Friedman's approach to understanding the world and its logic has long been expressed through the laborious, painstakingly precise and unexpected methods that he uses. His work is often autobiographical, recreating random elements from his own life and surroundings. To create these sculptures and objects he uses everyday materials including styrofoam, paint, paper, card, clay, wire, plastic, hair and fuzz. He pays obsessive attention to detail in each work, particularly in the replication of personal characteristics.
Friedman states: "Art, for me, is a context to slow the viewer's experience from their everyday life in order to think about things they haven't thought about. Or to think in a new way."
This year, a major new acquisition by The Contemporary Austin, Texas, was installed on the grounds of the Betty and Edward Marcus Sculpture Park. Towering nearly thirty-three feet high, ‘Looking Up' is the largest work of art by the artist to date. In 2014, the Tel Aviv Museum of Art in Israel installed Friedman's major work ‘Up in the Air' as part of a series of site-specific installations at the Lightfall.
Friedman had an important mid-career exhibition in 2000 entitled ‘Tom Friedman: The Epic in the Everyday', South-Eastern Centre for Contemporary Art, Winston-Salem, North Carolina, USA. This exhibition toured to the Museum of Contemporary Art, Chicago, Yerba Buena Center for the Arts, San Francisco, Aspen Art Museum, Aspen, and The New Museum of Contemporary Art, New York. A monograph on the artist was published by Phaidon in 2001.
Recent solo exhibitions include; ‘Gravity', Stephen Friedman Gallery, London, England (2014); ‘Paint and Styrofoam', Luhring Augustine, New York, USA (2014); Stephen Friedman Gallery, London, England (2012); ‘Up in the Air', Magasin 3, Stockholm Konsthalle, Stockholm; touring to FRAC Montpellier, France (2010); ‘REAM', Saint Louis Art Museum, Saint Louis, USA (2009); ‘Pure Invention', Mildred Lane Kemper Art Museum, Saint Louis (2006); ‘Tom Friedman', South London Gallery, London, England (2004); ‘Stitching', Fondazione Prada, Milan, Italy (2002).
Recent notable group exhibitions include; ‘Visual Deception II: Into the Future', The Bunkamura Museum of Art, Shibuya-ku, Japan; touring to Hyogo Prefectural Museum of Art, Kobe, Japan; Nagoya City Art Museum, Nagoya, Japan (2015); ‘Room by Room: Monographic Presentations from the Faulconer and Rachofsky Collections', The Warehouse, Dallas, Texas, USA (2014); ‘Study from the Human Body', Stephen Friedman Gallery, London, England (2014); ‘Seismic Shifts', The National Academy Museum, Manhattan, New York, USA (2013); ‘Lifelike', Museum of Contemporary Art San Diego, San Diego, USA (2013); ‘Invisible Art: About the Unseen, 1957 - 2012', The Hayward Gallery, London, England (2012); ‘Paper', Musée d'Art Moderne et d'Art Contemporain, Nice, France (2012); ‘All that Glisters', Stephen Friedman Gallery, London, England (2011); ‘Floor Corner Wall', Fort Worth Contemporary Arts, Fort Worth, Texas, USA (2010); and ‘Chasing Napoleon', Palais de Tokyo, Paris, France (2009).
Friedman's works are included in prominent collections internationally, including the Aspen Art Museum, Colorado; Guggenheim Museum, New York; Metropolitan Museum of Art, New York; Museum of Modern Art, New York; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art, California, and Magasin 3 Stockholm Konsthall, Stockholm