William T. Oedel
William T. Oedel received the Outstanding Teacher
Award for the College of Humanities and Fine Arts in 1996. He
offers lecture courses on American art and architecture to 1940
and seminars on nineteenth-century American painting. The seminars
center on individual artists--including Cole, Mount, Homer, and
Eakins--through whom one encounters the cultural and historical
contexts. Professor Oedel is especially concerned with how artists
participate in ideological and political discourse, and he has
directed a good deal of student research into constructions of
race, labor, class, the family, and gender, as well as issues
bearing on spirituality, industrialization, the art market, and
tourism. From time to time he offers the graduate seminar in museum
studies alternately given by Walter
Denny.
Professor Oedel received the B. A. magna cum laude
from Harvard,
the M.A. from the Winterthur
Program in Early American Culture, and the Ph.D. from the
University of Delaware,
where he was given the Wilber Owen Sypherd Award for the Outstanding
Dissertation in the Humanities. He was Curator at The Historical
Society of Pennsylvania in Philadelphia before joining the faculty
at Massachusetts. He has held fellowships from the Rockefeller
Foundation and the National
Endowment for the Humanities, as well as a Smithsonian Senior
Postdoctoral Fellowship at The National
Portrait Gallery in Washington. Much of his publishing has
contributed to museum catalogues, recently The Peale Family and
catalogues of the permanent collections at the Detroit
Institute of Arts and the Springfield Museums. The article
on William Sidney Mount which he coauthored with Todd S. Gernes,
then a graduate student at the University of Massachusetts, appears
in the anthology Reading American Art (Yale 1998). Professor
Oedel is completing the book John Vanderlyn and the Art of
Politics.
Students specializing in American art at Massachusetts
have secured positions in museums, auction houses, secondary schools,
slide libraries, and historic sites; many enter doctoral programs
in art history, lately at Delaware, Michigan, Princeton, and California
at Santa Barbara.