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An Exhibition designed by Hannah Smith '96 and Alice Sprito '96 Art History Majors at UMass/Amherst with technical assistance from |
| WHY MASKS?
The mask is a symbol of what takes place in the library. People go into the library to read books and educate themselves. Reading a book transports us into another world, unleashing our imagination in the pursuit of knowledge. Similarly, masks, be they designed for theatrical or ritual purposes, help convey us to another world, kindling our powers of imagination in the pursuit of self-knowledge. Both the book and the mask are thus catalysts, the "express route" of our title. |
WHY THE GREEKS?
Of all the buildings on campus, the W.E.B. Du Bois Library is the most representative of UMass' mission to educate, to combat ignorance, and to achieve self-knowledge. Greek culture lies at the heart of this ideal, since the Greeks were the first to suggest that education lay within the grasp of many, not just the elite. Much of early Greek education, however, took place through mythology and theater. Plays were mediators of Greek literature for the illiterate majority of the people. Theatrical productions were thus cultural learning experiences. It was through mythology and drama that the Greeks addressed universal concepts of the world and the human race. The mythological masks found here illustrate some of the ideas and ideals, particularly the notion that the world is a chaotic place, and the best antidotes humans can devise fot it are order and balance. |
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These mythological masks were made for Professor Laetitia La Follette's spring semester AH500 Greek Art History course in 1995 (grey background), 1996 (white background), and 1997 (black background). They are displayed with the KORE at the top to stress the Greek ideal of balancing human emotions with the life of the mind. The GORGONS, SATYRS, and CYCLOPS are creatures of the imagination, and represent the emotions that strongly affect us, such as fear, lust, and anger. DIONYSOS and the BUTTERFLY are symbols of human transformation into altered states of conciousness, such as passion and death. As a whole, the arrangement follows Greek thought in placing humankind in delicate balance between the order of the mind and the power of emotion. The KORE ties these concepts together as the ultimate Greek symbol of self-control and the reaching of a perfect symmetry between intellect and emotion. |