identities in the Early Sixteenth Century," International Congress on Medieval Studies, Kalamazoo, May 4-7, 2000.
• "Marcantonio Michiel—A Venetian Vasari?," College Art Association, New York, February 23-26, 2000.
• "Faces and Façades: The Presentation of the Self in a Venetian Frescoed House Front," Arizona Center for Medieval and Renaissance Studies Interdisciplinary Conference, Tempe, Arizona, February 18-20, 1999.
• "Florentine Cassoni: Renaissance Paintings for Married Couples," Museum of Fine Arts, Springfield, Massachusetts, October 22, 1998.
• "Display, Distinction, and Class Identity: Andrea Odoni as a cittadino Collector in Early Sixteenth-Century Venice," College Art Association, New York, February 12-15, 1997.
• "Contemplation, Collecting and Status in Early Sixteenth-Century Venice: Lorenzo Lotto's Portrait of the cittadino Collector Andrea Odoni," Venice Reflected: The Making of Culture 1500-1800, University of Michigan, Ann Arbor, October 11-13, 1996.
• "Circulation and Exchange: Some Thoughts on 'Virtual' Collecting," Representing the Roman Past—Archaeologists, Museums, Logistics, Legalities: An International Collaboration between the Soprintendenza Archeologica di Roma and the Kelsey Museum of Archaeology, University of Michigan, Ann Arbor, October 4-5, 1996.
• "Botticelli's Portraits of Simonetta Vespucci: Images of Women Between Portrait and Ideal," Regional Central Renaissance Conference, St. Louis, March 27-29, 1994.
• "Viewing the Italian Renaissance Interior: Sano di Pietro's Birth of the Virgin," University of Michigan Museum of Art, October 18, 1992.